Tag Archives: Christ

Shriven, Ashed, and ready for Action

image courtesy of https://lanciaesmith.com

image courtesy of https://lanciaesmith.com

Today, on Shrove Tuesday, I am reposting the first of the weekly series in which you can hear me read aloud the poems I chose for my Lent Anthology The Word in the Wilderness.  In the book itself you can read my commentary on each poem but I thought the recordings of my reading them might be useful, especially to groups who are using the book together.Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing  specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our  being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.

Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.

As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.

Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.

So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:

Station Island XI Seamus Heaney/St. John of the Cross

And here is my sonnet for Ash Wednesday
Ash Wednesday

Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.

He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.

From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.

Thursday:

Stones into Bread

 

The Fountain thirsts, the Bread is hungry here

The Light is dark, the Word without a voice.

When darkness speaks it seems so light and clear.

Now He must dare, with us, to make a choice.

In a distended belly’s cruel curve

He feels the famine of the ones who lose

He starves for those whom we have forced to starve

He chooses now for those who cannot choose.

He is the staff and sustenance of life

He lives for all from one Sustaining Word

His love still breaks and pierces like a knife

The stony ground of hearts that never shared,

God gives through Him what Satan never could;

The broken bread that is our only food.

 

All the Kingdoms of the World

 ‘So here’s the deal and this is what you get:

The penthouse suite with world-commanding views,

The banker’s bonus and the private jet

Control and ownership of all the news

An ‘in’ to that exclusive one percent,

Who know the score, who really run the show

With interest on every penny lent

And sweeteners for cronies in the know.

A straight arrangement between me and you

No hell below or heaven high above

You just admit it, and give me my due

And wake up from this foolish dream of love…’

But Jesus laughed, ‘You are not what you seem.

Love is the waking life, you are the dream.’

Saturday:

On the Pinnacle

‘Temples and Spires are good for looking down from;

You stand above the world on holy heights,

Here on the pinnacle, above the maelstrom,

Among the few, the true, unearthly lights.

Here you can breathe the thin air of perfection

And feel your kinship with the lonely star,

Above the shadow and the pale reflection,

Here you can know for certain who you are.

The world is stalled below, but you could move it

If they could know you as you are up here,

Of course they’ll doubt, but here’s your chance to prove it

Angels will bear you up, so have no fear….’

‘I was not sent to look down from above

It’s fear that sets these tests and proofs, not Love.’

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The Divine Image by William Blake

Image created by Linda Richardson after Matisse

Image created by Linda Richardson after Matisse

For January 6th (the feast of epiphany) in my  Anthology from Canterbury PressWaiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson, for the unique book of responses to Waiting on the Word last year, and again this is one of my favourites. As we finish this series of posts I would like to thank Linda for allowing me to share these beautiful images with you and for making such a rich and creative response to my book in the first instance. She will soon be establishing a website for more of her art and when she does so I will write about it on this blog. about this final image Linda writes:

Once again I return to Matisse and his dancers. The little figures are naked and in a trance of wild woodland worship. They are unselfconscious and free, not arguing a doctrinal point but holding tight to each others hands as they whirl around a Divine tree. Our minds and thinking can ensnare us like a flies on a spider’s web, but our bodies do not lie. If we are stressed, we can talk ourselves into believing we are relaxed, but our jaw may be tight and our brow heavy. In the same way we sometimes mistake ‘correct doctrine’ for love, and wonder why we feel so angry when our doctrines are attacked. In the image, the little figures are ‘every man’ and ‘every woman’. They are lost in the present moment, and the only government is the beauty of the silent tree around which, with all their hearts, they dance.

There exists only the present instant… a Now which always and without end is itself new. There is no yesterday nor any tomorrow, but only Now, as it was a thousand years ago and as it will be a thousand years hence. Meister Eckhart

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Divine ImageWilliam Blake

To Mercy, Pity, Peace, and Love

All pray in their distress;

And to these virtues of delight

Return their thankfulness.

