The 25th of April is the feast day of St. Mark the Evangelist, though this year it has been ‘translated’ to the 29th, because the 25th fell in Easter Week. So I am posting again my sonnet on St. Mark’s Gospel, one of a set of four sonnets on each of the four evangelists. For each of these sonnets I have meditated on the way the traditional association of each of the evangelists with one of the ‘four living creatures’ round the throne helps us to focus on the particular gifts and emphasis of that Gospel writer. For a good account of this tradition click here. Mark is the lion. There is a power, a dynamic a swiftness of pace in Mark’s Gospel, his favourite word is ‘immediately’! and that suits the lion. His Gospel starts in the wilderness and that suits it too.
But the great paradox in Mark is that the Gospel writer who shows us Christ at his most decisive, powerful, startling and leonine is also the one who shows us how our conquering lion, our true Aslan, deliberately entered into suffering and passion, the great ‘doer’ letting things be done unto him. In this sonnet, I am especially indebted to WH Vanstone’s brilliant reading of this aspect of Mark in his wonderful book The Stature of Waiting.
For all four ‘Gospel’ sonnets I have also drawn on the visual imagery of the Lindesfarne Gospels, as in the one illustrated above. Margot Krebs Neale has given me the beautiful image below taken in Galillee inBeth Shean,
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poem by clicking on the ‘play’ button or on the title.
GK Chesterton famously sent a telegram to his wife saying. ‘AM IN MARKET HARBOROUGH. WHERE SHOULD I BE?’
I empathise with both GKC and the long-suffering Frances as I too am often muddled, befuddled, and as like as not double-booked, when I come to look at my diary. In an attempt to straighten things out I have just gone through my commitments, as far as I can remember them, for the next year, and have discovered that I am indeed in Market Harborough in June, and in between, and beyond in all kinds of places on both sides of the Atlantic. I would be delighted to see, and to meet up with readers of this blog at any (or all) of the events/readings/retreats which I have discovered (sometimes to my great surprise) in my diary. so here they all are, as far as I know them, do join me at one or two of them if you can.
Here is a list of my forthcoming events including gigs, poetry readings, conference talks and retreats, as far as I know them, from May 2014-March 2015, more to be added soon
May 24th:I will be leading, and speaking at the annual Little Gidding Pilgrimage. Details will appear on the Friends of LG Events Page
September 1st-25th I will be Artist in Residence at Duke Divinity School, Duke University North Carolina. This residency will include A Public Reading, a Public Lecture and a concert in the Sean’s Singer-Songwriter series -more details to follow.
October 1st-November 20th: I will be a visiting fellow at St. John College Durham and will be doing various readings and lectures, at the College and the Cathedral more details to follow.
October 23-26th I will be leading an artists’ retreat at Laity Lodge in Texas, details here
March 14th 2015: I lead a day of prayer at Westminster Abbey, titled ‘Read Poems as Prayers’; praying through the poetry of George Herbert and Seamus Heaney’
St. George’s Day and my thoughts turn again to Hatley St. George. If St. George, as our patron saint inspires English patriotism, then I’d say my own patriotism is about loving the little particularites of my native land. Not the big political rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem, which I also posted last year, both to celebrate the church and to help the cause. Do visit it if you can and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
Heres is an extra ‘fifteenth’ sonnet for Easter Morning, which I dedicate to my friend Mary who asked me to write it, and to the memory of her husband Gavin. May he rest in peace and rise in glory.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Oliver Neale for permission to use the image above. as always you can hear the sonnet by clicking on the ‘play’ button or on the title.
This poem, the second in my sequence ‘On Reading the Commedia’, a new sequence of nine poems about the experience of reading Dante’s Divine Comedy, seems a good one to share on Holy Saturday, the day on which we think of Christ descending into Hell to bring his light and good news to the dead, as Peter says, ‘preaching to the souls in prison’. There are many ways in which we might understand that phrase in the creed ‘He descended into Hell’. Dante’s allegory suggests that at one level the hell into which Christ descends to set us free is the dark terrain of our own souls, the terrain he maps out and invites us to traverse in his Inferno.
My own poem is written in the conviction that that there is no depth or recess, no sin or secret, in me or in anyone, beyond the light of Christ, but we have to open the gate and let him come down to our depths, let his Light reveal and name and heal what we have hidden. Dante’s poem, his amazing cartography of Hell, is written to help us do that. So here is the second of my ‘Dante ‘ Sequence. As before, you can hear the poem by clicking on the ‘play’ button or the title.
The whole sequence is now collected together and published in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop. You can also read and hear the whole sequence on this blog, the final poem Here contains links to all the others.
Here, once more, is the complete sequence of sonnets for the Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.If you are in Cambridge today do come and join us for the three hours service at St. Edwards, where we will be using these sonnets. The service starts at 12.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.
The Images are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
These sonnets have been used by a number of churches in different ways and Dr. Holly Ordway has given a series of excellent podcast talks based on these sonnets and you can find those here: Holly’s Podcasts
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
There is so much happening here, so many threads of connection flowing to and from this deep source of love and gospel vision. My sonnet for this central and sacramental day can only suggest one or two of them. Margot’s image, above, and Oliver Neale’s image below, take us a little further.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
You can hear the poem by clicking on the title or the ‘play’ button
RT @WordsworthGras: William Wordsworth was born 250 years ago on this day. Our most influential English poet is more relevant now than ever… 2 hours ago
