Author Archives: malcolmguite

About malcolmguite

Malcolm Guite is a poet and singer-songwriter living in Cambridge. He is a priest, chaplain, teacher and author of various essays and articles and a book about contemporary Christianity. He also plays in Cambridge rock band Mystery Train, and lectures widely in England and USA on poetry and theology.

Those Winter Sundays by Robert Hayden

image by Linda Richardson

image by Linda Richardson

For the 5th of December the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is Those Winter Sundays by Robert Hayden. You can hear me read this poem by clicking on the title or the play button. The image above, bodying forth so much of the poem, was created by Linda Richardson, who writes:

Sometimes a piece of art comes into your mind already complete. So it was with this work. I used the homely linen fabric as the base, and in the middle of the work there is a rip, a rift, burnt round the edges. Beneath that, orange paper glows at the centre. The fabric is stained and frayed and there are pine needles stitched into the work because they make excellent fire lighters. The text is taken from Bible pages, ‘Come unto me, all ye that labour and are heavy laden, and I will give you rest.’ (Matthew 11.) I embroidered the words, ‘What did I know’ onto the work and added some turquoise silk. There are also real ruby beads and one pearl.

For me, the poem addresses the perfectionist in us who would like home life to be an idyll of peace and love when in reality we are dealing with the warp and weft in the characters of the people we live with. Don’t we all relate in some way to ‘the chronic angers’? So often we neither understand nor appreciate, ‘love’s austere and lonely offices’, and I think of my own Dad who used to get up at five in the morning to do a post round before he opened his shop and post office in the village where I grew up in Yorkshire.

Whilst this work may not be beautiful in a traditional sense, I wanted to combine poor cotton threads and paper with ruby and pearl to make use of many different materials, just like the diversity of human experience. We know where some of the stains, rips and burns are in our lives and it is often our challenge to be enriched by the silk, the gems and the pearls of promise that we also find within ourselves and each other.

You can find you can find my short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Those Winter Sundays

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.

When the rooms were warm, he’d call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love’s austere and lonely offices?

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Annunciation by Scott Cairns

Image by Linda Richardson Image by Linda Richardson

Yesterday we considered a poem by John Donne, today we pair and compare it with a poem of the same title by Scott Cairns. I draw out some of the parallels and differences in the brief essay on this poem in my Advent Anthology from Canterbury Press Waiting on the Word. The image above  was created by Linda Richardson in her book of visual responses to Waiting on the Word. Linda writes:

This poem spoke particularly to my Celtic ancestry and my earthy upbringing in a farming community. As children we spent good days outside throwing dried cow pats and crab apples at each other and stacking bales of hay. I confess that without Malcolm’s commentary I would have wallowed in the lovely words of this poem without necessarily returning to Genesis at all!

The work I made is on brown wrapping paper and is full of rich earth colours. I tore a hole in the paper, leaving the virgin white paper showing through and surrounding the hole with large stitches in thick embroidery cotton. It is meant to suggest a radiating of light, or perhaps a womb, or the homeliness of stitching.

You can find my short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle and you can hear me reading the poem by clicking on the ‘play’ button or the title.

Annunciation by Scott Cairns

Deep within the clay, and O my people

very deep within the wholly earthen

compound of our kind arrives of one clear,

star-illumined evening a spark igniting

once again the tinder of our lately

banked noetic fire. She burns but she

is not consumed. The dew lights gently,

suffusing the pure fleece. The wall comes down.

And—do you feel the pulse?—we all become

the kindled kindred of a King whose birth

thereafter bears to all a bright nativity.