For Mercy, Pity, Peace, and Love

Is God, our father dear,

And Mercy, Pity, Peace, and Love

Is Man, his child and care.

For Mercy has a human heart,

Pity a human face,

And Love, the human form divine,

And Peace, the human dress.

Then every man, of every clime,

That prays in his distress,

Prays to the human form divine,

Love, Mercy, Pity, Peace.

And all must love the human form,

In heathen, Turk, or Jew;

Where Mercy, Love, and Pity dwell

There God is dwelling too.

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Courtesy by Hilaire Belloc

image by Linda Richardson

image by Linda Richardson

For January 3rd in my  Anthology from Canterbury PressWaiting on the Word, I have chosen to read Courtesy by Hilaire Belloc. I have chosen it for this run-up towards Epiphany because it is essentially a series of little epiphanies, or ‘showings’; in each of the three pictures themselves pictures of moments of ‘epiphanies’ or ‘showings forth’ of the glory of God in scripture.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:

The poem we consider today is about ‘courtesy’, not a word that we attribute easily these days except if we are complaining that someone lacks ‘common courtesy’. As I reflected on this poem I was taken back to my childhood when I was at a convent boarding school. I loved going to the convent chapel and kneeling to pray. I remember thinking how inadequate I was to do this, unlike the professional nuns whose prayers I considered far more powerful than my own mute and rather unhappy attempts.

I have since learned that God will inhabit the tiniest space we make for Him. Even our most feeble turning towards Him will make the angels of heaven hold their breath in excitement. Recently I read the words of a Rabbi who said, when the child of God walks down the road a thousand angels go before her crying, ‘Make way for the image of God!

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Courtesy   Hilaire Belloc

 

Of Courtesy, it is much less

Than Courage of Heart or Holiness,

Yet in my Walks it seems to me

That the Grace of God is in Courtesy.

 

On Monks I did in Storrington fall,

They took me straight into their Hall;

I saw Three Pictures on a wall,

And Courtesy was in them all.

 

The first the Annunciation;

The second the Visitation;

The third the Consolation,

Of God that was Our Lady’s Son.

 

The first was of St. Gabriel;

On Wings a-flame from Heaven he fell;

And as he went upon one knee

He shone with Heavenly Courtesy.

 

Our Lady out of Nazareth rode –

It was Her month of heavy load;

Yet was her face both great and kind,

For Courtesy was in Her Mind.

 

The third it was our Little Lord,

Whom all the Kings in arms adored;

He was so small you could not see

His large intent of Courtesy.

 

Our Lord, that was Our Lady’s Son,

Go bless you, People, one by one;

My Rhyme is written, my work is done.

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New Year’s Day Tennyson’s ‘Wild Bells’

Image by Linda Richardson

Image by Linda Richardson

For New Year’s Day in my  Anthology from Canterbury PressWaiting on the Word, I have chosen to read another section of Tennyson’s In Memoriam, the famous and beautiful section about ringing out the old and ringing in the new which finishes with a vision of the true Advent, ‘the Christ that is to be’.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:

I have to confess that I don’t remember ever enjoying New Years Day. I always have the feeling that I am an unprepared host for this important guest, who, instead of finding my house with the bed made up and a roaring fire, discovers me amid the accumulated dross of previous revelry. The image I made does not reflect the hope of the poem, probably because I don’t believe in the great ringing in of the new – I don’t see it happening in the world.

What I can believe in, is that Christ can ring in me and in you. Annie Dillard, the American author and poet says, ‘I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.’ And so to the extent we ring for Christ, we also ring for the world.

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

You can also hear Alana Levandoski turning these verses into a lovely song on this youtube page:


In Memoriam CVI   Alfred Lord Tennyson

 

Ring out, wild bells, to the wild sky,

The flying cloud, the frosty light:

The year is dying in the night;

Ring out, wild bells, and let him die.

 

Ring out the old, ring in the new,

Ring, happy bells, across the snow:

The year is going, let him go;

Ring out the false, ring in the true.

