The First Sunday of Epiphany -Jesus’ Baptism

The dove descends, the spirit soars and sings

The season of Epiphany is an invitation to reflect on the many little ‘epiphanies’, glimpses of how things really are, which are vouchsafed us in the Gospel. This coming Sunday, the first Sunday of Epiphany is a time to reflect on the moment when ‘the heavens opened’ at Jesus’ Baptism and we were given a glimpse of Father Son and Holy Spirit at the heart of all things. This sonnet is a reflection on that mystery. As always you can hear it by clicking on the ‘play’ sign or on the title of the poem. I am grateful to Margot Krebs Neale for the beautiful photograph, taken at the river Jordan which says as much as, if not more than the poem. The poem itself is from my collection Sounding the Seasons, published by Canterbury Press and available on Amazon or from your local bookshop.  After the text of the poem I have included links to the wonderful song Steve Bell wrote from it. He has written a fascinating blog post about writing that song here: Steve Bell on his song.

Beginning here we glimpse the Three-in-one;
The river runs, the clouds are torn apart,
The Father speaks, the Sprit and the Son
Reveal to us the single loving heart
That beats behind the being of all things
And calls and keeps and kindles us to light.
The dove descends, the spirit soars and sings
‘You are belovèd, you are my delight!’

In that quick light and life, as water spills
And streams around the Man like quickening rain,
The voice that made the universe reveals
The God in Man who makes it new again.
He calls us too, to step into that river
To die and rise and live and love forever.

Also check out Steve Bell’s amazing album Keening for the Dawn in which he reworks this sonnet into a beautiful song
Keening for the Dawn
You can hear the song itself on sound loud here:

Epiphany on the Jordan

A Sonnet for Epiphany

these three arrive and bring us with them

The Feast of the Epiphany falls on the 6th of January and I am posting this sonnet of mine as a little extra in addition to the extracts from my Advent anthology Waiting on the Word which I have been posting each day.

Epiphany celebrates the arrival of the three wise men at the manger in Bethlehem has a special mystery and joy to it. Until now the story of the coming Messiah has been confined to Israel, the covenant people, but here suddenly, mysteriously, are three Gentiles who have intuited that his birth is good new for them too. Here is an Epiphany, a revelation, that the birth of Christ is not  one small step for a local religion but a great leap  for all mankind. I love the way that traditionally the three wise men (or kings) are shown as representing the different races and cultures and languages of the world. I love the combination in their character of diligence and joy. They ‘seek diligently’, but they ‘rejoice with exceeding great joy’! I love the way they loved and followed a star, but didn’t stop at the star, but rather let the star lead them to something beyond itself. Surely that is a pattern for all wise contemplation of nature whether in art or science. The last line of this poem is a little nod in the direction of Tennyson’s great poem Ulysses

This sonnet is drawn from my book Sounding the Seasons, which is available from Amazon etc or by order from your local bookshop, should you be lucky enough to have one.

As always you can hear the poem by clicking on the ‘play’ button if it appears, or by clicking on the title of the poem which will take you to the audioboo page.

Epiphany

It might have been just someone else’s story,
Some chosen people get a special king.
We leave them to their own peculiar glory,
We don’t belong, it doesn’t mean a thing.
But when these three arrive they bring us with them,
Gentiles like us, their wisdom might be ours;
A steady step that finds an inner rhythm,
A  pilgrim’s eye that sees beyond the stars.
They did not know his name but still they sought him,
They came from otherwhere but still they found;
In temples they found those who sold and bought him,
But in the filthy stable, hallowed ground.
Their courage gives our questing hearts a voice
To seek, to find, to worship, to rejoice.

 

The Divine Image by William Blake

Image created by Linda Richardson after Matisse

For January 6th (the feast of epiphany) in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson, for the unique book of responses to Waiting on the Word last year, and again this is one of my favourites. As we finish this series of posts I would like to thank Linda for allowing me to share these beautiful images with you and for making such a rich and creative response to my book in the first instance. She will soon be establishing a website for more of her art and when she does so I will write about it on this blog. about this final image Linda writes:

Once again I return to Matisse and his dancers. The little figures are naked and in a trance of wild woodland worship. They are unselfconscious and free, not arguing a doctrinal point but holding tight to each others hands as they whirl around a Divine tree. Our minds and thinking can ensnare us like a flies on a spider’s web, but our bodies do not lie. If we are stressed, we can talk ourselves into believing we are relaxed, but our jaw may be tight and our brow heavy. In the same way we sometimes mistake ‘correct doctrine’ for love, and wonder why we feel so angry when our doctrines are attacked. In the image, the little figures are ‘every man’ and ‘every woman’. They are lost in the present moment, and the only government is the beauty of the silent tree around which, with all their hearts, they dance.

