Silence: a Sonnet for Remembrance Day

As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons.  I’m posting it a few days early so that any one who wishes to, can use it in services or events on this hundredth anniversary of the armistice in which Remembrance Sunday falls on Remembrance day itself.

So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th three years ago, minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.

The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale

Silence

November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.

Silent Cross by Margot Krebs Neale

All Saints and All Souls: A Last Beatitude

‘the faithful server’s on the coffee rota’

At this season of the year, on the 1st and 2nd of November, the Church ‘keeps the feast’ two days running, with a pair of feasts; All Saints and All Souls, each of which begins with that wonderfully Biblical and inclusive little word  All. I remember the effect that little word had on me, coming again and again in the verses of psalm 145, when I read that psalm a little before my conversion, how as each ‘all’ seemed to widen the circle of God’s love, till I began to wonder if even I might be included in one of those alls.. Do you remember them?

9The LORD is loving to everyone *

and his compassion is over all his works.

10All your works praise you, O LORD, *

and your faithful servants bless you.

….

14The LORD is faithful in all his words *

and merciful in all his deeds.

15The LORD upholds all those who fall; *

he lifts up all those who are bowed down.

16The eyes of all wait upon you, O LORD, *

and you give them their food in due season.

17You open wide your hand *

and satisfy the needs of every living creature.

18The LORD is righteous in all his ways *

and loving in all his works.

19The LORD is near to all who call upon him, *

to all who call upon him faithfully.

In the end it was those two little alls in verse 14 that included me; ‘The Lord upholdeth all such as fall: and lifteth up all those that are down.’

Anyway to return to the two lovely alls of these feasts, All Saints and All Souls, I have been reflecting on how easy it is for us to be partial and selective, where God is generous and inclusive, and especially of how when we think of great saints and holy souls, we tend immediately to think of already prominent people, the writers and teachers of the church, the priests and prophets, the big historical figures, people who already have a bit of the spotlight, people whom the world also admires. So in the spirit of the Beatitudes, and of Psalm 145, I thought I’d add to my sonnet sequence for this season, a little sonnet about the ones we overlook, but whom God knows and loves intimately. Its called A Last Beatitude. As always you can hear the poem by clicking on the title or the ‘play’ button. I borrowed the lovely image of serving coffee from the website of St. Laurence church Cowley Rd

This sonnet is  from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press,

If your church is marking all saints or all souls day do feel free to print the words or use the recording.

A Last Beatitude

And blessèd are the ones we overlook;

The faithful servers on the coffee rota,

The ones who hold no candle, bell or book

But keep the books and tally up the quota,

The gentle souls who come to ‘do the flowers’,

The quiet ones who organise the fete,

Church sitters who give up their weekday hours,

Doorkeepers who may open heaven’s gate.

God knows the depths that often go unspoken

Amongst the shy, the quiet, and the kind,

Or the slow healing of a heart long broken

Placing each flower so for a year’s mind.

Invisible on earth, without a voice,

In heaven their angels glory and rejoice.

All Hallow’s Eve; a sonnet of reclamation

The dark is bright with quiet lives and steady lights undimmed

Halloween seems to be creeping up on Christmas in the crass commercialism stakes, even here in England, where the tradition is less strong! Halloween itself simply means the eve of all Hallows, and All Hallows is the Christian feast of All Saints, or All Saints Day’ a day when we think particularly of those souls in bliss who, even in this life, kindled a light for us, or to speak more exactly, reflected for us and to us, the already-kindled light of Christ!,  It is followed immediately on November 2nd by All Souls Day. the day we remember all the souls who have gone before us into the light of Heaven.  It is good that we should have a season of the year for remembrance and a time when we feel that the veil between time and eternity is thin and we can sense that greater and wider communion of saints to which we belong. It is also good and right that the Church settled this feast on a time in the turning of the year when the pre-Christian Celtic religions were accustomed to think of and make offerings for the dead. But it was right that, though they kept the day, they changed the custom. The greatest and only offering, to redeem both the living and the dead, has been made by Christ and if we want to celebrate our loving connections we need only now make gifts to the living, as we do in offering sweets to the ‘trick or treaters’ in this season, and far more profoundly in exchanging gifts at Christmas.

Anyway, given that both these seasons of hospitality and exchange have been so wrenched from their first purpose in order to sell tinsel and sweeties, I thought I might redress the balance a little and reclaim this season with a sonnet for All Souls/All Saints that remembers the light that shines in darkness, who first kindled it, and how we can all reflect it.

If your church is marking all saints or all souls day do feel free to print the words or use the recording.

The image which follows this poem, and takes up one of its key lines, is by Margot Krebs Neale. As always you can hear the poem by clicking on the ‘play’ button if it appears, or on the title.

