September 25th is Lancelot Andrewes’ Day, when the Church remembers one of its greatest preachers and the man whose scholarship and gift for poetic phrasing was so central to the making of the King James Version of the Bible. My own Doctoral thesis was on Andrewes and he has exercised a huge influence on me. On the 400th anniverseary of the KJV I gave a lecture for the Society for the Study of Biblical Literature on Andrewes and translation which was published in this book The King James Version at 400. But I have also published a sonnet for Andrewes in my book for Canterbury Press The Singing Bowl, so here it is. As usual you can hear the poem by clicking on the title or the ‘play’ button .
Your mind is fixed upon the sacred page,
A candle lights your study through the night,
The choicest wit, the scholar of the age,
Seeking the light in which we see the light.
Grace concentrates in you, your hand is firm,
Tracing the line of truth in all its ways,
Through you the great translation finds its form,
‘And still there are not tongues enough to praise.’
Your day began with uttering his name
And when you close your eyes you rest in him,
His constant star still draws you to your home,
Our chosen stella praedicantium.
You set us with the Magi on the Way
And shine in Christ unto the rising day.
I also gave a talk about Lancelot Andrewes and the translation of the King James Bible to the Chelmsford Cathedral Theological Society which various people have asked to hear. They have sent me a recording which I am posting here. The talk itself doesn’t start until about three minutes into the recording and last for about 50 minutes with a question and answer session afterwards.
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If there was a struggle in the midst of trials, that issued in the hard-won hope of psalm 46, then that hope and confidence flowers into a great hymn of praise and joy in psalm 47, a hymn that rings with greater assurance precisely because it follows on from the struggles of the preceding psalm. Psalm47 is often set by Christians as a psalm for Ascension Day, especially with its ringing line, so often set to music:
God is gone up with a merry noise: and the Lord with the sound of the trump.
But to my mind the real joy of psalm 47 is not so much that he has gone up as that he has also come down. The great revelation here is that, though heaven is, in one sense, still to come, we can nevertheless begin rejoicing now because God has not abandoned us here on earth but has already come down to be our king and kindle our hope. So the key line for me is the second verse, which acknowledges that though the Lord is high and transcendent, the glorious king of heaven, he is also, ultimately, the king here on earth:
For the Lord is high, and to be feared: he is the great King upon all the earth.
Indeed psalm 47 begins a little sequence of psalms that anticipate the way that, in Christ, who is both fully God and fully human, heaven and earth can finally be brought together, and his will done on earth as it is in heaven. And that insight provided the key to my interpretation of this psalm.
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title. For the other poems in my psalm series type the word ‘psalm’ into the search box on the right.
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The 17th of September is the feast day of Abbess Hildegard of Bingen, a remarkable and prophetic woman, who described herself as ‘a feather on the breath of God’, and whose many works in theology, music, visual art, poetry and drama are still inspiring people today. Indeed she is coming more and more into her own, as one of her key ideas ‘Viriditas’, or the greening and life-renewing work of the Holy Spirit, seems especially apposite for our time. See this page on her by a contemporary Benedictine.
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Today we come to Psalm 46 which is is a firm favourite with many people and for good reason. Its opening line sets the theme of God’s reassuring strength and presence:
GOD is our hope and strength: a very present help in trouble.
It is in the context of that reassuring strength and confidence that we can face our fears and deal with what the prayer book calls ‘ all the changes and chances of this fleeting world’ and 2020 is certainly a year in which we have seen more than our fair share of those changes and chances. And so the psalm continues:
Therefore will we not fear, though the earth be moved: and though the hills be carried into the midst of the sea;
Though the waters thereof rage and swell: and though the mountains shake at the tempest of the same.
The rivers of the flood thereof shall make glad the city of God: the holy place of the tabernacle of the most Highest.
God is in the midst of her, therefore shall she not be removed: God shall help her, and that right early.
And then, towards the end comes the wonderful prophecy of peace, and the vision of God as peacemaker:
He maketh wars to cease in all the world: he breaketh the bow, and knappeth the spear in sunder, and burneth the chariots in the fire.
It was through Mary’s obedience that the Prince of Peace was born into this world, so I pick up the thread of the final line of my poem on psalm 45 to begin this poem, a poem for strength and encouragement written in the midst of this appalling year in which it seems, as I say in the poem, that ‘everything around us falls apart’. Everything except our loving God.
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title. For the other poems in my psalm series type the word ‘psalm’ into the search box on the right.
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After another brief break, this time for a pilgrimage to Canterbury and beyond, I resume the love-worn thread of the time-worn psalter, and we come now to psalm 45. In making my response I was tempted, of course, by its famous phrase ‘My tongue is the pen of a ready writer’ to write about writing itself and make a poem about poetry. But there is an older and richer tradition of interpretation for this psalm and I was drawn to that instead. That older tradition is to draw from this psalm some phrases and images that help us appreciate and bless Mary, the mother of our Lord. The scripture tells us that all generations will call her blessed and rightly so. Scholars think this psalm, with its image of the kings daughters, the handmaidens, the queen in a vesture of gold, may well have been set for a royal wedding, but from early on Christians found themselves thinking of Mary when they read it, and so I have taken occasion of this psalm to write another poem in her honour. I was brought up in the reformed tradition, which tended to ignore Mary in reaction to what they thought was Catholic ‘mariolotary’ but anyone who venerates Jesus must stand in awe of the one through whose obedience and courage he came into the world, the one to whom God entrusted his upbringing, and who, in Luke’s gospel, is filled with the spirit and speaks prophetic words. There is a deep sense in which every Christian must be like Mary and say to God ‘ Be it unto me according to thy word’, and like Mary, try to bear Christ fruitfully into the world and bring others to him.