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Annunciation by John Donne

Annunciation by Linda Richardson

Annunciation by Linda Richardson

The poem I have chosen for December 3rd in my Advent Anthology from Canterbury Press Waiting on the Word, is The Annunciation by John Donne, and once again it is accompanied by a beautiful illustration from the book of responses to these poems by Linda Richardson. She writes:

The imagery of The Annunciation is richly grounded in our Western consciousness. It is always a challenge for an artist to invent something new but I kept within the tradition, painting the girl and the angel. Mary is sitting on the floor clutching her shawl around her in an entirely human reaction to an incomprehensible encounter. The angel’s hand reaches from its heavenly page on the right into Mary’s world, the page on the left. I made the journal in a book about interior design and there was a small reptile printed on the page. I kept this in the painting and you will see it just below Mary. I included it as a nod to the traditional imagery of Mary with her foot on the serpent’s head alluding to the prophecy of the coming of the Messiah, the ‘seed of the woman’, who will crush the ancient serpent. (Genesis 3)The quality of the paper is very poor and later I painted the image again, this time on canvas. In this painting neither the angel or the girl are seen. I wonder if this image speaks more powerfully to the spirit as it hints at emptiness, emptiness of the womb and the emptiness of our spirits as we wait to receive the gift of God.

Lao Tze says that it is a pot’s emptiness that makes the vessel useful, a room’s emptiness that allows us to inhabit it. And I wonder if it reminds you of Jesus Beatitude, ‘Blessed are the poor in spirit...’ It is not our fullness, our cleverness or our horde of knowledge that gain us the kingdom, but our poverty.

Linda's second painting

Linda’s second painting

You can hear me read this poem by clicking on the title or the play button and find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Annunciation

Salvation to all that will is nigh;

That All, which always is all everywhere,

Which cannot sin, and yet all sins must bear,

Which cannot die, yet cannot choose but die,

Lo! faithful Virgin, yields Himself to lie

In prison, in thy womb; and though He there

Can take no sin, nor thou give, yet He’ll wear,

Taken from thence, flesh, which death’s force may try.

Ere by the spheres time was created thou

Wast in His mind, who is thy Son, and Brother;

Whom thou conceivest, conceived; yea, thou art now

Thy Maker’s maker, and thy Father’s mother,

Thou hast light in dark, and shutt’st in little room

Immensity, cloister’d in thy dear womb.

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The Moons by Grevel Lindop

The Moons, image by Linda Richardson

The Moons, image by Linda Richardson

Here is the poem set for the 2nd December in my Advent Anthology from Canterbury Press Waiting on the Word, The Moons comes from Grevel Lindop‘s latest collection of poems Luna Park (which I highly recommend!) and is used with his permission

You can read my brief essay on this beautiful poem in Waiting on the Word, and click on either the title or the ‘play button below to hear me read it. Linda Richardson writes about her image:

‘Here it is, distant gleam on the page of a book.’ These final words were the ones that jumped out for me as I responded to this poem, and also Malcolm’s comment, ‘offered to a companion in the darkness of our common journey’. So my starting point was night time, the soul’s time, when light gleams through our consciousness in dreaming. The poem spoke to me of memory and the sharing of life with someone, not the immediacy of sense experience. To paint a moonlight image was too immediate so I let the words literally gleam in white ink on black paper. In this way I felt that it was keeping the integrity of the poem, that our memories are uniquely our own, and we will recall them either for enriching or impoverishing our lives and the lives of those who are on our common journey.I noticed that it was she who saw and brought him to seeing. It was the feminine leading the masculine away from the desk of the intellect, to step out into the dark womb of the night and to apprehend a phenomenon of nature, the wonder of the reflected light of the sun at night. I am left with the wonder of the contrasts in our lives, the light and dark, the male and female, all the many different parts that form one body and one spirit.


The Moons by Grevel Lindop

Too many moons to fill an almanac:

the half, the quarters, and the slices between

black new and silvercoin full –

pearl tossed and netted in webs of cloud,

thread of light with the dull disc in its loop,

gold shaving afloat on the horizon of harvest –

How many times did you call me from the house,

or from my desk to the window, just to see?

Should I string them all on a necklace for you?

Impossible, though you gave them all to me.

Still some of their light reflects from memory.

