Tag Archives: christianity

A Sonnet for Ascension Day

 Here is a sonnet for Ascension Day, the glorious finale of the Easter Season.

In the mystery of the Ascension we reflect on the way in which, one sense Christ ‘leaves’ us and is taken away into Heaven, but in another sense he is given to us and to the world in a new and more universal way. He is no longer located only in one physical space to the exclusion of all others. He is in the Heaven which is at the heart of all things now and is universally accessible to all who call upon Him. And since His humanity is taken into Heaven, our humanity belongs there too, and is in a sense already there with him.”For you have died”, says St. Paul, “and your life is hidden with Christ in God”. In the Ascension Christ’s glory is at once revealed and concealed, and so is ours.  The sonnet form seemed to me one way to begin to tease these things out.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As always you can hear the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem.

I’m grateful to Oliver Neale for the image above, the image below was taken as we launched rockets to celebrate Ascension day at Girton College:

We have lift off!

Ascension

We saw his light break through the cloud of glory
Whilst we were rooted still in time and place
As earth became a part of Heaven’s story
And heaven opened to his human face.
We saw him go and yet we were not parted
He took us with him to the heart of things
The heart that broke for all the broken-hearted
Is whole and Heaven-centred now, and sings,
Sings in the strength that rises out of weakness,
Sings through the clouds that veil him from our sight,
Whilst we our selves become his clouds of witness
And sing the waning darkness into light,
His light in us, and ours in him concealed,
Which all creation waits to see revealed .

6 Comments

Filed under christianity, Girton, imagination, Poems, Theology and Arts

English Saints and Martyrs of the Reformation Era

Latimer’s Pulpit, you can touch the wood.

On May the 4th the Church of England celebrates the witness of the Saints and Martyrs of the Reformation Era. What is significant about this day is that we are not simply remembering ‘our own’ martyrs, those like Cramner, Ridley and Latimer, who died for maintaining adherence to the Church of England in the face of Roman Catholic persecution. We are also remembering those Roman Catholics who died at the hands of Protestants for maintaining their Faith and allegiance. We are recognizing that there was true Godliness and great courage in martyrs on both sides of that divide, and therefore also recognizing that there was terrible error and great evil committed by those who ordered the martyrdoms on both sides! It is a salutary lesson in humility; personal humility as one stands in awe of the holiness and courage of those who witnessed unto the point of death, but also corporate humility, humility and repentance for the Church as an Institution as we remember how Christians have turned so swiftly from being oppressed to becoming oppressors.

To mark this day I am reposting two sonnets; Latimer’s Pulpit which celebrates Hugh Latimer a Martyr associated with my former church of St. Edwards, and The Gathered Glories, a sonnet from Sounding the Seasons, which celebrates the many unknown saints who have passed through their great tribulation and now shine in glory around the throne of the Lamb.

Here first is a preliminary note about the pulpit described in the first poem:

It is known as Latimer’s Pulpit,  for Hugh Latimer the great Saint and Martyr preached there often, and it was in this pulpit that he preached the famous sermon of the card, to which my sonnet alludes.

In that sermon he imagines that we are losing a card game with the devil. One after another he lays out the black suit of our sins, he holds all the cards and is ready to take the ‘trick’ of our souls, but Christ leans forward and lays on top of all those sins the trump card that wins us back; the king of hearts, for in a universe where God is love, then love is always trumps. At the end of the sermon he exhorts his hearers to do for others what Christ has done for them. When people deal you cards of malice, hate, or envy always and only reply by trumping hate with love. His great love, even of his enemies, shone through when he was burned at the stake for his faith in 1555. It is an extraordinary experience to touch the wood, and to stand in that pulpit and preach as I used to do each week.

And here are the poems, as always you can hear it by pressing the ‘play’ button if it appears or by clicking on the title:

Latimer’s pulpit

Latimer’s pulpit, you can touch the wood,
Sound for yourself the syllables of grace
That sounded and resounded through this place;
A quickened word, a kindling for good
In evil times; when malice held the cards
And played them, in the play of politics,
When knaves with knives were taking all the tricks,
When Christendom was shivered into shards,
When King and Queen were pitched in different camps,
When burning books could stoke the fire for men,
When such were stacked against him –even then
Latimer knew that hearts alone are trumps.
He gave the King of Hearts his proper name,
He touched this wood, and kindled love to flame.

