Continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet for the feast of the Transfiguration. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest, and sometimes in mid-Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:
As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.
Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.
I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.
I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
The whole series, of seventy sonnets is now finished and will be published this December, under the title ‘Sounding the Seasons’ by the Canterbury Press, so if you have been enjoying, and perhaps making liturgical use of these sonnets on my blog, do look out for the book itself. I will post full details here about where and how to buy it as soon as I have them!
For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.