All Hallow’s Eve; a sonnet of reclamation

The dark is bright with quiet lives and steady lights undimmed

Halloween seems to be creeping up on Christmas in the crass commercialism stakes, even here in England, where the tradition is less strong! Halloween itself simply means the eve of all Hallows, and All Hallows is the Christian feast of All Saints, or All Saints Day’ a day when we think particularly of those souls in bliss who, even in this life, kindled a light for us, or to speak more exactly, reflected for us and to us, the already-kindled light of Christ!,  It is followed immediately on November 2nd by All Souls Day. the day we remember all the souls who have gone before us into the light of Heaven.  It is good that we should have a season of the year for remembrance and a time when we feel that the veil between time and eternity is thin and we can sense that greater and wider communion of saints to which we belong. It is also good and right that the Church settled this feast on a time in the turning of the year when the pre-Christian Celtic religions were accustomed to think of and make offerings for the dead. But it was right that, though they kept the day, they changed the custom. The greatest and only offering, to redeem both the living and the dead, has been made by Christ and if we want to celebrate our loving connections we need only now make gifts to the living, as we do in offering sweets to the ‘trick or treaters’ in this season, and far more profoundly in exchanging gifts at Christmas.

Anyway, given that both these seasons of hospitality and exchange have been so wrenched from their first purpose in order to sell tinsel and sweeties, I thought I might redress the balance a little and reclaim this season with a sonnet for All Souls/All Saints that remembers the light that shines in darkness, who first kindled it, and how we can all reflect it.

If your church is marking all saints or all souls day do feel free to print the words or use the recording.

The image which follows this poem, and takes up one of its key lines, is by Margot Krebs Neale. As always you can hear the poem by clicking on the ‘play’ button if it appears, or on the title.

This sonnet are  from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press,

All Saints

Though Satan breaks our dark glass into shards

Each shard still shines with Christ’s reflected light,

It glances from the eyes, kindles the words

Of all his unknown saints. The dark is bright

With quiet lives and steady lights undimmed,

The witness of the ones we shunned and shamed.

Plain in our sight and far beyond our seeing

He weaves them with us in the web of being

They stand beside us even as we grieve,

The lone and left behind whom no one claimed,

Unnumbered multitudes, he lifts above

The shadow of the gibbet and the grave,

To triumph where all saints are known and named;

The gathered glories of His wounded love.

‘Each shard still shines’ image by Margot Krebs Neale

Birthday Drinks and a Book Launch!

An Invitation!

I am happy to say that my new book ‘In Every Corner Sing’, is now out and in the world as a handsome little hardback. It is a collection of 73 of my little ‘Poet’s Corner’ pieces published each week in The Church Times. Each piece is short – between five and six hundred words, so its good for dipping into and taking up again without any fear of losing one place or the thread of things. So this post is to say that, though the book is already available from the publisher and from book shops we are going to have an official launch in the Fellows Drawing room at Girton College Cambridge on November 12th (my birthday!) from 7-8:30pm, and anyone who is in or near Cambridge and is free that evening is very welcome to come along. but do let me know if you’re coming, by emailing me at malcolmguite@gmail.com so I can make sure there is enough in the way of wine, cheese and other refreshments. There will be copies available at a discount at the launch, which I would be happy to sign.

To whet your appetite, here is the little preface I’ve written to the whole book, which is itself about the same length as most of the individual pieces. See you in November!

In Every Corner Sing: Preface

It has been a pleasure to gather together these fugitive pieces, little glimpses and reflections from all corners of the country, curious corners of my mind, and a few of the odd corners and alleyways of our rich literature, the corners where the poets repose, sometimes confer, but always and everywhere, sing.