This sonnet are  from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press,

All Saints

Though Satan breaks our dark glass into shards

Each shard still shines with Christ’s reflected light,

It glances from the eyes, kindles the words

Of all his unknown saints. The dark is bright

With quiet lives and steady lights undimmed,

The witness of the ones we shunned and shamed.

Plain in our sight and far beyond our seeing

He weaves them with us in the web of being

They stand beside us even as we grieve,

The lone and left behind whom no one claimed,

Unnumbered multitudes, he lifts above

The shadow of the gibbet and the grave,

To triumph where all saints are known and named;

The gathered glories of His wounded love.

‘Each shard still shines’ image by Margot Krebs Neale

Samuel Taylor Coleridge; a birthday sonnet, and a book!

The great poet, philosopher, and Christian sage, Samuel Taylor Coleridge was born on the 21st of October in 1772, so I am posting this sonnet for his birthday!

I should also mention that in 2017 I published Mariner: A Voyage with Samuel Taylor Coleridge which has been well and widely reviewed and examines coleridge’s life and faith in fresh ways, through the lens of the rime of the Ancient Mariner, his most famous poem.

I could not begin to reckon the personal debt I owe to Coleridge; for his poetry, for his personal and Christian wisdom, above all for his brilliant exploration and defence of the poetic imagination as a truth-bearing faculty which participates in, and is redeemed by the Logos, the living Word, himself the Divine Imagination. We are only now coming to appreciate the depth and range of what he achieved, his contemporaries scarcely understood him, and his Victorian successors looked down in judgement at what htey saw as the shipwreck of his life. Something of that experience of rejection, twinned with deep Christian conviction, can be seen in the epitaph he wrote for himself:

Stop, Christian passer-by!—Stop, child of God,

And read with gentle breast. Beneath this sod

A poet lies, or that which once seemed he.

O, lift one thought in prayer for S. T. C.;

That he who many a year with toil of breath

Found death in life, may here find life in death!

Mercy for praise—to be forgiven for fame

He asked, and hoped, through Christ. Do thou the same!

From my teenage raptures when I was first enchanted by Kubla Khan and the Ancient Mariner, to my struggles and adventures in the middle of life STC has been my companion and guide.In the chapter on Coleridge in my book Faith Hope and Poetry I have set out an account of his thinking and made the case for his central importance in our own age, but what I offer here is a sonnet celebrating his legacy, drawing on that epitaph I mentioned above, one of a sequence of sonnets on my fellow christians in my  book The Singing Bowl,  published last year by the Canterbury Press.

As Always you can hear the poem by clicking on the title or clicking the ‘play’ button.

Samuel Taylor Coleridge

‘Stop, Christian passer-by!—Stop, child of God!’

You made your epitaph imperative,

And stopped this wedding guest! But I am glad

To stop with you and start again, to live

From that pure source, the all-renewing stream,

Whose living power is imagination,

And know myself a child of the I AM,

Open and loving to his whole creation.

Your glittering eye taught mine to pierce the veil,

To let his light transfigure all my seeing,

To serve the shaping Spirit whom I feel,

And make with him the poem of my being.

I follow where you sail towards our haven,

Your wide wake lit with glimmerings of heaven.

Steve Bell captured me in ancient mariner mode!

A Sonnet for St. Luke’s Day

St. Luke accompanied by his ‘creature’ the winged ox

This Thursday, the 18th of October, is the feast day of St. Luke the Physician and Evangelist, and so I am reposting this sonnet in his honour. This poem comes from Sounding the Seasons, my series of sonnets for the church year.  My sonnets in that series, include a mini-sequence on the four Evangelists together and the imagery in those sonnets is influenced  by the images of the four living creatures round the throne of God and the tradition that each of these creatures represents both an aspect of Christ and one of the four Evangelists.

‘...since there are four zones of the world in which we live, and four principal winds, while the Church is scattered throughout all the world, and the “pillar and ground” of the Church is the Gospel and the spirit of life it is fitting that she should have four pillars, breathing out immortality on every side, and vivifying men afresh. From which fact, it is evident that the Word, the Artificer of all, He that sitteth upon the cherubim, and contains all things, He who was manifested to men, has given us the Gospel under four aspects, but bound together by one Spirit. ‘  St. Irenaeus of Lyons  (ca. 120-202 AD)  –  Adversus Haereses 3.11.8

For a good account of this tradition click here. I am drawing my inspiration both from the opening page image of each Gospel in the Lindesfarne Gospels and also from the beautiful account of the four living creatures given by St. Ireneus, part of which I quote above. As well as being himself a Physician, and therefore the patron saint of doctors and all involved in healing ministry, Luke is also the patron of artists and painters. In this iconographic tradition Luke’s emblem is the ox, the lowly servant His gospel seems to have a particular connection with those on the margins of his society. In Luke we hear the voices of women more clearly than in any other gospel, and the claims and hope of the poor in Christ find a resonant voice.