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title. For the other poems in my psalm series type the word ‘psalm’ into the search box on the right.
Whose heart was also pierced, who feels our sadness
And shows us how to pray. Each generation
Has known her help and presence, heard her witness
The great things done through her. In every nation
She nurtures those who bear Christ to the world,
Through her our saviour came, Love’s revelation.
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Today, is Holy Cross day. It originally commemorated the day when Helena the Mother of Constantine was believed to have found the true cross, astonishing the inhabitants of Jerusalem by searching the rubbish tip of Golgotha and, on unearthing this discarded sign of shame, exalting it as the greatest treasure on earth. But this festival has become since then a day when any of us can again find the cross, still a discarded sign of shame, and find in it the greatest treasure and the source of grace. To mark the day I am reposting here four of the sonnets for the Stations of the Cross, which form the core of my book Sounding the Seasons and are also intended to be read on Good Friday.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog.
The Image above was made by Lancia Smith and the images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
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This mosaic in Assisi, Italy, photographed May 28, depicts St. Clare of Assisi holding a palm frond, a symbol of her entering religious life. (CNS photo/Octavio Duran)
August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare. She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision of St. Francis and her extraordinary gifts a soul-guide, friend, and leader made her a shining light and a clear mirror of Christ for thousands in her lifetime and still a light and inspiration to Christians from many denominations today.
Clare wrote:
Place your mind before the mirror of eternity!
Place your soul in the brilliance of glory!
Place your heart in the figure of the divine substance!
And transform your entire being into the image
of the Godhead Itself through contemplation.
So that you too may feel what His friends feel
as they taste the hidden sweetness
that God Himself has reserved from the beginning
for those who love Him”
So here is my sonnet in her honour reflecting on how the meaning of her name, ‘light and clarity’, was also the meaning of her life. This sonnet is taken from The Singing Bowl , which is published by Canterbury Press and available through Amazon etc.
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title.
Whose soul in stillness holds love’s pure reflection,
Shining through you as Holy Caritas,
Lucid and lucent, bringing to perfection
The girl whom Love has called to call us all
Back into truth, simplicity and grace.
Your love for Francis, radiant through the veil,
Reveals in both of you your saviour’s face.
Christ holds the mirror of your given life
Up to the world he gives himself to save,
A sacrament to keep your city safe,
A window into his eternal love.
Unveiled in heaven, dancing in the light,
Pray for this pilgrim soul in his dark night.
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Pausing for a moment in our progress through the Psalms I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet for today’s feast of the Transfiguration. This is the day when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest.
The transfiguration is also sometimes remembered just before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:
As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.
Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.
I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.
I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.
Photograph by Margot Krebs Neale
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Just beforeI continue with my psalm series, may I say thank you to everyone for the many messages of support, prayer and condolence, you have sent to me after mother’s death. I have been greatly comforted, and it was of course a comfort and blessing to have been with her when she died, and to send her on her way home with poetry prayers and blessings. She was very much the source of poetry in my life, and one of my later psalm poems, which I will share with you in due course, is a thanksgiving for my birth and for my mother. There will be a time, later, on this blog, when I am able to say more, but for a now, as I am sure she would wish, I am going to continue quietly with this series.
Psalm 40 is a favourite with many people and with good reason. It celebrates being lifted out of the miry clay and set firmly on the rock, and being given a new song to sing. Then, at its heart it has that beautiful revelation that it is not sacrifice and burnt offerings that God desires, but rather that we should come to him ourselves with open hearts and minds:
Sacrifice and meat-offering thou wouldest not: but mine ears hast thou opened.
Burnt-offerings, and sacrifice for sin, hast thou not required: then said I, Lo, I come,
In the volume of the book it is written of me, that I should fulfil thy will, O my God: I am content to do it; yea, thy law is within my heart.
It was that theme of coming to him with all we are, heart and soul, which formed the core of my own response to this psalm. This poem was also the occasion to express the heart of how I read the psalms as a Christian, and in some sense the key to this poetic sequence:
I sing my psalm in Christ who sings in me,
A new song made in his Love’s mystery
Christ had the psalms on his lips in his lifetime and when, as Christians, we pray and sing them, we do so with and in Christ, whose coming as Messiah is prophesied in so many of the psalms themselves.
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title. For the other poems in my psalm series type the word ‘psalm’ into the search box on the right.
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‘Take thy plague away from me: I am even consumed by the means of thy heavy hand.’
This verse from psalm 39 will resonate with all of us in the midst of the covid crisis, and so perhaps will those verses about our mortality and the frailty of things in this world, verses calling us to set our hope more firmly on God:
‘Behold, thou hast made my days as it were a span long: and mine age is even as nothing in respect of thee; and verily every man living is altogether vanity.
For man walketh in a vain shadow, and disquieteth himself in vain: he heapeth up riches, and cannot tell who shall gather them.
And now, Lord, what is my hope: truly my hope is even in thee.’
For a Christian of course that hope is rooted in Christ, in his death and resurrection. This was all in my mind as I composed my poem in response to psalm 39, but so were those lines of Leonard Cohen’s, that it is just when you begin to perceive the ‘crack in everything’ that you also perceive that that is ‘how the light gets in’!
This present plague has prompted me, like many, to reflect that we must not return, afterwards, to our old ways, but must take this kairos moment as an opportunity to strengthen the things that remain and renew our true hope in Christ
As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title. For the other poems in my psalm series type the word ‘psalm’ into the search box on the right.
The death we fear is birth, the shell is breaking:
The stone itself will soon be rolled away.
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