//

The Gathered Glories

Though Satan breaks our dark glass into shards

Each shard still shines with Christ’s reflected light,

It glances from the eyes, kindles the words

Of all his unknown saints. The dark is bright

With quiet lives and steady lights undimmed,

The witness of the ones we shunned and shamed.

Plain in our sight and far beyond our seeing

He weaves them with us in the web of being

They stand beside us even as we grieve,

The lone and left behind whom no one claimed,

Unnumbered multitudes, he lifts above

The shadow of the gibbet and the grave,

To triumph where all saints are known and named;

The gathered glories of His wounded love.

‘Each shard still shines’ image by Margot Krebs Neal

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

4 Comments

Filed under christianity, imagination, literature, St. Edward's

Easter Day: Station XV and a Villanelle

 

image courtesy of https://lanciaesmith.com

image courtesy of https://lanciaesmith.com

The Lord is Risen! He is risen indeed Alleluia!

On this Easter morning I have already posted George Herbert’s glorious Easter poem but I thought I would add a couple of my own; the fifteenth and final sonnet from my Stations of the Cross sequence, and a villanelle for Easter which I composed one dark morning last year whilst out walking my dog. Lancia Smith has made a beautiful image with lines from the new poem.

This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

As usual you can hear the poems by clicking on the title or the ‘play’ button

XV Easter Dawn

He blesses every love which weeps and grieves

And now he blesses hers who stood and wept

And would not be consoled, or leave her love’s

Last touching place, but watched as low light crept

Up from the east. A sound behind her stirs

A scatter of bright birdsong through the air.

She turns, but cannot focus through her tears,

Or recognise the Gardener standing there.

She hardly hears his gentle question ‘Why,

Why are you weeping?’, or sees the play of light

That brightens as she chokes out her reply

‘They took my love away, my day is night’

And then she hears her name, she hears Love say

The Word that turns her night, and ours, to Day.

 

On Easter Day 

As though some heavy stone were rolled away,

You find an open door where all was closed,

Wide as an empty tomb on Easter Day.

 

Lost in your own dark wood, alone, astray,

You pause, as though some secret were disclosed,

As though some heavy stone were rolled away.

 

You glimpse the sky above you, wan and grey,

Wide through these shadowed branches interposed,

Wide as an empty tomb on Easter Day.

 

Perhaps there’s light enough to find your way,

For now the tangled wood feels less enclosed,

As though some heavy stone were rolled away.

 

You lift your feet out of the miry clay

And seek the light in which you once reposed,

Wide as an empty tomb on Easter Day.

 

And then Love calls your name, you hear Him say:

The way is open, death has been deposed,

As though some heavy stone were rolled away,

And you are free at last on Easter Day.

 

4 Comments

Filed under christianity, Poems, Uncategorized

Easter Sunday

Easter Sunday by Linda Richardson

Happy Easter everyone!

Here is George Herbert’s beautiful Easter poem, together with my commentary on it from The Word in the Wilderness.

I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage.

Linda writes about this picture:

For Easter day I tried to paint something that looks like an icon. An icon is not intended to show a real human face but is a simplification of composition and an absence of naturalism. Space and surface are emphasised, personal interpretation is eliminated and an icon is meant to be read as part of a religious practice.

The icon points us to the Divinity of Christ and as we come to Easter day we see Christ now with our “spiritual eyes”. Here Jesus is radiant with gold circling round his head and royal robes of blue. The incarnate One is now risen, and to me, he is once again the Word of God and the one we gaze on with the “eye of the heart”.

He is telling us that we too are children of the Light, that we come from the Light and we will return to the Light. We are the beloved of the Father.

As always you can hear me read the poem by Clicking on the title or the ‘play’ button

Easter   George Herbert

 

Rise heart; thy Lord is risen. Sing his praise

Without delays,

Who takes thee by the hand, that thou likewise

With him mayst rise.

That, as his death calcined1 thee to dust,

His life may make thee gold, and much more just.

 

Awake, my lute, and struggle for thy part

With all thy art.

The cross taught all wood to resound his name,

Who bore the same.

His stretched sinews taught all strings, what key

Is best to celebrate this most high day.