Here it is, distant gleam on the page of a book.

 

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The Glance by George Herbert

The Glance -Linda Richardson

The Glance -Linda Richardson

For the 1st of December the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is The Glance by George Herbert. The illustration above is the first in a series of responses to the book made by Linda Richardson which she has kindly agreed to share with readers of my blog. She writes:

The images that accompany the poetry in Waiting on the Word were part of my spiritual discipline in Advent 2015. I made an image every day, so they are experimental, sometimes impulsively done, often inspired by the work of other artists. If I had known they would be shown here, I probably wouldn’t have had the freedom to make one every day. I am delighted to show them, and to tell you how they came about, and would like to encourage you to have a go too. As I come to reflect upon my own work a year later, I can see nuances that I hadn’t intended, areas where my subconscious by-passed my mind and made artistic decisions that have only been revealed as I return to them now, twelve months later.

Here are Linda’s notes on today’s image:

One night, when I was very young, maybe as young as four, I had a strange and deep experience. I got up to sit near the storage heater in the bedroom I shared with my sister, drawn there by the little light and by the warmth. As I sat there I was overwhelmed with a feeling of utter joy, happiness and deep reassurance that I was part of something safe and deeply good.

I didn’t relate that experience to God and as I grew up, religion taught me that I could not trust myself, that God was watching me from a distance, and watching out for my sin. The experience I had as a child was not mediated to me through religion, but as I have continued in a religious tradition I can now see that child’s experience as God’s glance of love.

Meister Eckhart says: ‘The eye through which I see God is the same eye through which God sees me; my eye and God’s eye are one eye, one seeing, one knowing, one love.

In the very simple work I made as a response to the George Herbert’s The Glance, there are two eyes but one face, two tones of paper but one experience, and as I sit in daily meditation, I do so both in darkness and in light. God is the mystery that no-one wants, the mystery we see, ‘through a glass darkly’ (1 Corinthians). These days I mostly ‘see God face to face’ when I am outside watching the soaring flight of a flock of birds or hear a robin in winter. You may see The Glance as you lift a baby’s foot to your lips, or watch two elderly people walking along holding hands. Perhaps we see God in these diverse ways because, ‘We shall be like him for we shall see Him as He is’. (1 Corinthians).

You can hear me read this poem by clicking on the title or the play button. You can also find  a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Glance

When first thy sweet and gracious eye

Vouchsaf’d ev’n in the midst of youth and night

To look upon me, who before did lie

Weltring in sinne;

I felt a sugred strange delight,

Passing all cordials made by any art,

Bedew, embalme, and overrunne my heart,

And take it in.

Since that time many a bitter storm

My soul hath felt, ev’n able to destroy,

Had the malicious and ill-meaning harm

His swing and sway:

But still thy sweet originall joy

Sprung from thine eye, did work within my soul,

And surging griefs, when they grew bold, controll,

And got the day.

If thy first glance so powerfull be,

A mirth but open’d and seal’d up again;

What wonders shall we feel, when we shall see

Thy full-ey’d love!

When thou shalt look us out of pain,

And one aspect of thine spend in delight

More then a thousand sunnes disburse in light,

In heav’n above.

If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

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Waiting on the Word: Advent Poetry

Waiting on the Word

Waiting on the Word

Having posted Christina Rosetti’s poem for Advent Sunday, I thought I would repost this link to my Advent anthology Waiting on the Word. This Anthology offers the reader a poem a day throughout Advent and on through Christmas and Epiphany. I also offer a little reflective essay to go with each poem, which I hope will help the reader to get into the depths of the poem more easily and will draw out some of the Advent Themes and the way the poems link to each other. The book works entirely as a stand-alone thing and could be used privately or in groups, but I have also be recorded each poem and will post a recording of my reading of that day’s poem for each day of Advent on this blog, so that readers of the book who wish to, can also hear the poem being read. The poems and postings, resume on December 1st. Readers of this blog can of course also enjoy hearing the poems, and might like to get hold of the book (which is also on Kindle) so that they can follow along the text and read the interpretive essay.

