Continuing my cycle of sonnets for the Church year, here is one for Trinity Sunday which I am posting the day before, in case people would like to make use of it tomorrow.
By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.
The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making.
As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.
Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
A Pentecost Banner at St. Michael ‘s Bartley Green
Here, once more is my sonnet for Pentecost, posted on the eve of the feast in case anyone wants to use it in Church tomorrow.
Drawn from ‘Sounding the Seasons’, my cycle of sonnets for the Church Year, this is a sonnet reflecting on and celebrating the themes and readings of Pentecost. Throughout the cycle, and more widely, I have been reflecting on the traditional ‘four elements’ of earth, air, water and fire. I have been considering how each of them expresses and embodies different aspects of the Gospel and of God’s goodness, as though the four elements were, in their own way, another four evangelists. In that context I was very struck by the way Scripture expresses the presence of the Holy Spirit through the three most dynamic of the four elements, the air, ( a mighty rushing wind, but also the breath of the spirit) water, (the waters of baptism, the river of life, the fountain springing up to eternal life promised by Jesus) and of course fire, the tongues of flame at Pentecost. Three out of four ain’t bad, but I was wondering, where is the fourth? Where is earth? And then I realised that we ourselves are earth, the ‘Adam’ made of the red clay, and we become living beings, fully alive, when the Holy Spirit, clothed in the three other elements comes upon us and becomes a part of who we are. So something of that reflection is embodied in the sonnet.
As usual you can hear me reading the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem itself. Thanks to Margot Krebs Neale for the beautiful image which follows the poem.
Sounding the Seasons, is published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
Today we feel the wind beneath our wings
Today the hidden fountain flows and plays
Today the church draws breath at last and sings
As every flame becomes a Tongue of praise.
This is the feast of fire,air, and water
Poured out and breathed and kindled into earth.
The earth herself awakens to her maker
And is translated out of death to birth.
The right words come today in their right order
And every word spells freedom and release
Today the gospel crosses every border
All tongues are loosened by the Prince of Peace
Today the lost are found in His translation.
Whose mother-tongue is Love, in every nation.
Today is the feast day of St. Augustine of Canterbury, and I am drawn back to one of the most moving moments in the enthronement of the current Archbishop of Canterbury the 104th successor to St. Augustine, when he stood before the Canterbury Gospels and showed his love for the Gospel, which is itself God’s declaration of love for us, by kissing the sacred text. It was moving because the book he kissed was the very book that Augustine of Canterbury brought to these shores in the 6th century. Like the gospel it contains, it has stood the test of time, like the gospel it contains it has persisted fresh and beautiful through all the vicissitudes of our history, the wars and betrayals, the making and breaking of governments, the wrecks of empire, declaring in time and in timely ways, the redeeming Love that comes to us from beyond time. It embodies the extraordinary and miraculous continuity amidst change, the apostolic succession, that links the first and the hundred and fifth Archbishop of Canterbury.
And for both men this same gospel book, and this same Gospel is a vital source of hope and inspiration, the story of strength made perfect in weakness, of Love triumphing against the odds. ‘Apostle to the English’ was a tough assignment then and it’s a tough assignment now. In fact St. Bede tells us that after Pope Gregory sent St. Augustine to our shores he got cold feet on the way (literally I expect as well as metaphorically) and Bede tells us he wrote to Gregory asking if he could be allowed to turn back and have an easier posting somewhere else! Bede quotes the letter back from Gregory in which he strengthens Augustine’s resolve and says, ‘you’ve put your hand to the plough, go on in faith, Christ and his gospel will see you through.’
‘Oh loving Lord don’t send me to the English,
Boorish and brutal pagans that they are’
You prayed, you wrote to Gregory in anguish
But he replied ‘since you have come so far,
Your hand is on the plough, you must continue,
And reach them on their rain-drenched island shore
There’s something in the English that will win you
And Christ himself will open up the door.’
And so the gospel came to Canterbury,
The very gospel book we still possess,
Weathering the storms of history
In all its splendour and it’s hiddenness.
We bless you for that gospel you proclaim,
Bless your successors as they do the same
On March the 25th many churches across the world, Catholic, Orthodox and Anglican, keep the feast of the Annunciation. The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
On the 20th of March we remember with thanksgiving St. Cuthbert, the great Apostle of the North, in whose honour the Lindesfarne Gospels were made and on whose breast was found the beautiful Gospel of St. John which is our oldest complete book. Indeed, I was inspired to write a sonnet about the experience of standing in front of Cuthbert’s copy of St. John, which you can read Here.
Cuthbert, or ‘Cuddy’ as he is known affectionately in the North, was a man whose whole life was shaped and lived in and by the Gospel, by reconciliation, by good news for the poor and supremely by that free movement of the Holy spirit, flowing like water, and like the wind, blowing where it listeth. Though Cuthbert worked tirelessly for the church and for the poor he was at heart a hermit and a mystic, in intimate communion with God in his hermitage on his beloved inner Farne island . I feel a particular connection with Cuthbert and have walked on pilgrimage along the Cuthbert Way from Melrose Abbey in Scotland to the Holy island of Lindesfarne in Northumberland.
Here is my sonnet for Saint Patrick’s day. It is in my anthology Word in the Wilderness and is also collected in Parable and Paradox but here it is for the day itself. This particular poem was prompted by my good friend Steve Bell who was writing a fascinating book on the seasons called The Pilgrim Year and who wanted me to write something for St. Patrick’s day. I can strongly commend Steve’s ebook!
While Patrick is of course primarily associated with Ireland where he flourished as a missionary in the second half of the fifth century, he was not Irish to begin with. He seems to have been a shepherd on the mainland of Great Britain and was in fact captured there, at the age of sixteen, by raiding pirates and taken across the sea to Ireland where he was sold as a slave. He was six years in captivity before he finally made his escape and returned to Britain. And this is where the story takes a truly extraordinary turn. While he was enslaved in Ireland, working as a shepherd for his masters, Patrick became a Christian and when, having made good his escape, he returned home he had a vision in which a man gave him a letter headed ‘The Voice of Ireland’, a letter urging him to go back to the very place from which he had escaped and bring the Gospel to his former captors! That Patrick obeyed such a vision seems to me a greater miracle than any of the others subsequently attributed to him, and it is on this return that my sonnet turns. That capacity to return, face and forgive former oppressors or enemies seems a particularly vital gift for Ireland’s patron to bestow. As well as alluding briefly to ‘St. Patrick’s Breastplate’, my sonnet also touches on the story that wherever Patrick planted his staff to pray, it blossomed.
As always you can hear the sonnets by clicking o the title or the play button
The reading set for this Sunday, the last before Lent, is Luke 9:28-36, the story of the Transfiguration, so I am posting again my sonnet on the Transfiguration for anyone who might like to read or make use of it in preparation for Sunday.
Although the Feast of the Transfiguration itself falls in August, I think that just before Lent is a good time for us to glimpse it too. I believe the glimpse of glory in Christ the disciples saw on the mount of the Transfiguration was given in order to sustain them through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced this poem.
I am honoured to have had my work interpreted by some brilliant artist’s and photographers, and you may like to know that there is a Facebook group which has galleries of images inspired by my poems, you can find it by clicking on this link: ‘Sounding the Sonnets’. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:
As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.
Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.
I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.
I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.