Today is St. Peter’s day, when we remember the disciple who for all his many mistakes, knew how to recover and hold on, who, for all his waverings was called by Jesus ;the rock’, who learned the threefold lesson that every betrayal can ultimately be restored by love. It is fitting therefore that it is at Petertide that new priests and deacons are ordained, on the day they remember a man whose recovery from mistakes and openness to love can give them courage. So I post this poem not only for St. Peter but for all those being ordained this weekend and in memory of my own ordination on this day 22 years ago.
As always you can her the poem by clicking on the ‘play’ button, or on the title of the poem.
So keep his fires burning through the night Beacons and gateways for the child of light.
In our poetic journey through the sacred seasons of the year we have come to midsummer! The traditional Church festival for this beautiful, long-lit solstice season is the Feast of St. John the Baptist, which falls on June 24th, which was midsummer day in the old Roman Calender. Luke tells us that John the Baptist was born about 6 months before Jesus, so this feast falls half way through the year, 6 months before Christmas!
The tradition of keeping St. John’s Eve with the lighting of Bonfires and Beacons is very ancient, almost certainly pre-Christian, but in my view it is very fitting that it has become part of a Christian festivity. Christ keeps and fulfills all that was best in the old pagan forshadowings of his coming and this Midsummer festival of light is no exception. John was sent as a witness to the light that was coming into the world, and John wanted to point to that light, not stand in its way, hence his beautiful saying ‘He must increase and I must diminish’, a good watchword for all of those who are, as the prayer book calls us, the ‘ministers and stewards of his mysteries’.
I have written two sonnets, one for St. John’s Eve reflecting on the lighting of the fires and another for St. John’s day in which , in honour of the Baptist, I reflect on the mystery and grace of baptism itself.
I am very grateful to the artist Rebecca Merry for her beautiful interpretation of this feast and these poems.
As usual you can hear the poems by pressing the ‘play’ button if it appears, or else by clicking on the title.
The 16th of June is Bloomsday, the day on which Joyce’s masterpiece Ulysses is set. I have never been in Dublin on the day itseld but here’s a sonnet remembering my first day in Dublin, in Bewley’s Oriental Coffee house, about to set off on one of the most significant adventures of my life.
as always you can hear the poem by clicking on the ‘play’ button or on the title
I look up, hands around my coffee cup,
On Grafton street in Bewley’s coffee shop, Blue Mountain, Java and Colombian
The labels are a journey on their own
Then the aroma as they’re ground by hand,
Beans broken open. Out of every land,
Separate savours float across this room
Of dark mahogany, to a softer bloom
Of stained glass windows, where I sit apart
Warming my hands, and waiting on my heart
To call me to adventure. I have found my voice,
Yeats in my pocket, backpack full of Joyce ,
I’m nineteen, it is nineteen seventy-seven
And Dublin is the very gate of heaven.
The Feast of Corpus Christi (the Body of Christ) is really a celebration of the sacrament of Holy Communion. In mediaeval times there used to be wonderful processions in which the consecrated elements were taken out of the church on this day and processed on the streets, showing that the Word made flesh was not just in a box labelled ‘church’ but in our midst, just as He was on the streets of Nazareth and Jerusalem. Rebecca Merry‘s lovely art work ( above) has the feel of those mediaeval ‘showings’ on Corpus Christi.
For my contribution to Corpus Christi I am offering here a couple of sonnets about the experience of receiving Holy Communion, each from a slightly different angle. These two sonnets will form part of Sounding the Seasons, my cycle of seventy sonnets for the Church Year which will be published later this year by the Canterbury Press.
Margot Krebs Neale has reflected on my phrases ‘He does not come in unimagined light ‘ and ‘to dye himself into experience’ with an image not simply of a stained glass window but of that dyed and refracted light itself reflected in water. I am grateful both to Rebecca and Margot for the way their work reflects on and develops mine. As always you can hear me read the poetry by clicking on the play button above each sonnet, if it appears, or on the title of the poem itself.
Continuing my cycle of sonnets for the Church year. Here is one for Trinity Sunday. By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.
The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making. I have tried to suggest this throughout the poem and especially in the phrase ‘makes us each the other’s inspiration’ and Margot Krebs Neale has taken this idea of mutual and coinherent inspiration and remaking in the remarkable image she has made in response to this sonnet which follows the poem, an image which involves the mutually -inspired work of three artists and is one picture woven of three images. She writes to me about this image:
the picture of the infinite is by an artist i don’t know
the composition is by me
As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.
Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.