 

Ring out the grief that saps the mind

For those that here we see no more;

Ring out the feud of rich and poor,

Ring in redress to all mankind.

 

Ring out a slowly dying cause,

And ancient forms of party strife;

Ring in the nobler modes of life,

With sweeter manners, purer laws.

 

Ring out the want, the care, the sin,

The faithless coldness of the times;

Ring out, ring out my mournful rhymes

But ring the fuller minstrel in.

 

Ring out false pride in place and blood,

The civic slander and the spite;

Ring in the love of truth and right,

Ring in the common love of good.

 

Ring out old shapes of foul disease;

Ring out the narrowing lust of gold;

Ring out the thousand wars of old,

Ring in the thousand years of peace.

 

Ring in the valiant man and free,

The larger heart, the kindlier hand;

Ring out the darkness of the land,

Ring in the Christ that is to be.

 

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Christmas (1) by George Herbert

image by Linda Richardson

image by Linda Richardson

In my  Anthology from Canterbury Press Waiting on the Word.The poem I have chosen for December 30th, is  Christmas (1a remarkable sonnet by George Herbert in which he imagines discovering Jesus in a local Inn. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. She writes:

If you are feeling over indulged and replete with food and drink, this is the poem for you. Once again we return to the truth that even while we are far off, perhaps like the prodigal son, eating, drinking and over indulging, there is always a summons to examine our conscience, to look beyond the ‘fling and bling’, as Malcolm often describes this aspect of Christmas. The image for today is a very simple watercolour: a lone figure walks towards a simple shelter from which a radiant light emanates. The light comes from above and radiates out of the shelter where Christ is born, towards the figure. The figure walks towards the light, leaving behind a long dark shadow.

The history of the people of the Bible and of Christianity is stained by the corrupt idea that God is like us, full of disapproval and ready to punish. This idea keeps us away from God and we might even think that we are so bad, we might as well be a little more bad because truly, we have blown it with God. This is our ego talking, and if we listen to it we will find only self blame, self punishment and self loathing. The image tells us that we can turn at any moment and walk into the mystery of love and presence. It is not for us to perfect ourselves before we turn, God is the one who redeems. ‘You’ve got to jump off cliffs all the time and build your wings on the way down.” (Annie Dillard)

You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button

Christmas (1)

After all pleasures as I rid one day,

My horse and I, both tir’d, bodie and minde,

With full crie of affections, quite astray,

I took up in the next inne I could finde,

There when I came, whom found I but my deare,

My dearest Lord, expecting till the grief

Of pleasures brought me to him, readie there

To be all passengers most sweet relief?

O Thou, whose glorious, yet contracted light,

Wrapt in night’s mantle, stole into a manger;

Since my dark soul and brutish is thy right,

To Man of all beasts be not thou a stranger:

Furnish & deck my soul, that thou mayst have

A better lodging than a rack or grave.

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Nativity by Scott Cairns

Image by Linda Richardson

Image by Linda Richardson

We return to Scott Cairns in my series of readings of the poems in my  Anthology from Canterbury Press Waiting on the Word.The poem I have chosen for December 27th, is  Nativity, a beautiful reflection on an icon of the Nativity and how it draws us in. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. Linda writes:

As I read this poem I discerned a kind of radiance and inwardness that fascinated me. Again there are glimpses of the Divine that may be missed if we are not attentive or prayerful. We lean in and see a “tiny God.. slip briefly out of time.. miss the point or meet there”.

In the image, I created a fissure in the virgin blue, and beyond that there is a brightness that cannot be touched. It is a secret brightness, obscure and transcendent and cannot be possessed by us. All of life is potentially prayer that deepens us and makes our ‘ordinary’ time more loving and creative. But prayer is not an intellectual activity but an activity of love where we learn to be near God and learn too, never to leave the holiness of his nearness as we go about our daily duties.