I will also repost the daily recordings each accompanied by an original painting from the talented Linda Richardson, who created a book of images to reflect on each poem whilst she was using the book devotionally, and has kindly agreed to share those pictures with us. Do join us on the journey via the pages of the book and the pages of this blog.

Malcolm

If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

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Advent Sunday:Christina Rossetti

Christina Rossetti painted by her brother Dante Gabriel Rossetti Christina Rossetti painted by her brother Dante Gabriel Rossetti

Advent is a season for stillness, for quiet, for discernment. It is a season of active waiting, straining forward, listening, attentive and finely tuned. Its good to keep a quiet space, a sacred time, an untrammelled sanctuary away from the pressures, to be still and hear again one’s deepest yearnings for a saviour. I hope that the poems from my Advent anthology Waiting on the Word, will help people to do just that. I am posting them here so that you can hear and read them, and if you have the book you will also find in that a meditative/reflective essay on each poem. I am posting this one for Advent Sunday, from then onwards I will post a poem each day and I am happy to say that these poems will be accompanied by original paintings made in response to them by Linda Richardson. Linda is an artist who lives in my village of Linton and has made a beautiful book of images in response to each of these poems as part of her own Advent devotion and this year she has kindly agreed to share them with us.

Today’s poem, the first in our series, is Christina Rossetti’s ‘Advent Sunday’. Most people will know her beautiful poem In the Bleak Midwinter, now set as a Christmas hymn. She was one of the great poets of her time and the author of some deeply moving Christian verse. Indeed her book simply titled Verses includes a sequence on the church year called ‘Some Feasts and Fasts’ of which ‘Advent Sunday’ is the first. She frames this poem not only in the context of the Collect for Advent Sunday, about the coming of Christ, his Advent at the end of time, but also the Gospel of the Day: Christ’s story of the maidens with their lighted lamps awaiting the coming of the bridegroom. Rossetti takes the Gospel phrases and opens them out profoundly, allowing us to identify ourselves first with the bridesmaids and then with the bride herself.

You can click on the title or the ‘play’ button to hear me read it and you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle.

Advent Sunday  Christian Rossetti

BEHOLD, the Bridegroom cometh: go ye out

With lighted lamps and garlands round about

To meet Him in a rapture with a shout.

It may be at the midnight, black as pitch,

Earth shall cast up her poor, cast up her rich.

It may be at the crowing of the cock

Earth shall upheave her depth, uproot her rock.

For lo, the Bridegroom fetcheth home the Bride:

His Hands are Hands she knows, she knows His Side.

Like pure Rebekah at the appointed place,

Veiled, she unveils her face to meet His Face.

Like great Queen Esther in her triumphing,

She triumphs in the Presence of her King.

His Eyes are as a Dove’s, and she’s Dove-eyed;

He knows His lovely mirror, sister, Bride.

He speaks with Dove-voice of exceeding love,

And she with love-voice of an answering Dove.

Behold, the Bridegroom cometh: go we out

With lamps ablaze and garlands round about

To meet Him in a rapture with a shout.

 

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Thanksgiving: a sonnet

thanksgivingThere is no feast of Thanksgiving in either the British national or church calendars, but it seems to me a good thing for any nation to set aside a day for the gratitude which is in truth the root of every other virtue. So on  American Thanksgiving, I am re-posting here  an Englishman’s act of thanksgiving.

I’m conscious that in amongst the thanks for ‘mere survival’ is lament and grief for those who have left this world in this last year. But lament itself can become part of thanksgiving for their lives.

As always you can hear the poem by clicking on the play button if it appears or on the title.

