Category Archives: Music

A track from my new album!

Saying the Names by Faye Hall

Saying the Names by Faye Hall

I am delighted to say that we are well on with the project of recording my new record Songs and Sonnets, produced by Roy Salmond and Steve Bell. As a taster I thought I would share with you one of the poems on the record; Saying the Names. It was the poem which inspired the Faye Hall Painting that adorns the cover of the record. I had written the poem out by hand for her and she in turn incorporated these hand written lines from the poem throughout her painting, which I hope you can see in the image above. We are nearly, but not quite ‘there’ in our attempts to raise the funds to make this album’s production and release possible and if you would like to go over to the Gofundme Page‘, take a look at the video which tells you more and decide whether you would like to support it, that would be great. The record has both spoken word and song, and some of the poems also have a gentle musical or soundscape commentary as you will hear when you listen to this one. I hope you enjoy it. You can listen to the poem on Roy’s Soundcloud Page by clicking on the title, or from my files by clicking on the ‘play’ button. I have also given you all the words of the poem on this page. It was first published in my Canterbury Press book The Singing Bowl

 

Saying the Names

Dawn over Amble, and along the coast

light on the tide flows to Northumberland,

silvers the scales of herring freshly caught

and glowing in their boxes on the dock,

shivers the rainbow sheen on drops of diesel,

and lights, at last, the North Sea fishing fleet.

Tucked into harbour here, their buoyant lines

lift to the light on plated prows their names,

the ancient names picked out in this year’s paint:

Providence, Bold Venture, Star Divine

are first along the quay-side. Fruitful Bough

has stemmed the tides to bring her harvest in,

Orcadian Mist and Sacred Heart, Aspire,

their names are numinous, a found poem.

Those Bible-burnished phrases live and lift

into the brightening tide of morning light

and beg to be recited, chanted out,

for names are incantations, mysteries

made manifest like ships on the horizon.

Eastward their long line tapers towards dawn

and ends at last with Freedom, Radiant Morn.

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Everything Holds Together

A while back I had an interesting, and indeed beautiful request from the talented singer-songwriter Alana Levandoski. She was making a new Album which would be a musical meditation on the great Hymn to Christ in the first chapter of Paul’s Letter to the Colossians, would I write a poem on Colossians 1:15-17 and read it so it could be woven into the music? I would be working alongside other poets like Scott Cairns and Luci Shaw. Would I do it? You bet I would!

here are the verses in Colossians that were the starting point:

He is the image of the unseen God, the first-born of all creation, for in him were created all things in heaven and on earth: everything visible and everything invisible, thrones, ruling forces, sovereignties, powers — all things were created through him and for him. He exists before all things and in him all things hold together.

Now the Album, Behold I Make All Things New, has come out and it is beautiful! Here is the poem. the Greek phrase in the poem ‘Eikon tou theou, means image of God and is taken directly from the Greek text of Paul’s letter

Everything Holds Together

 

Everything holds together, everything,

From stars that pierce the dark like living sparks,

To secret seeds that open every spring,

From spanning galaxies to spinning quarks,

Everything holds together and coheres,

Unfolding from the center whence it came.

And now that hidden heart of things appears,

The first-born of creation takes a name.

 

And shall I see the one through whom I am?

Shall I behold the one for whom I’m made,

The light in light, the flame within the flame,

Eikon tou theou, image of my God?

He comes, a little child, to bless my sight,

That I might come to him for life and light.

As usual you can hear me read it by clicking on the title or play button, but better still you can hear it with Alana’s music, hear the other three poems that are woven in with it and see the beautiful paintings by Julie Ann Stevens that go with the Album. You can check out Alana’s website here.

 

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Filed under christianity, imagination, Music, paintings, Poems

A poem for St. George’s Day, and a Grantchester Gig!

St. George’s Day and my thoughts turn again to Hatley St. George. If St. George, as our patron saint inspires English patriotism, then I’d say my own patriotism is about loving the little particularites of my native land. Not the big political rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.

Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.

It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem, which I also posted last year, both to celebrate the church and to help the cause. Do visit it if you can and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.