I was both honoured and daunted when the Church Times asked me to follow on from Ronald Blythe’s wonderful back page column ‘Word From Wormingford’. Nobody can follow Ronnie Blythe, but I was willing to try at least to fill the space, and I knew I shared with him some feeling for the beauty of the world around us and some common companionship with the poets whose music undergirds all our songs, especially George Herbert and Thomas Traherne, so my weekly column, gathered together here, was christened ‘Poet’s Corner’.

Reading through these pieces again is like being given back a little of my own life, seized back from seizing time, letting me repose again on a bench in Aldeburgh, a book room in Hawarden, a bridge in my lovely village of Linton.

Though each piece was written in and for its own moment, I see that certain themes and motifs have emerged and played with one another across the weeks of the year. One is the gift and grace of running water, so beautifully pictured in Roger Wagner’s lovely cover painting, ‘The River Of God’. For flowing water always gives me some sense of the hidden wellspring from which we all arise, the fresh renewing fount of all things, just upstream of utterance, a sense that though time never ceases to flow from and through us, we are as close now, as we will ever be, to its eternal source. And that motif itself speaks of another, emerging clearly as I read these pieces through: the sense that everything we see ‘out there’ is also somehow hidden deep with in us: the trees, the hills, the dewdrops on a blade of grass, are emblems of our inner life which could not be expressed or known without them: everything ‘out there’ is also ‘in here’. A third theme to emerge is a sense of companionship with other poets and writers, present and past. And in that sense it really has been ‘Poets’ Corner’. In that corner of Westminster Abbey we can see the monuments to all the great poets and writers whom we know and love, but it is not the outward and visible, the letters carved in stone, that count, it is the inward and spiritual: the poems written, and then sung in the heart. Time and again as I was writing these pieces, I sensed George Herbert, in one corner, and Seamus Heaney in another, giving me the words I needed just when I needed them. William Hazlitt was there when I reflected on the pleasure my books give me on a winter’s night, and Thomas Traherne met me with wisdom on London Bridge on the night that such terrible violence was inflicted there.

I hope that all these themes and motifs: the play of and grace of water, the gift of an emblem, the companionship of the poets, will be as richly and happily available to readers of this volume as they were to me when I wrote these little corner-pieces, and that something in each of them will stir and sing.

 

Samuel Taylor Coleridge; a birthday sonnet, and a book!

The great poet, philosopher, and Christian sage, Samuel Taylor Coleridge was born on the 21st of October in 1772, so I am posting this sonnet for his birthday!

I should also mention that in 2017 I published Mariner: A Voyage with Samuel Taylor Coleridge which has been well and widely reviewed and examines coleridge’s life and faith in fresh ways, through the lens of the rime of the Ancient Mariner, his most famous poem.

I could not begin to reckon the personal debt I owe to Coleridge; for his poetry, for his personal and Christian wisdom, above all for his brilliant exploration and defence of the poetic imagination as a truth-bearing faculty which participates in, and is redeemed by the Logos, the living Word, himself the Divine Imagination. We are only now coming to appreciate the depth and range of what he achieved, his contemporaries scarcely understood him, and his Victorian successors looked down in judgement at what htey saw as the shipwreck of his life. Something of that experience of rejection, twinned with deep Christian conviction, can be seen in the epitaph he wrote for himself:

Stop, Christian passer-by!—Stop, child of God,

And read with gentle breast. Beneath this sod

A poet lies, or that which once seemed he.

O, lift one thought in prayer for S. T. C.;

That he who many a year with toil of breath

Found death in life, may here find life in death!

Mercy for praise—to be forgiven for fame

He asked, and hoped, through Christ. Do thou the same!

From my teenage raptures when I was first enchanted by Kubla Khan and the Ancient Mariner, to my struggles and adventures in the middle of life STC has been my companion and guide.In the chapter on Coleridge in my book Faith Hope and Poetry I have set out an account of his thinking and made the case for his central importance in our own age, but what I offer here is a sonnet celebrating his legacy, drawing on that epitaph I mentioned above, one of a sequence of sonnets on my fellow christians in my  book The Singing Bowl,  published last year by the Canterbury Press.