As always you can hear the poem by clicking the ‘play’ button if it appears or clicking on the title of the poem. The photographer Margot Krebs Neale has again provided a thought-provoking photograph to interpret the poem, in this case one taken by her son Oliver.  The book with these sonnets was published by Canterbury Press  and is available from all the usual Amazons etc.

 Luke

His gospel is itself a living creature

A ground and glory round the throne of God,

Where earth and heaven breathe through human nature

And One upon the throne sees it is good.

Luke is the living pillar of our healing,

A lowly ox, the servant of the four,

We turn his page to find his face revealing

The wonder, and the welcome of the poor.

He breathes good news to all who bear a burden

Good news to all who turn and try again,

The meek rejoice and prodigals find pardon,

A lost thief reaches paradise through pain,

The voiceless find their voice in every word

And, with Our Lady, magnify Our Lord.

Thanks to Margot Krebs Neale for this image

Discerning the tune: Two new poems for our times

Cantus Firmus

I am presently working on a new sequence of poems written in response to George Herbert’s beautiful poem Prayer. I have long felt that each of the twenty-seven images and metaphor for prayer in that exquisite sonnet could itself be the seed and beginning of a new poem and so I have decided to make my own twenty-seven sonnet response to his masterpiece.

I was going to wait a while to share any of these, but I felt the two most recent ones I have composed, responding to Herbert’s two lines

The six-days world transposing in an hour,

Kind of tune that all things hear and fear

might be helpful for some of my readers in the current stressful and disturbing cycle of news. For when I began the poem on how prayer does not ignore ‘the six-days world’ the busy weekday world, the constant cycles of unnerving news, the noise and pain and clamour of daily life, but rather seeks to transpose that dissonance into the key of love, I realised that I was articulating something I had been feeling for a long time about the damaging and depressing effect of barrages of bad news unprayed through, accumulating as a kind of uninterpreted cacophony in the mind. We need the gift of transposition and the power to hear, however tiny it might seem, the eternal tuning fork that sounds Christ’s love in the midst of things, the cantus firmus that grounds the music the cosmos. As I wrote this I also realised that my poems were haunted by Over the Rhine‘s beautiful song ‘All of it was Music’.

If you have been as disturbed and distressed as I have in recent days I hope the following two sonnets will help.

As always you can hear me read the poems by clicking on the ‘play’ button or on the title. There is a little interference on the recording in the prose introduction to the first poem, but it clears up for the poem itself.

The six days world transposing in an hour

 

Twenty-four seven in ‘the six days world’,

In endless cycles of unnerving news,

Relentlessly our restless hurts are hurled

Through empty cyber-space. Is there no muse

To make of all that pain an elegy,

Or in those waves of white noise to discern

Christ’s inner cantus firmus, that deep tone

That might give rise at last to harmony?

 

We may not seal it off or drown it out,

Nor close our hearts down in the hour of prayer,

But listening through dissonance and doubt,

Wait in the space between, until we hear

A change of key, a secret chord disclosed,

A kind of tune, and all the world transposed.

A Kind Of Tune

 

A kind of tune, a music everywhere

And nowhere. Love’s long lovely undersong,

A trace in time, a grace-note in the air,

Borne to us from the place where we belong

On every passing breeze and in the breath

Of every creature. All things hear and fear,

For faintly, through our fall, we too may hear

The strong song of the Son that undoes death.

 

And one day we will hear it unimpaired:

The joy of all the sorrowful, the song

Of all the saints who cry ‘how long’,

The hidden hope of all who have despaired.

He sang it to his mother in the womb

And now it echoes from his empty tomb.

 

A Sonnet for St. Francis

St. Francis Day falls on the 4th of October, which is also National Poetry Day, so I thought I would repost this sonnet which reflects the way Francis responded to Christ’s call by casting away the rich trappings he had inherited and embracing holy poverty.The sonnet, which I wrote shortly after the election of the new Pope, is also a prayer that Pope Francis the 1st will enable the wider church to do the same! As always you can hear the sonnet by clicking on the ‘play’ button or the title

My sonnets for the Christian Year are available from Canterbury Press Here and on Kindle here

This sonnet for Francis is taken from my book The Singing Bowl, published by Canterbury Press. It is also available from Amazon UK Here, and USA Here and in Canada it is kept in stock by SignpostMusic

‘Francis, Rebuild My Church’; a sonnet for the Saint and for the new Pope

‘Francis rebuild my church which, as you see

Is falling into ruin.’ From the cross

Your saviour spoke to you and speaks to us

Again through you. Undoing set you free,

Loosened the traps of trappings, cast away

The trammelling of all that costly cloth

We wind our saviour in. At break of day

He set aside his grave-clothes. Your new birth

Came like a daybreak too, naked and true

To poverty and to the gospel call,

You woke to Christ and Christ awoke in you

And set to work through all your love and skill

To make our ruin good, to bless and heal

To wake the Christ in us and make us whole.