May I also add that this year on St. George’s day I will be hosting an evening of song and general merriment at The Blue Ball in Grantchester from 9pm onwards, which will include a new setting I have written for GK Chesterton’s wonderful poem about St. George. It’s all free do come and join us if you can!

the window of Hatley St. George

View through the window of Hatley St. George

Hatley St. George

Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.

Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.

Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.

Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.

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Filed under christianity, imagination, Music, Poems, politics

Good News From LA: JAC Redford’s beautiful new CD

JAC Redford's beautiful new CD

JAC Redford’s beautiful new CD

I am back at last from my adventures as ‘Visionary in Residence at Biola in Los Angeles, and one of the highlights was my musical collaboration there with Steve Bell and JAC Redford. Happily my visit coincided with the release of JAC’s new CD ‘Let Beauty be our Memorial. It’s a stunning record with 18 beautiful, original choral pieces, all composed by JAC and sung by the excellent St. Silas Singers. It has settings of texts by CS Lewis, Scott Cairns, and passages of scripture and liturgy but I am delighted and honoured to say that it also contains settings of eight of my sonnets; my whole Advent Antiphon sequence, and also an exquisite setting of Love’s Choice, my sonnet about receiving Holy Communion. With JAC’s permission I am uploading the recording of Love’s Choice here, to give you an idea of what this CD is like. You can get the CD directly from JAC’s own Website, or as a download from CD Baby, or Amazon. It’s also available on iTunes.

So here, is ‘Love’s Choice:

Love’s Choice

This bread is light, dissolving, almost air,
A little visitation on my tongue,
A wafer-thin sensation, hardly there.
This taste of wine is brief in flavour, flung
A moment to the palate’s roof and fled,
Even its aftertaste a memory.
Yet this is how He comes. Through wine and bread
Love chooses to be emptied into me.
He does not come in unimagined light
Too bright to be denied, too absolute
For consciousness, too strong for sight,
Leaving the seer blind, the poet mute,
Chooses instead to seep into each sense,
To dye himself into experience.

 

With JAC and Steve Bell in LA. They are holding one another's CDs!

With JAC and Steve Bell in LA. They are holding one another’s CDs!

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Ode to St. Cecilia

cecilia-4The 22nd of November is the feast day of St. Cecilia, Christian Martyr and Patron Saint of music. Last year I was commissioned by JAC Redford the LA-based composer and orchestrater, to write an Ode to St. Cecilia for a new piece of music he has in turn been commissioned to write, which had its premiere in LA in October of last year.

Here, for this year’s St. Cecilia’s day is the text of my ode and a recording of my reading of it. In the recording I also talk a little about the inspiration and how it came to be written. I hope you enjoy it. Margot Krebs Neale has contributed the beautiful image which follows the poem As usual you can hear the poem by clicking on the title or the ‘play’ button.


Ode to St. Cecilia

You rested briefly here Cecilia

In this good ground, the Roman catacomb:

Its rounded vaults are rich with sudden sound

As pilgrims hymn you through the darkened air.

For you made music in your martyrdom,

Transposed the passion of your wedding night

To angel-given garlands, wreathed in light.

In all your three days dying you made room

For beautiful abundance, gifts and giving,

Your death was blessing and your passing praise,

As you gave way to grace,

Like music that still lives within its dying

And gives in giving place.

 

Cecilia, give way to grace again,

Transmute it into music for us all:

Music to stir and call the sleeping soul,

And set a counterpoint to all our pain,

To bless our senses in their very essence

And undergird our sorrow in good ground.

Music to summon undeserved abundance,

Unlooked for overbrimming, rich and strong,

The unexpected plenitude of sound

Becoming song.