As Always you can hear the poem by clicking on the title or clicking the ‘play’ button.

Samuel Taylor Coleridge

‘Stop, Christian passer-by!—Stop, child of God!’

You made your epitaph imperative,

And stopped this wedding guest! But I am glad

To stop with you and start again, to live

From that pure source, the all-renewing stream,

Whose living power is imagination,

And know myself a child of the I AM,

Open and loving to his whole creation.

Your glittering eye taught mine to pierce the veil,

To let his light transfigure all my seeing,

To serve the shaping Spirit whom I feel,

And make with him the poem of my being.

I follow where you sail towards our haven,

Your wide wake lit with glimmerings of heaven.

Steve Bell captured me in ancient mariner mode!

A Sonnet for St. Luke’s Day

St. Luke accompanied by his ‘creature’ the winged ox

This Thursday, the 18th of October, is the feast day of St. Luke the Physician and Evangelist, and so I am reposting this sonnet in his honour. This poem comes from Sounding the Seasons, my series of sonnets for the church year.  My sonnets in that series, include a mini-sequence on the four Evangelists together and the imagery in those sonnets is influenced  by the images of the four living creatures round the throne of God and the tradition that each of these creatures represents both an aspect of Christ and one of the four Evangelists.

‘...since there are four zones of the world in which we live, and four principal winds, while the Church is scattered throughout all the world, and the “pillar and ground” of the Church is the Gospel and the spirit of life it is fitting that she should have four pillars, breathing out immortality on every side, and vivifying men afresh. From which fact, it is evident that the Word, the Artificer of all, He that sitteth upon the cherubim, and contains all things, He who was manifested to men, has given us the Gospel under four aspects, but bound together by one Spirit. ‘  St. Irenaeus of Lyons  (ca. 120-202 AD)  –  Adversus Haereses 3.11.8

For a good account of this tradition click here. I am drawing my inspiration both from the opening page image of each Gospel in the Lindesfarne Gospels and also from the beautiful account of the four living creatures given by St. Ireneus, part of which I quote above. As well as being himself a Physician, and therefore the patron saint of doctors and all involved in healing ministry, Luke is also the patron of artists and painters. In this iconographic tradition Luke’s emblem is the ox, the lowly servant His gospel seems to have a particular connection with those on the margins of his society. In Luke we hear the voices of women more clearly than in any other gospel, and the claims and hope of the poor in Christ find a resonant voice.

As always you can hear the poem by clicking the ‘play’ button if it appears or clicking on the title of the poem. The photographer Margot Krebs Neale has again provided a thought-provoking photograph to interpret the poem, in this case one taken by her son Oliver.  The book with these sonnets was published by Canterbury Press  and is available from all the usual Amazons etc.

 Luke

His gospel is itself a living creature

A ground and glory round the throne of God,

Where earth and heaven breathe through human nature

And One upon the throne sees it is good.

Luke is the living pillar of our healing,

A lowly ox, the servant of the four,

We turn his page to find his face revealing

The wonder, and the welcome of the poor.

He breathes good news to all who bear a burden

Good news to all who turn and try again,

The meek rejoice and prodigals find pardon,

A lost thief reaches paradise through pain,

The voiceless find their voice in every word

And, with Our Lady, magnify Our Lord.