You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button

Nativity

As you lean in, you’ll surely apprehend

the tiny God is wrapped

in something more than swaddle. The God

 

is tightly bound within

His blesséd mother’s gaze—her face declares

that she is rapt by what

 

she holds, beholds, reclines beholden to.

She cups His perfect head

and kisses Him, that even here the radiant

 

compass of affection

is announced, that even here our several

histories converge and slip,

 

just briefly, out of time. Which is much of what

an icon works as well,

and this one offers up a broad array

 

of separate narratives

whose temporal relations quite miss the point,

or meet there. Regardless,

 

one blithe shepherd offers music to the flock,

and—just behind him—there

he is again, and sore afraid, attended

 

by a trembling companion

and addressed by Gabriel. Across the ridge,

three wise men spur three horses

 

towards a star, and bowing at the icon’s

nearest edge, these same three

yet adore the seated One whose mother serves

 

as throne. Meantime, stumped,

the kindly Abba Joseph ruminates,

receiving consolation

from an attentive dog whose master may

yet prove to be a holy

messenger disguised as fool. Overhead,

 

the famous star is all

but out of sight by now; yet, even so,

it aims a single ray

 

directing our slow pilgrims to the core

where all the journeys meet,

appalling crux and hallowed cave and womb,

 

where crouched among these other

lowing cattle at their trough, our travelers

receive that creatured air, and pray.

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Ode on the Morning of Christ’s Nativity by John Milton

image by Linda richardson

image by Linda richardson

Merry Christmas! In my Advent Anthology from Canterbury Press Waiting on the Word,The poem I have chosen for Christmas Day is a substantial extract from ‘Ode on the Moring of Christ’s Nativity by John Milton. You can hear me read this poem by clicking on the title or the play button. the image above was created byLinda Richardson.Linda writes:

It is Christmas day and the poem recalls to my mind, all the beautiful images we have of Christmas. One of my favourites is the Magi. Perhaps it is because, of all the Christmas characters, they are very aware of what they are doing. They have travelled a long way and a great distance to worship a King. These are the Christmas ‘professionals’, the seers and Wise Men who have come prepared with gifts and acts of worship. As they reach their goal their faces are lit up with the light of the Holy Family.

I wonder where you would place yourself among the Christmas characters? Are you a prepared, professional with a worshipping heart? Perhaps you are like the shepherds and Christmas rolls right over you leaving you rather baffled and scratching your head. Perhaps you are an angel…perhaps you are a sheep. Whatever you feel you are, there is a place for all of us at the manger.

You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Ode on the Morning of Christ’s Nativity

This is the month, and this the happy morn,

Wherein the Son of Heaven’s Eternal King,

Of wedded Maid and Virgin Mother born,

Our great redemption from above did bring;

For so the holy sages once did sing,

That he our deadly forfeit should release,

And with his Father work us a perpetual peace.

 

That glorious form, that light unsufferable,

And that far-beaming blaze of majesty,

Wherewith he wont at Heaven’s high council-table

To sit the midst of Trinal Unity,

He laid aside; and, here with us to be,

Forsook the courts of everlasting day,

And chose with us a darksome house of mortal clay.

 

Say, heavenly Muse, shall not thy sacred vein

Afford a present to the Infant God?

Hast thou no verse, no hymn, or solemn strain,

To welcome him to this his new abode,

Now while the heaven, by the sun’s team untrod,

Hath took no print of the approaching light,

And all the spangled host keep watch in squadrons bright?

 

See, how from far, upon the eastern road,

The star-led wisards haste with odours sweet:

O run, prevent them with thy humble ode,

And lay it lowly at his blessed feet;

Have thou the honour first thy Lord to greet,

And join thy voice unto the Angel quire,

From out his secret altar touch’d with hallow’d fire.

 

THE HYMN.

It was the winter wild,

While the heaven-born child

All meanly wrapt in the rude manger lies;

Nature, in awe to him,

Had doff’d her gaudy trim,

With her great Master so to sympathize:

It was no season then for her

To wanton with the sun, her lusty paramour.