 

Consort both heart and lute, and twist a song

Pleasant and long:

Or since all music is but three parts vied

And multiplied;

O let thy blessed Spirit bear a part,

And make up our defects with his sweet art.

 

I got me flowers to straw thy way:

I got me boughs off many a tree:

But thou wast up by break of day,

And brought’st thy sweets along with thee.

 

The Sun arising in the East,

Though he give light, and th’East perfume;

If they should offer to contest

With thy arising, they presume.

 

Can there be any day but this,

Though many suns to shine endeavour?

We count three hundred, but we miss:

There is but one, and that one ever.

 

For the last poem in this journey together on this day of glorious beginnings we return to George Herbert who has been such a companion and guide to us throughout.

So much of George Herbert’s poetry is in a kind of hidden dialogue, a call and response with the Book of Common Prayer and the Bible that he knew so well. So in this poem his starting point is psalm 57.8−11, one of the proper psalms for Easter Day Matins, and especially verse 9:

 

Awake up, my glory, awake, lute and harp: I myself will awake right early.

 

Herbert responds to that psalmic injunction with the words ‘Rise Heart; thy Lord is risen’ and in the second verse, ‘Awake my Lute’! He has sung the psalm in his ‘common prayer’ his public worship, and now he is applying it within himself and to his whole day. But as so often, in that application, the personal becomes the present, the tactile, the deft, the courteous. The Risen Christ of Easter is not, in this first verse, the cosmic Pantocrator but the familiar friend or lover who offers you a hand as you rise in the morning:

 

Who takes thee by the hand, that thou likewise

With him mayst rise.

 

And then, in one of Herbert’s sudden luminous shifts, the poem takes an alchemical turn:

 

That, as his death calcined thee to dust,

His life may make thee gold, and much more just.

 

‘Calcined’ was the term used by alchemists for the fierce heat that burns away any impurity, bringing whatever passed through the flame to a purer state. So another poet of the time could write, ‘Yet you by a chaste Chimicke Art/Calcine frail love to pietie’ (William Habington, in Wilcox, year, p. 141). And after that ‘calcining’ experience of Good Friday, Easter brings the great transmutation of which Herbert had spoken in his other alchemical poem, The Elixir, ‘this is the famous stone that turneth all to gold’. But the transformative element is not a fabled ‘philosopher’s stone’, it is new life in Jesus Christ: ‘His life may make thee gold’

So in the first verse Herbert calls on his heart to rise. He echoes the psalm of Matins, even as he is preparing himself for the Eucharist with its ‘Sursum Corda’; ‘lift up your hearts’

Now in the second verse, again following the morning psalm, he calls upon his Lute:

 

Awake, my lute, and struggle for thy part

With all thy art.

 

And here he leaves alchemy behind and begins some beautifully extended musical metaphors. First with the daring and beautiful idea that

 

The cross taught all wood to resound his name,

Who bore the same.

 

Terse lines evoke a kind of mystical empathy in which even the wood of his own lute is somehow blessed and transformed in the blessing of all wood when the maker of the world was stretched on the tree. And that stretching itself leads to another, and even more daring metaphor:

 

His stretched sinews taught all strings, what key

Is best to celebrate this most high day.

 

The stretched strings of lute and viol were, of course in Herbert’s day, literally visceral and organic lines of gut which, stretched and struck, set up a sympathetic resonance in the wood. Indeed this whole poem is itself a kind of theology of resonance; of our tuned response to the striking music of Christ’s sacrifice. Herbert’s own language here is extraordinarily sensitive and resonant, so ‘The cross taught all wood to resound his name’ carries in the word ‘taught’ also the sense of the tautness of the strings evoked in the next few lines. Even on Easter Day Herbert looks back to good Friday and in the light of Easter sees Christ’s ‘stretched sinew’ on the cross making a new music.

So Herbert’s heart and lute are brought together in a ‘consort’, a word which meant both a musical ensemble and a social harmony. But is it enough? No, in the third verse Herbert brings in, draws in, the Spirit, the breath that Jesus exhaled to bring us new life. He does so through another fine musical metaphor. The basis of all harmony is the triad, all music is ‘but three parts, vied and multiplied’ so Herbert needs a third part, to join lute and heart and invokes the Spirit:

 

O let thy blessed Spirit bear a part,

And make up our defects with his sweet art.

