Ringing In The New Year

On New Year’s Eve groups of church bell ringers will gather all over the world to pray, and reflect, and to ring in the new year. They will be participating in a long tradition. George Herbert imagined Prayer itself as ‘Church Bells beyond the stars heard’ and the great turning point in In Memoriam, Tennyson’s great exploration of time and eternity, mortality and resurrection, doubt and faith, comes with the ringing of bells for the new year and his famous and beautiful lines beginning ‘Ring out, wild bells, to the wild sky,’ and concluding:

Ring in the valiant man and free,

The larger heart, the kindlier hand;

Ring out the darkness of the land,

Ring in the Christ that is to be.

(For more of this passage and my talks on Tennyson click Here)

I love to hear church bells ring in the New Year and so I have made my own small contribution to the poetry and meaning of bell ringing in the following sonnet, which is taken from my collection ‘Sounding the Seasons’

Sounding the Seasons and my other poetry books are available from Amazon or on order from your local bookstore, or direct from the publisher here

As always you can hear the sonnet by clicking on the title or pressing the ‘play’ button.

New Year’s Day: Church Bells

 Not the bleak speak of mobile messages,

The soft chime of synthesised reminders,

Not texts, not pagers, data packages,

Not satnav or locators ever find us

As surely, soundly, deeply as these bells

That sound and find and call us all at once

‘Ears of my ears’ can hear, my body feels

This call to prayer that is itself a dance.

So ring  them out in joy and jubilation,

Sound them in sorrow tolling for the lost,

O let them wake the church and rouse the nation,.

A sleeping lion stirred to life at last

Begin again they sing, again begin,

A ring and rhythm answered from within.

The Darkling Thrush by Thomas Hardy

image by Linda Richardson

For New Year’s eve in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Thomas Hardy’s poem ‘The Darkling Thrush’, which was written on New Year’s Eve at the turn from the nineteenth to the twentieth century. Though it begins with Hardy’s characteristically bleak forboding, suddenly the poet in him discerns and allows another note of hope.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:

I first heard this poem at school and thought Hardy a very depressing poet. I didn’t have the tenacity to stay with the poem through the bleakness until the hope. When we are not mature we only want laughter and fun and a perpetual summer time. There is no virtue in winter and we avoid pain at all costs. The consequence of this is, not only are we likely to be selfish, but we lack the contrasts that give life depth and meaning. The image I made reflects this theme of contrast.

I made a black and white photo transfer of a small bird in a tangle of twigs and painted the canvas with cold blues and violets. I enhanced the roughness of the surface by applying thread in an acrylic medium to the surface of the painting. Out of the grey coldness of the painting comes the idea of pure and beautiful bird song. If we try to make earth our heaven we will be terribly disappointed, but here, amid the stark grey of winter, comes a song of hope. Annie Dillard, the American writer and poet says, “You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary.”

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Darkling Thrush Thomas Hardy

 

I leant upon a coppice gate

When Frost was spectre-grey,

And Winter’s dregs made desolate

The weakening eye of day.

The tangled bine-stems scored the sky

Like strings of broken lyres,

And all mankind that haunted nigh

Had sought their household fires.

 

The land’s sharp features seemed to be

The Century’s corpse outleant,

His crypt the cloudy canopy,

The wind his death-lament.

The ancient pulse of germ and birth

Was shrunken hard and dry,

And every spirit upon earth

Seemed fervourless as I.

 

At once a voice arose among

The bleak twigs overhead

In a full-hearted evensong

Of joy illimited;

An aged thrush, frail, gaunt, and small,

In blast-beruffled plume,

Had chosen thus to fling his soul

Upon the growing gloom.

 

So little cause for carolings

Of such ecstatic sound

Was written on terrestrial things

Afar or nigh around,

That I could think there trembled through

His happy good-night air

Some blessed Hope, whereof he knew

And I was unaware.