Tag Archives: canterbury press

St. Clare: a Sonnet

Santa Chiara, lovely claritas

Santa Chiara, lovely claritas

August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare.  She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision of St. Francis and her extraordinary gifts a soul-guide, friend, and leader made her a shining light and a clear mirror of Christ for thousands in her lifetime and still a light and inspiration to Christians from many denominations today.

Clare wrote:

Place your mind before the mirror of eternity!
Place your soul in the brilliance of glory!
Place your heart in the figure of the divine substance!
And transform your entire being into the image
of the Godhead Itself through contemplation.
So that you too may feel what His friends feel
as they taste the hidden sweetness
that God Himself has reserved from the beginning
for those who love Him”

So here is my sonnet in her honour reflecting on how the meaning of her name, ‘light and clarity’, was also the meaning of her life. This sonnet is taken from  The Singing Bowl , which is published by Canterbury Press and available through Amazon etc.


Clare

Santa Chiara, lovely claritas

Whose soul in stillness holds love’s pure reflection,

Shining through you as Holy Caritas,

Lucid and lucent, bringing to perfection

The girl whom Love has called to call us all

Back into truth, simplicity and grace.

Your love for Francis, radiant through the veil,

Reveals in both of you your saviour’s face.

Christ holds the mirror of your given life

Up to the world he gives himself to save,

A sacrament to keep your city safe,

A window into his eternal love.

Unveiled in heaven, dancing in the light,

Pray for this pilgrim soul in his dark night.

 

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A Sonnet for the Feast of the Transfiguration

Transfiguration by Rebecca Merry

Continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet for the feast of the Transfiguration. This is the day when we remember how the Disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest.

The transfiguration is also sometimes remembered just before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.

I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:

I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.

The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:

As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.

Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.

I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.

I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Transfiguration

For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.

Photograph by Margot Krebs Neale

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Mary Magdalene: A Sonnet

The 22nd of July is Mary Magdalene’s day, and continuing my sequence of sonnets written in response to the church year I post this for her. As usual you can hear the poem by clicking on its title or on the ‘play’ button.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.



Mary Magdalene

Men called you light so as to load you down,
And burden you with their own weight of sin,
A woman forced to  cover and contain
Those seven devils sent by Everyman.
But one man set you free and took your part
One man knew and loved you to the core
The broken alabaster of your heart
Revealed to Him alone a hidden door,
Into a garden where the fountain sealed,
Could flow at last for him in healing tears,
Till, in another garden, he revealed
The perfect Love that cast out all your fears,
And quickened you  with love’s own sway and swing,
As light and lovely as the news you bring.

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A sonnet for St. Benedict

20130710-093249.jpg

On July the 11th the Church celebrates the feast of St. Benedict of Nursia, the gentle founder of the Benedictine order and by extension the father of Monasticism. A moderate and modest man he would have been astonished to learn that his ‘simple school for prayer’, his ‘modest rule for beginners’ led to the foundation of communities which kept the Christian flame alight through dark ages, preserved not only Christian faith, scripture, and culture,but also the best of Classical Pagan learning and culture, fed the poor, transformed societies, promoted learning and scholarship, and today provides solace, grounding, perspective and retreat not only to monks and nuns but to millions of lay people around the world.
Here is my sonnet for Benedict, drawing largely on phrases from the Rule, I dedicate it to the sisters at Turvey Abbey. It appears in my second book with Canterbury Press, The Singing Bowl

As always you can hear the sonnet by clicking on the ‘play’ button or the title.

Benedict

You sought to start a simple school of prayer,
A modest, gentle, moderate attempt,
With nothing made too harsh or hard to bear,
No treating or retreating with contempt,
A little rule, a small obedience
That sets aside, and tills the chosen ground,
Fruitful humility, chosen innocence,
A binding by which freedom might be found

You call us all to live, and see good days,
Centre in Christ and enter in his peace,
To seek his Way amidst our many ways,
Find blessedness in blessing, peace in praise,
To clear and keep for Love a sacred space
That we might be beginners in God’s grace.

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Thank God for ‘Doubting’ Thomas!

July the 3rd is the Feast of St. Thomas the apostle. Sometimes known as ‘doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark!
I thank God for St. Thomas, the one disciple who had the courage to say what everyone else was thinking but didnt dare say, the courage to ask the awkward questions that drew from Jesus some of the most beautiful and profoundly comforting of all his sayings. “We dont know where you’re going, how can we know the way”? asked Thomas, and because he had the courage to confess his ignorance, we were given that beautiful saying “I am the way the Truth and the Life” Here is the poem I have written for St. Thomas, and also a sermon called ‘Touching the Wounds’ which I preached  at St. Edwards.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

I am greateful to Margot Krebs Neale for the thought-provoking image above, you can hear the poem by clicking on the ‘play’ button below or on the title of the poem and you can hear the sermon on my podcast site by clicking here: Touching The Wounds

St. Thomas the Apostle

 

“We do not know… how can we know the way?”

Courageous master of the awkward question,

You spoke the words the others dared not say

And cut through their evasion and abstraction.

Oh doubting Thomas, father of my faith,

You put your finger on the nub of things

We cannot love some disembodied wraith,

But flesh and blood must be our king of kings.

Your teaching is to touch, embrace, anoint,

Feel after Him and find Him in the flesh.

Because He loved your awkward counter-point

The Word has heard and granted you your wish.

Oh place my hands with yours, help me divine

The wounded God whose wounds are healing mine.

 

oh place my hands with yours, help me divine
the wounded God whose wounds are healing mine

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A pair of sonnets for St. John the Baptist.

So keep his fires burning through the night
Beacons and gateways for the child of light.

