The 25th of April is the feast day of St. Mark the Evangelist, so I am posting again my sonnet on St. Mark’s Gospel, one of a set of four sonnets on each of the four evangelists. For each of these sonnets I have meditated on the way the traditional association of each of the evangelists with one of the ‘four living creatures’ round the throne helps us to focus on the particular gifts and emphasis of that Gospel writer. For a good account of this tradition click here. Mark is the lion. There is a power, a dynamic a swiftness of pace in Mark’s Gospel, his favourite word is ‘immediately’! and that suits the lion. His Gospel starts in the wilderness and that suits it too.
But the great paradox in Mark is that the Gospel writer who shows us Christ at his most decisive, powerful, startling and leonine is also the one who shows us how our conquering lion, our true Aslan, deliberately entered into suffering and passion, the great ‘doer’ letting things be done unto him. In this sonnet, I am especially indebted to WH Vanstone’s brilliant reading of this aspect of Mark in his wonderful book The Stature of Waiting.
For all four ‘Gospel’ sonnets I have also drawn on the visual imagery of the Lindesfarne Gospels, as in the one illustrated above.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poem by clicking on the ‘play’ button or on the title.
St. George’s Day and my thoughts turn again to Hatley St. George. If St. George, as our patron saint inspires English patriotism, then I’d say my own patriotism is about loving the little particularites of my native land. Not the big political rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help the cause. Do visit it if you can and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
On this Easter morning I have already posted George Herbert’s glorious Easter poem but I thought I would add a couple of my own; the fifteenth and final sonnet from my Stations of the Cross sequence, and a villanelle for Easter which I composed one dark morning last year whilst out walking my dog. Lancia Smith has made a beautiful image with lines from the new poem.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poems by clicking on the title or the ‘play’ button
Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. It has its own patterns and rituals that take up a little of that empty space of waiting. Children come into church to make an Easter Garden, exhausted clergy give themselves the space to venture a walk with their families and draw breath before tomorrow’s big declamations, those who have passed through the intense experience of a Good Friday three hours watch service feel strangely dislocated from the crowds of Easter Bank holiday shoppers that surge around the Saturday markets, and all the while for all the faithful who have made this journey through Holy Week together, there is a kind of emptiness and expectant stillness within.
I have tried to reflect a little of this in these two sonnets, which I have chosen out from the full sequence of fourteen I published on Good Friday. I was conscious as I wrote these poems of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.
I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage.
Linda writes about this picture above:
In this image the impression of a face is painted on a piece of cloth. The face is still and silent, the cloth, shredded and torn. The colour is all gone, the humanity a mere imprint. We have killed the one who loves us. Life is exhausted.
Whenever I go to a funeral I always feel dull and empty afterwards and can never settle to anything. The emotion of the service is draining and I merely get through the rest of the day. But just as the land lies fallow in winter, ploughed and patient, on Holy Saturday we wait too. Waiting for most of us is a kind of suffering, whether it is in our cars or in a queue at a shop, but waiting can either grind our nerves or it can become a fruitful gathering of our inner selves as we live in the present moment. When we let go of the furious impulse to always be doing something, we might be surprised at the richness of the silence and stillness we encounter within us because the Spirit of God is always singing a love song to the Father in our hearts, if only we could learn to wait and be still.
the images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
Here, once more, is the complete sequence of sonnets for the Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.
I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage
Linda writes about the pictureI have given above:
For many of us, Good Friday is so laden with imagery and commentary it is overwhelming and instead of entering the story we can often feel numb.
Jesus friends and family would have watched in a similar state, numb with shock. They thought he was going to be a great leader, maybe even a great King, but it must have seemed a sickening travesty to watch the man who drew crowds of thousands, now trapped in the remorseless machinations of political intrigue and religious legalism.
Look at his suffering as he shows us the full extent of his love. If you can hear this, His overcoming the cross is our reward, but you are His reward.
Please feel free to make use of these in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.
The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
If you would like to join in a discussion go these and my other poems for Holy Week poems you can do so by joining the Literary Life Facebook Page
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
There is so much happening here, so many threads of connection flowing to and from this deep source of love and gospel vision. my sonnet for this central and sacramental day can only suggest one or two of them.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage
Linda writes about this picture:
One of the most anchoring moments in my week is the walk to the communion rail on Sunday where I receive the bread and wine with these words:
The body and blood of our Lord Jesus Christ, which was given for you, preserve your body and soul to eternal life. Take and eat this in remembrance that Christ died for you, and feed on him in your heart by faith with thanksgiving.
These words might sound a bit strange, feeding on something in your heart, but I hear them as nourishment for the journey of life. If these words sound alien they are not meant to be because everyone is welcome to come and receive this nourishment. He is our servant who obeyed a call to show love that was prepared to go all the way to the grave. The power structures are upended in the act of serving us. The greatest one serving people at a table, washing their feet and then asking us to do the same for others.
In the painting Jesus is turning away from us and towards the meaning of the bread and wine that he is holding out to his friends. He is beginning to leave us as the incarnate one to begin his journey back to his Father.
If you would like to join in a discussion go these and my other poems for Holy Week poems you can do so by joining the Literary Life Facebook Page
You can hear the poem by clicking on the title or the ‘play’ button
When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the essence of all light and purity in human flesh, he came as a young boy full of questions, seeking to know his father’s will, and today he came in righteous anger to clear away the blasphemous barriers that human power-games try to throw up between God and the world he loves. Then finally, by his death on the cross he took away the last barrier in the Temple, and in our hearts, the veil that stood between us and the Holy of Holies, the very presence of God, in us and beyond us.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage
Linda writes about this picture:
This painting is confrontation. Of believers, it asks the questions, “How do you silence me? Are you still trying to trade your good deeds for my love? What more do I have to do to show you that I love you? Do you really think you can barter for my love or will you receive it once again as pure grace?”
Of Christianity it might interrogate the way in which the Church has sometimes perverted the love it was meant to reveal, and has in some cases, grossly abused and violated its power causing terrible suffering.
Of those who doubt, it asks you to suspend your disbelief for a moment. Come as a child, without your sophisticated arguments, see how angry Christ is with the people who have wounded you and turned you away from Him. And see also how He forgives them, and loves you.
The face is painted with vigorous brush strokes. Can you see the whip he made? Can you see the birds flying up out of the painting and into freedom?
RT @chadacecil: Voyaging through 'Mariner' and astounded by the insights of Coleridge. Thanks for the awesome interpretation @malcolmguite… 19 hours ago