There exists only the present instant… a Now which always and without end is itself new. There is no yesterday nor any tomorrow, but only Now, as it was a thousand years ago and as it will be a thousand years hence. Meister Eckhart

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Divine ImageWilliam Blake

To Mercy, Pity, Peace, and Love

All pray in their distress;

And to these virtues of delight

Return their thankfulness.

For Mercy, Pity, Peace, and Love

Is God, our father dear,

And Mercy, Pity, Peace, and Love

Is Man, his child and care.

For Mercy has a human heart,

Pity a human face,

And Love, the human form divine,

And Peace, the human dress.

Then every man, of every clime,

That prays in his distress,

Prays to the human form divine,

Love, Mercy, Pity, Peace.

And all must love the human form,

In heathen, Turk, or Jew;

Where Mercy, Love, and Pity dwell

There God is dwelling too.

Rocky Mountain Railroad, Epiphany by Luci Shaw

Image by Linda Richardson

For January 5th in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Rocky Mountain Railroad, Epiphany by Luci Shaw. this poem makes an interesting contrast and parallel with Coleridge’s psalm-like outpouring of yesterday. Both poems are a response to the beauty of nature, and specifically to the sight of snowy mountains, and the whole play of light on snow and ice. In both poems we have a sense of glory and of the sublime rising ‘reaches of peak above peak beyond peak’.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:

Luci Shaw takes a subtly different approach to Coleridge as she describes, ‘in a net of words’, her transcendent experience. She uses herself as a mirror to describe the effect the experience has on her. ‘I imbed it in my brain so that it will flash and flash again…an alternate reality…my open window mind is too little,…I long for each sweep….’

 In the image I made, the words open and condense in the lines, sometimes clear, sometimes hidden in the ink, indicating the fleeting glimpses we see as we hurtle along in a train. Life reflects the train journey. The Divine is always around us, sometimes clearly visible in love given and received, sometimes only glimpsed as we speed by. And often, if our focus is too close, all we see is our own reflection in the window.

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Rocky Mountain Railroad, Epiphany   Luci Shaw

The steel rails parallel the river as we penetrate

ranges of pleated slopes and crests—all too complicated

for capture in a net of words. In this showing, the train window

is a lens for an alternate reality—the sky lifts and the light forms

shadows of unstudied intricacy. The multiple colors of snow

in the dimpled fresh fall. Boulders like white breasts. Edges

blunted with snow. My open-window mind is too little for

this landscape. I long for each sweep of view to toss off

a sliver, imbed it in my brain so that it will flash

and flash again its unrepeatable views. Inches. Angles.

Niches. Two eagles. A black crow. Skeletal twigs’ notched

chalices for snow. Reaches of peak above peak beyond peak

Next to the track the low sun burns the silver birches into

brass candles. And always the flow of the companion river’s

cord of silk links the valleys together with the probability

of continuing revelation. I mind-freeze for the future

this day’s worth of disclosure. Through the glass

the epiphanies reel me in, absorbed, enlightened.

Courtesy by Hilaire Belloc

image by Linda Richardson

For January 3rd in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Courtesy by Hilaire Belloc. I have chosen it for this run-up towards Epiphany because it is essentially a series of little epiphanies, or ‘showings’; in each of the three pictures themselves pictures of moments of ‘epiphanies’ or ‘showings forth’ of the glory of God in scripture.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:

The poem we consider today is about ‘courtesy’, not a word that we attribute easily these days except if we are complaining that someone lacks ‘common courtesy’. As I reflected on this poem I was taken back to my childhood when I was at a convent boarding school. I loved going to the convent chapel and kneeling to pray. I remember thinking how inadequate I was to do this, unlike the professional nuns whose prayers I considered far more powerful than my own mute and rather unhappy attempts.

I have since learned that God will inhabit the tiniest space we make for Him. Even our most feeble turning towards Him will make the angels of heaven hold their breath in excitement. Recently I read the words of a Rabbi who said, when the child of God walks down the road a thousand angels go before her crying, ‘Make way for the image of God!’

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Courtesy   Hilaire Belloc

 

Of Courtesy, it is much less

Than Courage of Heart or Holiness,

Yet in my Walks it seems to me

That the Grace of God is in Courtesy.