This sonnet comes from my sequence Sounding the Seasons published by Canterbury Press The book is available in North america from Steve Bell here, or Amazon here. Since we don’t keep thanksgiving I have made it part of a mini-sequence of three centred on the feast of All Saints, which we have recently celebrated. The image that follows the poem is by Margot Krebs Neale


Thanksgiving

Thanksgiving starts with thanks for mere survival,
Just to have made it through another year
With everyone still breathing. But we share
So much beyond the outer roads we travel;
Our interweavings on a deeper level,
The modes of life embodied souls can share,
The unguessed blessings of our being here,
The warp and weft that no one can unravel.

So I give thanks for our deep coinherence
Inwoven in the web of God’s own grace,
Pulling us through the grave and gate of death.
I thank him for the truth behind appearance,
I thank him for his light in every face,
I thank him for you all, with every breath.

Image by Margot Krebs Neale

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CS Lewis: A Sonnet

Scribe of the Kingdom, Keeper of the Door

Scribe of the Kingdom, Keeper of the Door

As well as being t St. Cecilia’s day, 22nd November is also the day CS Lewis died in 1963. I remember the great celebration of his life, work and witness we had throughout 2013 and especially the honour and pleasure I had in Lecturing on him at St. Margaret’s Westminster and attending the ceremony at which his memorial stone was installed in Poet’s corner, an event that would not have taken place without the hard work and forsight of Michael Ward amongst others. I wrote a  sonnet  for Lewis as part of that year of celebration., and so, on the Anniversary of his death, I am posting it again here. It waspublished in my volume of poems The Singing Bowl, with Canterbury Press.

As usual you can hear me read the poem by clicking on the ‘play’ button, or on the title of the poem

CS Lewis

From ‘Beer and Beowulf’ to the seven heavens,

Whose music you conduct from sphere to sphere,

You are our portal to those hidden havens

Whence we return to bless our being here.

Scribe of the Kingdom, keeper of the door

Which opens on to all we might have lost,

Ward of a word-hoard in the deep hearts core

Telling the tale of Love from first to last.

Generous, capacious, open, free,

Your wardrobe-mind has furnished us with worlds

Through which to travel, whence we learn to see

Along the beam, and hear at last the heralds,

Sounding their summons, through the stars that sing,

Whose call at sunrise brings us to our King.

Your wardrobe mind has furnished us with worlds

Your wardrobe mind has furnished us with worlds

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Christ the King

20111119-111210We come now to a feast of Ends and Beginnings! This Sunday is the last Sunday in the cycle of the Christian year, which ends with the feast of Christ the King, and the following Sunday we begin our journey through time to eternity once more, with the first Sunday of Advent. We might expect the Feast of Christ the King to end the year with climactic images of Christ enthroned in Glory, seated high above all rule and authority, one before whom every knee shall bow, and of course those are powerful and important images, images of our humanity brought by him to the throne of the Heavens. But alongside such images we must also set the passage in Matthew (25:31-46) in which Christ reveals that even as He is enthroned in Glory, the King who comes to judge at the end of the ages, he is also the hidden King, hidden beneath the rags and even in the flesh of his poor here on earth.

Here is a sonnet written in response to a gospel reading for the feast of Christ the King.

This sonnet comes at the end of my sequence ‘Sounding the Seasons’ published by Canterbury Press.

The book is available in North america from Steve Bell here, or Amazon here

You can hear the sonnet by clicking on the ‘play’ button if it appears, or by clicking on the title.
Audio Player

Christ The King

Mathew 25: 31-46

Our King is calling from the hungry furrows
Whilst we are cruising through the aisles of plenty,
Our hoardings screen us from the man of sorrows,
Our soundtracks drown his murmur: ‘I am thirsty’.
He stands in line to sign in as a stranger
And seek a welcome from the world he made,
We see him only as a threat, a danger,
He asks for clothes, we strip-search him instead.
And if he should fall sick then we take care
That he does not infect our private health,
We lock him in the prisons of our fear
Lest he unlock the prison of our wealth.
But still on Sunday we shall stand and sing
The praises of our hidden Lord and King.

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