Thanks to Margot Krebs Neale for this image

The Christian Plummet

A Stone Cold Jonah
Image by Alma Sheppard-Matsuo taken from the Tablet

 

In my last post I mentioned a new sequence of poems written in response to George Herbert’s beautiful poem Prayer. , saying ‘I have long felt that each of the twenty-seven images and metaphor for prayer in that exquisite sonnet could itself be the seed and beginning of a new poem and so I have decided to make my own twenty-seven sonnet response to his masterpiece’. Prompted by the fact that it is World Mental Health Day I thought I would post another these sonnets. This time responding to Herbert’s line ‘The Christian Plummet, sounding heaven and earth’. Herbert is referring to the plummet or sounding line used on ships to measure the depth below the keel, lowered into the waves on a marked line and then hauled up so that the linesman could tell the helmsman what depth he had below his keel. In my own poem thought I delft moved to imagine things from the point of view of the plummet and to see my own and other people’s experience of what it is suddenly to plummet down in the light of prayer. I especially responded to seeing the words ‘Christian’ and ‘plummet’ together. Some Christians can give you the impression that unless your constantly cheerful you’re not a true believer or haven’t ‘heard the gospel’, as though Jesus had never endured the agony in the garden. But it’s my conviction that a person is just as much a Christian when they are plummeting down and sounding depths others may not know than when they are cheerful.I hope this poem may help those who have had similar experiences of plummeting. As always you can hear the poem by clicking on the title or the ‘play’button.

The Christian Plummet

 

Down into the icy depths you plunge,

The cold dark undertow of your depression,

Even your memories of light made strange,

As you fall further from all comprehension.

You feel as though they’ve thrown you overboard,

Your fellow Christians on the sunlit deck,

A stone cold Jonah on whom scorn is poured,

A sacrifice to save them from the wreck.

 

But someone has their hands on your long line,

You sound for them the depths they sail above,

One who takes Jonah as his only sign

Sinks lower still to hold you in his love,

And though you cannot see, or speak, or breathe,

The everlasting arms are underneath.

Discerning the tune: Two new poems for our times

Cantus Firmus

I am presently working on a new sequence of poems written in response to George Herbert’s beautiful poem Prayer. I have long felt that each of the twenty-seven images and metaphor for prayer in that exquisite sonnet could itself be the seed and beginning of a new poem and so I have decided to make my own twenty-seven sonnet response to his masterpiece.

I was going to wait a while to share any of these, but I felt the two most recent ones I have composed, responding to Herbert’s two lines

The six-days world transposing in an hour,

Kind of tune that all things hear and fear

might be helpful for some of my readers in the current stressful and disturbing cycle of news. For when I began the poem on how prayer does not ignore ‘the six-days world’ the busy weekday world, the constant cycles of unnerving news, the noise and pain and clamour of daily life, but rather seeks to transpose that dissonance into the key of love, I realised that I was articulating something I had been feeling for a long time about the damaging and depressing effect of barrages of bad news unprayed through, accumulating as a kind of uninterpreted cacophony in the mind. We need the gift of transposition and the power to hear, however tiny it might seem, the eternal tuning fork that sounds Christ’s love in the midst of things, the cantus firmus that grounds the music the cosmos. As I wrote this I also realised that my poems were haunted by Over the Rhine‘s beautiful song ‘All of it was Music’.

If you have been as disturbed and distressed as I have in recent days I hope the following two sonnets will help.

As always you can hear me read the poems by clicking on the ‘play’ button or on the title. There is a little interference on the recording in the prose introduction to the first poem, but it clears up for the poem itself.

The six days world transposing in an hour

 

Twenty-four seven in ‘the six days world’,

In endless cycles of unnerving news,

Relentlessly our restless hurts are hurled

Through empty cyber-space. Is there no muse

To make of all that pain an elegy,

Or in those waves of white noise to discern

Christ’s inner cantus firmus, that deep tone

That might give rise at last to harmony?

 

We may not seal it off or drown it out,

Nor close our hearts down in the hour of prayer,

But listening through dissonance and doubt,

Wait in the space between, until we hear

A change of key, a secret chord disclosed,

A kind of tune, and all the world transposed.

A Kind Of Tune

 

A kind of tune, a music everywhere

And nowhere. Love’s long lovely undersong,

A trace in time, a grace-note in the air,

Borne to us from the place where we belong

On every passing breeze and in the breath

Of every creature. All things hear and fear,

For faintly, through our fall, we too may hear

The strong song of the Son that undoes death.