 

On Monks I did in Storrington fall,

They took me straight into their Hall;

I saw Three Pictures on a wall,

And Courtesy was in them all.

 

The first the Annunciation;

The second the Visitation;

The third the Consolation,

Of God that was Our Lady’s Son.

 

The first was of St. Gabriel;

On Wings a-flame from Heaven he fell;

And as he went upon one knee

He shone with Heavenly Courtesy.

 

Our Lady out of Nazareth rode –

It was Her month of heavy load;

Yet was her face both great and kind,

For Courtesy was in Her Mind.

 

The third it was our Little Lord,

Whom all the Kings in arms adored;

He was so small you could not see

His large intent of Courtesy.

 

Our Lord, that was Our Lady’s Son,

Go bless you, People, one by one;

My Rhyme is written, my work is done.

New Year’s Day Tennyson’s ‘Wild Bells’

Image by Linda Richardson

For New Year’s Day in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read another section of Tennyson’s In Memoriam, the famous and beautiful section about ringing out the old and ringing in the new which finishes with a vision of the true Advent, ‘the Christ that is to be’.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:

I have to confess that I don’t remember ever enjoying New Years Day. I always have the feeling that I am an unprepared host for this important guest, who, instead of finding my house with the bed made up and a roaring fire, discovers me amid the accumulated dross of previous revelry. The image I made does not reflect the hope of the poem, probably because I don’t believe in the great ringing in of the new – I don’t see it happening in the world.

What I can believe in, is that Christ can ring in me and in you. Annie Dillard, the American author and poet says, ‘I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.’ And so to the extent we ring for Christ, we also ring for the world.

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

You can also hear Alana Levandoski turning these verses into a lovely song on this youtube page:

In Memoriam CVI   Alfred Lord Tennyson

 

Ring out, wild bells, to the wild sky,

The flying cloud, the frosty light:

The year is dying in the night;

Ring out, wild bells, and let him die.

 

Ring out the old, ring in the new,

Ring, happy bells, across the snow:

The year is going, let him go;

Ring out the false, ring in the true.

 

Ring out the grief that saps the mind

For those that here we see no more;

Ring out the feud of rich and poor,

Ring in redress to all mankind.

 

Ring out a slowly dying cause,

And ancient forms of party strife;

Ring in the nobler modes of life,

With sweeter manners, purer laws.

 

Ring out the want, the care, the sin,

The faithless coldness of the times;

Ring out, ring out my mournful rhymes

But ring the fuller minstrel in.

 

Ring out false pride in place and blood,

The civic slander and the spite;

Ring in the love of truth and right,

Ring in the common love of good.

 

Ring out old shapes of foul disease;

Ring out the narrowing lust of gold;

Ring out the thousand wars of old,

Ring in the thousand years of peace.

 

Ring in the valiant man and free,

The larger heart, the kindlier hand;

Ring out the darkness of the land,

Ring in the Christ that is to be.

 

Ringing In The New Year

On New Year’s Eve groups of church bell ringers will gather all over the world to pray, and reflect, and to ring in the new year. They will be participating in a long tradition. George Herbert imagined Prayer itself as ‘Church Bells beyond the stars heard’ and the great turning point in In Memoriam, Tennyson’s great exploration of time and eternity, mortality and resurrection, doubt and faith, comes with the ringing of bells for the new year and his famous and beautiful lines beginning ‘Ring out, wild bells, to the wild sky,’ and concluding:

Ring in the valiant man and free,

The larger heart, the kindlier hand;

Ring out the darkness of the land,

Ring in the Christ that is to be.

(For more of this passage and my talks on Tennyson click Here)

I love to hear church bells ring in the New Year and so I have made my own small contribution to the poetry and meaning of bell ringing in the following sonnet, which is taken from my collection ‘Sounding the Seasons’

Sounding the Seasons and my other poetry books are available from Amazon or on order from your local bookstore, or direct from the publisher here

As always you can hear the sonnet by clicking on the title or pressing the ‘play’ button.

New Year’s Day: Church Bells

 Not the bleak speak of mobile messages,

The soft chime of synthesised reminders,

Not texts, not pagers, data packages,

Not satnav or locators ever find us

As surely, soundly, deeply as these bells

That sound and find and call us all at once

‘Ears of my ears’ can hear, my body feels

This call to prayer that is itself a dance.

So ring  them out in joy and jubilation,

Sound them in sorrow tolling for the lost,

O let them wake the church and rouse the nation,.

A sleeping lion stirred to life at last

Begin again they sing, again begin,

A ring and rhythm answered from within.