 

The heart is our inner feeling, the lute is the art and skill with which those inner feelings find outward expression, but neither is complete without the Spirit that gives life to all, that prays within us when we do not know how to pray. And here the Spirit comes, not as an overwhelming or overmastering experience from above, but alongside us, as a fellow musician who has come with us to ‘bear a part’.

So now, at the end of the first part of the poem Herbert is awake, his lute is tuned, he has found in the spirit an accompanist and he is ready to begin the song, and it is the song itself which forms the second part of the poem.

This lovely lyric adapts the courtly tradition of the Aubade, the lovers poem at dawn, and here Herbert playfully suggests that even the ‘Sun arising in the East’ would be presumptuous to compete or contend with the rising of this true Son. Indeed the final verse claims that Easter Day is the only day; ‘Can there be any day but this? … we count three hundred but we misse’ he says, meaning the three hundred and fifty (rounded to three hundred) days of the year are wrongly counted! ‘we misse’! there is only ever one day, the true Easter.

We have been travelling together in this book through forty eight days together, but if George Herbert is right it has only been one day! From now on there is just the single, eternal day of resurrection and by its light we can look back over our long pilgrimage and see the glory of this day, hidden once, but shining now, in all we have been through.

 

5 Comments

Filed under imagination

Holy Saturday: Everything is still

Holy Saturday by Linda Richardson

Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. It has its own patterns and rituals that take up a little of that empty space of waiting. Children come into church to make an Easter Garden, exhausted clergy give themselves the space to venture a walk with their families and draw breath before tomorrow’s big declamations, those who have passed through the intense experience of a Good Friday three hours watch service feel strangely dislocated from the crowds of Easter Bank holiday shoppers that surge around the Saturday markets, and all the while for all the faithful who have made this journey through Holy Week together, there is a kind of emptiness and expectant stillness within.

I have tried to reflect a little of this in these two sonnets, which I have chosen out from the full sequence of fourteen I published on Good Friday. I was conscious as I wrote these poems of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.

Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.

I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage.

Linda writes about this picture above:

In this image the impression of a face is painted on a piece of cloth. The face is still and silent, the cloth, shredded and torn. The colour is all gone, the humanity a mere imprint. We have killed the one who loves us. Life is exhausted.

Whenever I go to a funeral I always feel dull and empty afterwards and can never settle to anything. The emotion of the service is draining and I merely get through the rest of the day. But just as the land lies fallow in winter, ploughed and patient, on Holy Saturday we wait too. Waiting for most of us is a kind of suffering, whether it is in our cars or in a queue at a shop, but waiting can either grind our nerves or it can become a fruitful gathering of our inner selves as we live in the present moment. When we let go of the furious impulse to always be doing something, we might be surprised at the richness of the silence and stillness we encounter within us because the Spirit of God is always singing a love song to the Father in our hearts, if only we could learn to wait and be still.

the images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.

 

Stations Of the Cross

 


XIII Jesus’ body is taken down from the cross

His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.

XIV Jesus is laid in the tomb

Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.

3 Comments

Filed under christianity, imagination, literature, Meditation, Poems

Good Friday; the Stations of the Cross

Good Friday by Linda Richardson

Here, once more, is the complete sequence of sonnets for the Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.

I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage

Linda writes about the pictureI have given above:

For many of us, Good Friday is so laden with imagery and commentary it is overwhelming and instead of entering the story we can often feel numb.

Jesus friends and family would have watched in a similar state, numb with shock. They thought he was going to be a great leader, maybe even a great King, but it must have seemed a sickening travesty to watch the man who drew crowds of thousands, now trapped in the remorseless machinations of political intrigue and religious legalism.

Look at his suffering as he shows us the full extent of his love. If you can hear this, His overcoming the cross is our reward, but you are His reward.

Please feel free to make use of these in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.

The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.

If you would like to join in a discussion go these and my other poems for Holy Week poems you can do so by joining the Literary Life Facebook Page

Stations Of the Cross


I Jesus is condemned to death

The very air that Pilate breathes, the voice

With which he speaks in judgment, all his powers

Of perception and discrimination, choice,

Decision, all his years, his days and hours,

His consciousness of self, his every sense,

Are given by this prisoner, freely given.

The man who stands there making no defence,

Is God. His hands are tied, His heart is open.