 

And one day we will hear it unimpaired:

The joy of all the sorrowful, the song

Of all the saints who cry ‘how long’,

The hidden hope of all who have despaired.

He sang it to his mother in the womb

And now it echoes from his empty tomb.

 

A Sonnet for St. Francis

St. Francis Day falls on the 4th of October, which is also National Poetry Day, so I thought I would repost this sonnet which reflects the way Francis responded to Christ’s call by casting away the rich trappings he had inherited and embracing holy poverty.The sonnet, which I wrote shortly after the election of the new Pope, is also a prayer that Pope Francis the 1st will enable the wider church to do the same! As always you can hear the sonnet by clicking on the ‘play’ button or the title

My sonnets for the Christian Year are available from Canterbury Press Here and on Kindle here

This sonnet for Francis is taken from my book The Singing Bowl, published by Canterbury Press. It is also available from Amazon UK Here, and USA Here and in Canada it is kept in stock by SignpostMusic

‘Francis, Rebuild My Church’; a sonnet for the Saint and for the new Pope

‘Francis rebuild my church which, as you see

Is falling into ruin.’ From the cross

Your saviour spoke to you and speaks to us

Again through you. Undoing set you free,

Loosened the traps of trappings, cast away

The trammelling of all that costly cloth

We wind our saviour in. At break of day

He set aside his grave-clothes. Your new birth

Came like a daybreak too, naked and true

To poverty and to the gospel call,

You woke to Christ and Christ awoke in you

And set to work through all your love and skill

To make our ruin good, to bless and heal

To wake the Christ in us and make us whole.

A Spell for National Poetry Day

Here is a poem called Spell, which I re-post for  National Poetry Day, which falls this year on 4th October, as it celebrates the magic powers of language itself. I have written in a previous post about the ‘daily miracle’ of our language and literacy, the magical way that words can summon up images, images that bring with them whole worlds, all the hidden correspondences between Word and World, a magic witnessed by the way a word like spell means both to spell a word and to make magic, the way chant is embedded in enchantment, the way even the dry word Grammar turns out to be cognate with Glamour in its oldest magical sense. But if all language is a kind of spell, it is a Good Spell (or Gospel as we later shortened that term). For Christian Faith points to a single source, in the Word, the Logos of God, for both the mystery of language and the mystery of being. Christ is the Word within all words, the Word behind all worlds.

Certainly many Christian writers have reflected on the paralells between the Genesis narrative in which God says “Let there be..” and each thing he summons springs into being, and the way, the uttering of words, the combination and recombination of a finite set of letters, can call into being the imaginary worlds, the sub-creations, as Tolkien calls them, that God in his Love has empowered us to create. It seems that being made as ‘Makers’ (the old word for poets) is one of the ways in which we are all made in God’s image.

Of course, because we are fallen we can abuse this gift of sub-creation, we can abuse language itself, making the very medium of creation a means of destruction. I have explored that shadow side of language in my poem “What IF…” But now I want to celebrate the God-given power and mystery of language, the magic of naming, the summoning powers entrusted to us in the twenty-six letters of our alphabet., in a sonnet I have simply called “Spell”. As always you can hear it by clicking on the title or pressing the ‘play’ button.

This poem is from my collection The Singing Bowl  published by Canterbury Press and is also available on Amazon here

Spell

Summon the summoners, the twenty-six

enchanters. Spelling silence into sound,

they bind and loose, they find and are not found.

Re-call the river-tongues from Alph to Styx,

summon the summoners, the shaping shapes

the grounds of sound, the generative gramma

signs of the Mystery, inscribed arcana

runes from the root-tree written in the deeps,

leaves from the tale-tree lifted, swift and free,

shining, re-combining in their dance

the genesis of every utterance,

pattering the pattern of the Tree.

Summon the summoners, and let them sing.

The summoners will summon Everything.