 

Only with speeches fair

She wooes the gentle air

To hide her guilty front with innocent snow;

And on her naked shame,

Pollute with sinful blame,

The saintly veil of maiden white to throw;

Confounded, that her Maker’s eyes

Should look so near upon her foul deformities.

 

But he, her fears to cease,

Sent down the meek-ey’d Peace;

She, crown’d with olives green, came softly sliding

Down through the turning sphere,

His ready harbinger,

With turtle wing the amorous clouds dividing;

And, waving wide her myrtle wand,

She strikes an universal peace through sea and land.

 

Nor war, or battle’s sound,

Was heard the world around:

The idle spear and shield were high up hung;

The hooked chariot stood

Unstain’d with hostile blood;

The trumpet spake not to the armed throng;

And kings sat still with awful eye,

As if they surely knew their sovran Lord was by.

 

But peaceful was the night,

Wherein the Prince of light

His reign of Peace upon the earth began:

The winds, with wonder whist,

Smoothly the waters kiss,

Whispering new joys to the mild ocean,

Who now hath quite forgot to rave,

While birds of calm sit brooding on the charmed wave.

 

The stars, with deep amaze,

Stand fix’d in steadfast gaze,

Bending one way their precious influence;

And will not take their flight,

For all the morning light,

Or Lucifer, that often warn’d them thence;

But in their glimmering orbs did glow,

Until their Lord himself bespake, and bid them go.

 

And, though the shady gloom

Had given day her room,

The sun himself withheld his wonted speed,

And hid his head for shame,

As his inferiour flame

The new-enlighten’d world no more should need;

He saw a greater sun appear

Than his bright throne, or burning axletree, could bear.

 

The shepherds on the lawn,

Or e’er the point of dawn,

Sat simply chatting in a rustick row;

Full little thought they then,

That the mighty Pan

Was kindly come to live with them below;

Perhaps their loves, or else their sheep,

Was all that did their silly thoughts so busy keep.

 

When such musick sweet

Their hearts and ears did greet,

As never was by mortal finger strook;

Divinely-warbled voice

Answering the stringed noise,

As all their souls in blissful rapture took:

The air, such pleasure loth to lose,

With thousand echoes still prolongs each heavenly close.

 

Nature that heard such sound,

Beneath the hollow round

Of Cynthia’s seat, the aery region thrilling,

Now was almost won

To think her part was done,

And that her reign had here its last fulfilling;

She knew such harmony alone

Could hold all Heaven and Earth in happier union.

 

At last surrounds their sight

A globe of circular light,

That with long beams the shamefac’d night array’d;

The helmed Cherubim,

And sworded Seraphim,

Are seen in glittering ranks with wings display’d,

Harping in loud and solemn quire,

With unexpressive notes, to Heaven’s new-born Heir.

 

Such musick (as ‘tis said)

Before was never made,

But when of old the sons of morning sung,

While the Creator Great

His constellations set,

And the well-balanc’d world on hinges hung;

And cast the dark foundations deep,

And bid the weltering waves their oozy channel keep.

 

Ring out, ye crystal spheres,

Once bless our human ears,

If ye have power to touch our senses so;

And let your silver chime Move in melodious time;

And let the base of Heaven’s deep organ blow;

And, with your ninefold harmony,

Make up full consort to the angelick symphony.

 

For, if such holy song

Enwrap our fancy long,

Time will run back, and fetch the age of gold;

And speckled Vanity

Will sicken soon and die,

And leprous Sin will melt from earthly mould;

And Hell itself will pass away,

And leave her dolorous mansions to the peering day.

 

Yea, Truth and Justice then

Will down return to men,

Orb’d in a rainbow; and, like glories wearing,

Mercy will sit between,

Thron’d in celestial sheen,

With radiant feet the tissued clouds down steering;

And Heaven, as at some festival,

Will open wide the gates of her high palace hall …

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