Image by Margot Krebs Neale

Image by Margot Krebs Neale

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Temptations! The new Opera based on my sonnets

temptationsThis First Sunday in Lent is the day the church reflects on the three Temptations of Christ in the Wilderness. These three Temptations, to material goods, to irresponsible power and to Spiritual pride are Universal and Christ faces them all for and with us, so that our disobedience can be redeemed and made perfect in his obedience. I will be reposting each of my sonnets on these three temptations on the coming days, but in this post I want to share with you an amazing Chamber Opera, based on those same three temptations which was written by Rhiannon Randle one of the music Students here at Cambridge, in my own college and performed, with a cast of brilliant young Cambridge musicians and singers, at the end of January. Rhiannon has, in my opinion, gone right to the heart of what I was trying to do in the sonnets and then re-worked and re-imagined it through the medium of her own art, with the result that when I saw the opera the whole thing became fresh, new, and challenging for me again. I hope it has the same effect on you. Below, with her permission I am posting a link to the complete libretto, a sound cloud link to a recording of the opera, and a youtube link to the St. John’s college performance, which was professionally filmed. Do enjoy it.

The Full Libretto is here: Temptations – final libretto

Here is the sound cloud recording: Temptations

And here is the film:

 

 

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From one voice to many; the adventures of a sonnet

with JAC at Abbey Road Studio One!

with JAC at Abbey Road Studio One!

In my last post I shared with you a sonnet called O Sapientia, the first of my seven sonnets for the O Advent Antiphons, the other six of which I will be posting as we move through Advent. And in an earlier post still I told you about what a moving experience it was when Steve Bell took some of my sonnets and set them or parts of them, into the songs he sings. Now I want to tell you about another musical adventure that befell that first sonnet O Sapientia. Once again, as with Steve, this adventure came about thanks to the amazing mix of artists musicians and poets that thrives around the CS Lewis Foundation’sOxbridge’ Conferences. It happened that JAC Redford, the distinguished Californian composer and orchestrater (He was lead orchestrator for Skyfall!) was at one of these conferences and heard my O Sapientia. He took it home and the next thing I knew was that the next ‘Oxbridge’ was going to feature the world premiers of a JAC Redford setting of O Sapientia for full choir!

Attending that concert was an extraordinary experience. As a poet I can only write and read one line at a time, in a single voice. But as I write I can sense myriad possibilities, many voices, which I can only suggest by summoning the wider penumbra of connotations and the multivalent possibilities and latent energies in words themselves. I was particularly conscious of this linear constraint as I was writing O Sapientia, which moves from the opening single voiced word ‘I’ and ends with the multitudinous word ‘everything’.

Well when I heard JAC’s piece it came as a gift and a revelation! At last I was hearing aloud something of the rich layering of many voices and possibilities I could hear in my head. It was amazing and I wished there had been a recording of it. Well I have good news. JAC has arranged for Ben Parry to record it with the Peters Edition Chorale, . Here it is.

Just as with my experiences with Steve Bell, though in a completely different genre, I feel that the little seed I have sown has blossomed in surprising and beautiful ways.

(Another surprising adventure arising from this sonnet was that I got to hang out with JAC in Abbey Road Studios whilst a brilliant studio orchestra recorded the music for Skyfall!)

Now, best of all I can tell you that on Thursday 5th December at 8pm in St. Edward’s Church Cambridge you can come and hear the World Premiere of JAC’s setting of the complete sequence of my Antiphon sonnets. We hope that these will later be broadcast, next Advent on BBC Radio, but tomorrow is your opportunity to hear them in advance, and live! If you want to check out the book from which the sonnets come, click on this title: Sounding the Seasons

Here are the words of the sonnet again if you’d like to see them whilst you listen:

O Sapientia, quae ex ore Altissimi prodiisti,

attingens a fine usque ad finem,

fortiter suaviterque disponens omnia:

veni ad docendum nos viam prudentiae.

 

O Wisdom, coming forth from the mouth of the Most High,

reaching from one end to the other mightily,

and sweetly ordering all things:

Come and teach us the way of prudence.

 

O Sapientia

I cannot think unless I have been thought,

Nor can I speak unless I have been spoken.

I cannot teach except as I am taught,

Or break the bread except as I am broken.

O Mind behind the mind through which I seek,

O Light within the light by which I see,

O Word beneath the words with which I speak,

O founding, unfound Wisdom, finding me,

O sounding Song whose depth is sounding me,

O Memory of time, reminding me,

My Ground of Being, always grounding me,

My Maker’s Bounding Line, defining me,

Come, hidden Wisdom, come with all you bring,

Come to me now, disguised as everything.

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