As we approach Lent I have been asked if I would post again the poems, recordings and images which accompany my Lent anthology Word in the Wilderness, and I am happy to do so as I know there are a number of groups reading the book together who might find it helpful to have the recordings. So I have recorded each of the poems in the Lent book, as I did for the Advent one. Whereas in Advent I posted a recording each day, along with a beautiful image from Lancia Smith, what Lancia and I have decided to do for Lent is to offer you weekly posts. Each post will be headed by a beautiful image from Lancia and then contain links to recordings of all seven poems for that week as well as the texts of the poems themselves, though for my commentary on each text you will need to turn to the book itself. We will start with an introductory post that takes us from Shrove Tuesday, through Ash Wednesday to the 1st Sunday in Lent and then each subsequent post will come out on each of the Sundays in Lent. I hope you find this helpful and please feel free to share it. Those who are using the book in weekly Lent groups this year my find it particularly helpful to have all the weeks readings gathered on one page. If you would like to join an online reading group to follow this book through Lent then you might like to join the Literary Life Facebook Group run by Rick Wilcox
If you would like to make a retreat with me centred on this book, I am leading one over the weekend of 10-12th March at the beautiful Retreat House at Pleshy in Essex, full details are Here
You can get copies of Word in the Wilderness by ordering from your local bookshop (if you’re in England go for the excellent Sarum College Bookshop) or through this page on Amazon UK and this one on Amazon USA
As an appetiser, and to give you an idea of my reasons for compiling this anthology here are the opening paragraphs of my introduction:
Why might we want to take time in Lent, to immerse ourselves in poetry, to ask for the poets as companions on our journey with the Word through the wilderness? Perhaps it is one of the poet’s themselves who can answer that question. In The Redress of Poetry, the collection of his lectures as Oxford Professor of Poetry, Seamus Heaney claims that poetry ‘offers a clarification, a fleeting glimpse of a potential order of things ‘beyond confusion’, a glimpse that has to be its own reward’ (p. xv). However qualified by terms like ‘fleeting’, ‘glimpse’ and ‘potential’, this is still a claim that poetry, and more widely the poetic imagination, is truth-bearing; that it offers not just some inner subjective experience but as Heaney claims, a redress; the redress of an imbalance in our vision of the world and ourselves. Heaney’s claim in these lectures, and in his Nobel Prize acceptance speech, is that we can ‘Credit Poetry’, trust its tacit, intuitive and image-laden way of knowledge. I have examined these claims in detail elsewhere (Faith Hope and Poetry) and tried to show, in more academic terms, how the poetic imagination does indeed redress an imbalance and is a necessary complement to more rationalistic and analytical ways of knowing. What I would like to do in this book is to put that insight into practice, and turn to poetry for a clarification of who we are, how we pray, how we journey through our lives with God and how he comes to journey with us.
Lent is a time set aside to re-orient ourselves, to clarify our minds, to slow down, recover from distraction, to focus on the values of God’s Kingdom and on the value he has set on us and on our neighbours. There are a number of distinctive ways in which poetry can help us do that and in particular the poetry I have chosen for this anthology.
Heaney spoke of poetry offering a glimpse and a clarification, here is how an earlier poet Coleridge, put it, when he was writing about what he and Wordsworth were hoping to offer through their poetry, which was
“awakening the mind’s attention to the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.”
(Coleridge, Biographia Literaria, Vol. II, pp. 6−7)