I am happy to say that my book Mariner, published in England by Hodder and in America by IVP Academic is a finalist in the IVP Readers choice award. If you have enjoyed, or are enjoying Mariner, and would like to vote for it there is still time to do so between now and midnight on December 2nd. You can do so by clicking HERE, and full instructions are on the page.
I’m also happy to say that on Saturday December the 8th I’ll be leading an Advent Quiet Day at the lovely Royal Foundation of St. Katherine’s in London, and later, on that evening I’ll be giving a concert called ‘Songs and Sonnets in their lovely Yurt performance cafe. I am including posters for both events in this post. I hope to see some of the readers of this blog at one or other of these events!
As Advent begins I will also be reposting some of the poems from my Advent book Waiting on the Word which is still available from Amazon.
The 22nd of November is the feast day of St. Cecilia, Christian Martyr and Patron Saint of music. A few years ago I was commissioned by JAC Redford the LA-based composer and orchestrater, to write an Ode to St. Cecilia for a new piece of music he has in turn been commissioned to write, which had its premiere in LA in 2013.
I published the Ode myself this year in my new collection Parable and Paradox and here, for this year’s St. Cecilia’s day is the text of my ode and a recording of my reading of it. In the recording I also talk a little about the inspiration and how it came to be written. I hope you enjoy it. Margot Krebs Neale has contributed the beautiful image which follows the poem As usual you can hear the poem by clicking on the title or the ‘play’ button.
The 19th of November is the feast day of Abess Hilda of Whitby, and I am posting this poem in her honour a couple of days early so that those who wish to copy or use it in services or for personal prayer on the day can do so. Saint Hilda was great leader of the Church in England and the first patron of English Christian poetry. She also presided at the crucial and controversial Synod of Whitby and brought that Synod to a fruitful and peaceful conclusion. When I posted this sonnet on her feast day some years ago it happened that the church’s General Synod was meeting and I had that in mind as part of my prayerful remembrance of Hilda, as you will hear in the preamble to the recording of the poem.
This year its another aspect of her story I’d like to highlight, to which I also allude in my poem. This is the story of Caedmon, the earliest English poet whose name is known. Bede tells the story of how he came to his vocation as a poet:
According to Bede, Cædmon was a lay brother who cared for the animals at the monastery Streonæshalch (now known as Whitby Abbey). One evening, while the monks were feasting, singing, and playing a harp, Cædmon left early to sleep with the animals because he knew no songs. The impression clearly given by St. Bede is that he lacked the knowledge of how to compose the lyrics to songs. While asleep, he had a dream in which “someone” (quidam) approached him and asked him to sing principium creaturarum, “the beginning of created things.” After first refusing to sing, Cædmon subsequently produced a short eulogistic poem praising God, the Creator of heaven and earth.
Upon awakening the next morning, Cædmon remembered everything he had sung and added additional lines to his poem. He told his foreman about his dream and gift and was taken immediately to see the abbess. The abbess and her counsellors asked Cædmon about his vision and, satisfied that it was a gift from God, gave him a new commission, this time for a poem based on “a passage of sacred history or doctrine”, (account taken from this Wiki article )
So as I remember Hilda with thanksgiving I also give thanks for all the churches and church leaders who have been patrons of the arts and especially those who have found a space and place for poetry in liturgy. I give thanks too for all those churches who have chosen to weave my own poems into liturgy and sermons and pray that those words have been fruitful
The icon of Hilda above is from the St. Albans Parish website The Daily Cup
The sonnet also appears in my second poetry book with Canterbury Press, The Singing Bowl
As always you can hear me read the sonnet by clicking on its title or on the play button
There was a former soldier, now a homeless man, who used to come sometimes into the back of our church in Cambridge. Dressed in camouflage and carrying an imaginary rifle he would squat behind the pews, take aim at the pulpit, or edge his way round the side of the church, clearly frightened and looking for cover. We knew he was reliving things we could scarcely imagine and we did our best to calm him and make him feel welcome (as well as dealing with the alarm he sometimes caused to members of the congregation.) It was meeting with him, and other former soldiers like him, that led me to write this Sestina, which is part of a sequence called ‘Six Glimpses’ in my book The Singing Bowl.
As a form, the Sestina insists that the poet return again and again, but in a different order, to the same six words with which the first six lines of the poem end. Of its very nature this form explores, repetition, return, trappedness, circularity, the very things with which so many soldiers with PTSD and their families are having to deal, so it seemed the right form to try and express a little of what I could see. I post this now so that we might remember, pray for and find ways of helping those who have been through the trauma of battle and cannot find their way back into ‘normality’ yet. I hope and pray that as awareness grows there might be more in the way of help and counselling provided both by the Military and the NHS, and perhaps more understanding from the general public.
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it a few days early so that any one who wishes to, can use it in services or events on this hundredth anniversary of the armistice in which Remembrance Sunday falls on Remembrance day itself.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th three years ago, minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
At this season of the year, on the 1st and 2nd of November, the Church ‘keeps the feast’ two days running, with a pair of feasts; All Saints and All Souls, each of which begins with that wonderfully Biblical and inclusive little word All. I remember the effect that little word had on me, coming again and again in the verses of psalm 145, when I read that psalm a little before my conversion, how as each ‘all’ seemed to widen the circle of God’s love, till I began to wonder if even I might be included in one of those alls.. Do you remember them?
9The LORD is loving to everyone *
and his compassion is over all his works.
10All your works praise you, O LORD, *
and your faithful servants bless you.
14The LORD is faithful in all his words *
and merciful in all his deeds.
15The LORD upholds all those who fall; *
he lifts up all those who are bowed down.
16The eyes of all wait upon you, O LORD, *
and you give them their food in due season.
17You open wide your hand *
and satisfy the needs of every living creature.
18The LORD is righteous in all his ways *
and loving in all his works.
19The LORD is near to all who call upon him, *
to all who call upon him faithfully.
In the end it was those two little alls in verse 14 that included me; ‘The Lord upholdeth all such as fall: and lifteth up all those that are down.’
Anyway to return to the two lovely alls of these feasts, All Saints and All Souls, I have been reflecting on how easy it is for us to be partial and selective, where God is generous and inclusive, and especially of how when we think of great saints and holy souls, we tend immediately to think of already prominent people, the writers and teachers of the church, the priests and prophets, the big historical figures, people who already have a bit of the spotlight, people whom the world also admires. So in the spirit of the Beatitudes, and of Psalm 145, I thought I’d add to my sonnet sequence for this season, a little sonnet about the ones we overlook, but whom God knows and loves intimately. Its called A Last Beatitude. As always you can hear the poem by clicking on the title or the ‘play’ button. I borrowed the lovely image of serving coffee from the website of St. Laurence church Cowley Rd