In our poetic journey through the sacred seasons of the year we have come to midsummer! The traditional Church festival for this beautiful, long-lit solstice season is the Feast of St. John the Baptist, which falls on June 24th, which was midsummer day in the old Roman Calender. Luke tells us  that John the Baptist was born about 6 months before Jesus, so this feast falls half way through the year, 6 months before Christmas!

The tradition of keeping St. John’s Eve with the lighting of Bonfires and Beacons is very ancient, almost certainly pre-Christian, but in my view it is very fitting that it has become part of a Christian festivity. Christ keeps and fulfills all that was best in the old pagan forshadowings of his coming and this Midsummer festival of light is no exception. John was sent as a witness to the light that was coming into the world, and John wanted to point to that light, not stand in its way, hence his beautiful saying ‘He must increase and I must diminish’, a good watchword for all of those who are, as the prayer book calls us, the ‘ministers and stewards of his mysteries’.

I have written two sonnets,  one for St. John’s Eve reflecting on the lighting of the fires and another for St. John’s day in which , in honour of the Baptist, I reflect on the mystery and grace of baptism itself.

I am very grateful to the artist Rebecca Merry  for her beautiful interpretation of this feast and these poems.

Both these sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on bothAmazon UK and USA  It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

As usual you can hear the poems by pressing the ‘play’ button if it appears, or else by clicking on the title.

St. John the Baptist: 1 St. John’s Eve

Midsummer night, and bonfires on the hill

Burn for the man who makes way for the Light:

‘He must increase and I diminish still,

Until his sun illuminates my night.’

So John the Baptist pioneers our path,

Unfolds the essence of the life of prayer,

Unlatches the last doorway into faith,

And makes one inner space an everywhere.

Least of the new and greatest of the old,

Orpheus on the threshold with his lyre,

He sets himself aside, and cries “Behold

The One who stands amongst you comes with fire!”

So keep his fires burning through this night,

Beacons and gateways for the child of light.


St. John the Baptist: 2 Baptism

Love’s hidden thread has drawn us to the font,

A wide womb floating on the breath of God,

Feathered with seraph wings, lit with the swift

Lightening of praise, with thunder over-spread,

And under-girded with an unheard song,

Calling through water, fire, darkness, pain,

Calling us to the life for which we long,

Yearning to bring us to our birth again.

Again the breath of God is on the waters

In whose reflecting face our candles shine,

Again he draws from death the sons and daughters

For whom he bid the elements combine.

As living stones around a font today,

Rejoice with those who roll the stone away.

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Columba and my calling.

A fierce dove racing in a fiercer gale

A fierce dove racing in a fiercer gale

June the 9th is Saint Columba’s day, a saint who has a special place for me, as somehow, he feels bound up in my own journey to Faith. When I was 19, and moving from  atheism, towards a greater spiritual openness, but by no means yet a Christian, I went for a long slow walk round Ireland. I went without a map because the Zen practice in which I was interested at the time, and on which I still draw in prayer, was always emphasizing ‘The map is not the reality”! You must utterly and absolutely be in the place you’re in, and let that place be what it is and teach what it has to teach without any overlay from your maps and preconceptions. So I took that literally and walked round Ireland without  a map, just keeping the sea on my left! One evening, St. John’s Eve it was, right at the end of my journey, I came round a headland at sunset into a beautiful little bay and inlet on the west coast in Donegal, just as the fires were being lit around the headlands for St. John’s Eve, and there was drinking and fiddle playing and dancing round the fires that evening. And I asked where I was, and they said Glencolmcille, and I felt a sudden quickening and sense of connection, as though a memory stirred. And they asked me my name and I said ‘Malcolm’, and they said, ‘Ah that is why you have come, because he has called you’, and I said ‘who?’ and they said ‘Colm has called you, Malcolm, for this is the place he fought his battle and gathered his disciples and from here he left for the white martyrdom and Scotland. And they told me the story of St. Columba, and the battle he had fought, of his repentance, his self-imposed exile, his journey with twelve disciples from this glen to Scotland where he founded the abbey of Iona from whence Scotland and much of the north of England was converted. ‘Of course he is calling you here’, they said, ‘for your name, in Gaelic means’ servant of Colm’, which is Columba. And as they spoke I remembered at last, right back into my childhood, how I had been told stories about this saint, and how I was named for him, and how my grandmother had published poems about him and sung her lullaby for the infant Columba over me as a child. I wandered down to the shore whence he had set sail and felt how thin the veil was, how something of heaven, whatever heaven might be, seemed to glimmer through the sky and the sea itself in this place. And I thought: ‘I’m not a Christian, and I don’t see how I could ever become one, but if I do ever become one, I’ll remember Columba and I’ll go to Iona and thank him’. Which I did, and I did. Now here’s my sonnet for the saint. This poem is now collected in my book The Singing Bowl from Canterbury Press which you can get on amazon, or better still, order from your local bookshop! Click on the title or the ‘play button to hear me read the poem!

I am happy to announce that I will soon be joining ship with a project called Navigators of Faith, which seeks prayerfully to recreate the voyages of the early Celtic saints including Columba. Read about it Here 

Columba

 You called me and I came to Colmcille

To learn at last the meaning of my name

Though you yourself were called, and not the caller,

He called through you and when He called I came.

Came to the edge at last, in Donegal,

Where bonfires burned and music lit the flame

As from the shore I glimpsed that ragged sail

The Spirit filled to drive you from your  home,

A fierce dove racing in a fiercer gale,

A swift wing flashing between sea and sky.

And with that glimpse I knew that I  would fly

And find you out and serve you for a season,

My heaven hidden like your native isle,

Though somehow glimmering on each horizon.

Glencolmcille, scene of a small epiphany

Glencolmcille, scene of a small epiphany

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