And he bears Pilate’s heart in his and feels

That crushing weight of wasted life. He lifts

It up in silent love. He lifts and heals.

He gives himself again with all his gifts

Into our hands. As Pilate turns away

A door swings open. This is judgment day.


II Jesus is given his cross

He gives himself again with all his gifts

And now we give him something in return.

He gave the earth that bears, the air that lifts,

Water to cleanse and cool, fire to burn,

And from these elements he forged the iron,

From strands of life he wove the growing wood,

He made the stones that pave the roads of Zion

He saw it all and saw that it is good.

We took his iron to edge an axe’s blade,

We took the axe and laid it to the tree,

We made a cross of all that he has made,

And laid it on the one who made us free.

Now he receives again and lifts on high

The gifts he gave and we have turned awry.


III Jesus falls the first time

He made the stones that pave the roads of Zion

And well he knows the path we make him tread

He met the devil as a roaring lion

And still refused to turn these stones to bread,

Choosing instead, as Love will always choose,

This darker path into the heart of pain.

And now he falls upon the stones that bruise

The flesh, that break and scrape the tender skin.

He and the earth he made were never closer,

Divinity and dust come face to face.

We flinch back from his via dolorosa,

He sets his face like flint and takes our place,

Staggers beneath the black weight of us all

And falls with us that he might break our fall.

20110418-125224.jpg

IV Jesus meets His Mother

This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.

20110418-125536.jpg

V Simon of Cyrene carries the cross

In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.


VI Veronica wipes the face of Jesus

Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.



VII Jesus falls the second time

Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.

VIII Jesus meets the women of Jerusalem

He falls and stumbles with us, hurt again

But still he holds the road and looks in love

On all of us who look on him. Our pain

As close to him as his. These women move

Compassion in him as he does in them.

He asks us both to weep and not to weep.

Women of Gaza and Jerusalem,

Women of every nation where the deep

Wounds of memory divide the land

And lives of all your children, where the mines

Of all our wars are sown: Afghanistan ,

Iraq, the Cote d’Ivoire… he reads the signs

And weeps with you and with you he will stay

Until the day he wipes your tears away.

IX Jesus falls the third time

He weeps with you and with you he will stay

When all your staying power has run out

You can’t go on, you go on anyway.

He stumbles just beside you when the doubt

That always haunts you, cuts you down at last

And takes away the hope that drove you on.

This is the third fall and it hurts the worst

This long descent through darkness to depression

From which there seems no rising and no will

To rise, or breathe or bear your own heart beat.

Twice you survived; this third will surely kill,

And you could almost wish for that defeat

Except that in the cold hell where you freeze

You find your God beside you on his knees.


X Jesus is stripped of His garments

You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now


XI Crucifixion: Jesus is nailed to the cross

See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.


XII Jesus dies on the cross

The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.


XIII Jesus’ body is taken down from the cross

His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.

XIV Jesus is laid in the tomb

Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.

18 Comments

Filed under christianity, imagination, literature, Meditation, Poems

Holy Week, Wednesday: The Anointing at Bethany

Anointing at Bethany by Linda Richardson

John 12 1-8 tells us of how Mary of Bethany anointed Jesus.I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.

This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

If you would like to join in a discussion go these and my other poems for Holy Week poems you can do so by joining the Literary Life Facebook Page

I am grateful to Linda Richardson who has given me permission to share with you her series of remarkable paintings, ‘The Faces of Holy Week’. These will be on display, together with my poems, in the resurrection chapel in St. Mary’s Linton throughout Holy Week, do look in and see them if you are in the area. You can also look at these paintings and others on Linda’s Webpage

Linda writes about this picture:

I think Jesus looks really tired in this painting, fully human and with everything that being human means. The story of the anointing is a beautiful and moving moment of deep love of a woman who has kept something precious for a very special occasion. But we know how the story continues and the anointing that will take place a few days later is the anointing of Jesus crucified body. I love this moment in Holy Week, knowing that Jesus had friends who loved him, touched and honoured his body, shared his life, his food, his laughter and his love. Touch the painting, touch Jesus face and imagine what you would say to him and as you smell the beautiful fragrance. What do you think he would say to you?


The Anointing at Bethany

Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,

The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.

 

3 Comments

Filed under imagination