Tag Archives: imagination

Emily Dickinson’s Desk

Emily's desk

Emily’s Desk

Whilst I was speaking at a CS Lewis conference in Amherst I had the opportunity to visit Emily Dickinson’s house, now beautifully preserved as the Emily Dickinson Museum. And so I came to stand in that ‘mighty room’ where all the poems were written, and there, plain and simple and strangely, paradoxically, small was her little desk: a small square writing table.  I was filled with wonder at how much had flowed from so small a space, but then I thought about Dickinson’s characteristically concentrated and terse verse forms; those compact and concentrated little quatrains with the emphatic dashes linking and yet binding in the energy of her phrases, and it seemed to me the smallness of the desk was itself part of the form of the poetry, part of her gift.

Anyway the whole experience stirred me on to this: (as always you can hear me read it you click on the title or the play button)

 

Emily Dickinson’s Desk

So slight and spare a square of wood
Sustains so great a muse-
How plain and flat the door is made
To such a subtle maze.

Perhaps the limits of this desk-
-It’s strict restraint of space-
Informed the poet’s take and task
And turned restraint to grace.

Here in this narrow paradise
She pledged and kept her troth-
And trimmed her lamp and trained her verse –
And- slant-wise- told her truth.

 

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A track from my new album!

Saying the Names by Faye Hall

Saying the Names by Faye Hall

I am delighted to say that we are well on with the project of recording my new record Songs and Sonnets, produced by Roy Salmond and Steve Bell. As a taster I thought I would share with you one of the poems on the record; Saying the Names. It was the poem which inspired the Faye Hall Painting that adorns the cover of the record. I had written the poem out by hand for her and she in turn incorporated these hand written lines from the poem throughout her painting, which I hope you can see in the image above. We are nearly, but not quite ‘there’ in our attempts to raise the funds to make this album’s production and release possible and if you would like to go over to the Gofundme Page‘, take a look at the video which tells you more and decide whether you would like to support it, that would be great. The record has both spoken word and song, and some of the poems also have a gentle musical or soundscape commentary as you will hear when you listen to this one. I hope you enjoy it. You can listen to the poem on Roy’s Soundcloud Page by clicking on the title, or from my files by clicking on the ‘play’ button. I have also given you all the words of the poem on this page. It was first published in my Canterbury Press book The Singing Bowl

 

Saying the Names

Dawn over Amble, and along the coast

light on the tide flows to Northumberland,

silvers the scales of herring freshly caught

and glowing in their boxes on the dock,

shivers the rainbow sheen on drops of diesel,

and lights, at last, the North Sea fishing fleet.

Tucked into harbour here, their buoyant lines

lift to the light on plated prows their names,

the ancient names picked out in this year’s paint:

Providence, Bold Venture, Star Divine

are first along the quay-side. Fruitful Bough

has stemmed the tides to bring her harvest in,

Orcadian Mist and Sacred Heart, Aspire,

their names are numinous, a found poem.

Those Bible-burnished phrases live and lift

into the brightening tide of morning light

and beg to be recited, chanted out,

for names are incantations, mysteries

made manifest like ships on the horizon.

Eastward their long line tapers towards dawn

and ends at last with Freedom, Radiant Morn.

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Five Dialogues: 1 With All Your Heart

Parable and Paradox hi resAs part of the run up to the launch on June 14th of my new book of poetry Parable and Paradox, I am going to post here some of the poems you can find in the book. I am starting with a series of five dialogues  I have written about the two great commandments, in which I try to explore what it means to love with all the heart, all the soul, all the strength, all the mind. these sonnets take the form of a conversation between the speaker and Christ. I say ‘the speaker’ because although I use the first person in the opening of each of these poems and I certainly speak with my own heart and soul, I hope that the reader too will be able to identify with the opening voice in each sonnet and so also be able to hear Christ replying to them in the second part of each poem.

Songs and Sonnets as we hope it will eventually appear!

Songs and Sonnets as we hope it will eventually appear!

These five poems will also appear, in a finer recording and with beautiful music, on the new record I am making with Steve Bell and Roy Salmond called Songs and Sonnets. They have started a crowdfunding page to make the recording and procductuion of the CD possible and I would be grateful if you could support it in however small a way. You can find out more and watch a short video by clicking Here. As always you can hear the poem in this post by clicking on the title or the play button. But it will be better still on the record!

So here is the first of the five, reflecting on what it might mean to love with all my heart:

 

 

Luke 10:27 He answered, “‘Love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind’; and, ‘Love your neighbor as yourself.’”

I: With All Your Heart

 

With all my heart? You know my heart too well,

It’s Yeats’s rag and bone shop. Will it do

To start my loving in that little hell,

Closed on itself and still excluding you?

Could I not offer you some empty room,

Some small apartment full of light and air,

Some portion of my life, above the gloom,

But not this pit of pride, not this despair.

 

Only your heart will do. Let me begin,

To break the ground and plant a seed that grows

Up through the closing darkness of your sin

Till your unsightly roots brings forth my rose.

For I have learned to make the broken true

Since my heart too was broken once for you.’

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Dante and the companioned journey: De Magistro

Dante with mount Purgatory in the background

Dante with mount Purgatory in the background

This week is the Dante Week for readers of my book  The Word in the Wilderness, my compilation of a poem a day for Lent.  In that book I give three poems from my sequence of nine written in response to the Commedia but I thought I might repost all nine on this blog for those who were interested in following up the sequence. You can read the first poem in my dante sequence (which is not in Word in the Wilderness, by clicking on this title: In Medias Res, If you would like to read through and listen to all nine poems in my Dante Sequence, which is published in the Singing Bowl, you can do so by starting HERE and then following links to subsequent posts.

Today I am posting the Fourth, De Magistro.’ This poem is set for Thursday in The Word in the wilderness and the introduction is taken from that book.

Many of us can probably point to a figure like Virgil in our lives, not only an author, but a living friend and teacher, who meets us at the right moment, sets us on a good path and guides on our journey. In this poem, I celebrate someone who did that for me, the teacher, in fact, with whom I first read Dante. My poem takes its point of departure from the moment of transition we considered in Wednesday’s end of the Inferno when the poets emerge at last from the dark and see again the sky and stars, and their preparation to begin the painful and yet joyful ascent of Mount Purgatory.

Again and again I find Dante’s poem gives me glimpses of places I have been, and places I may well yet find myself, and in doing so it gives me a map, and with the map, a way forward. When I wrote this poem I was emerging from period of depression. I was grateful to be past the worst but I realized that I had work to do, things to redeem, an ascent to make. To do so I had to call to mind all the resources available to me, and I found myself summoning the powers of the poetry I had read, the insights and example of the teachers who had guided me, and above all concentrating, as they had done, on the joyful task of teaching itself. The title of this poem, ‘De Magistro’, means ‘Of the Teacher’ and it is also the title of a little book by St Augustine, co-written as a dialogue with his beloved son Adeodatus, in which father and son explore together what it means to learn and to teach and come to the conclusion that at any moment when we suddenly ‘recognize’ a truth, and make a glad, inner assent to it, it is not the outward and visible teacher, the person in the room, who is the ultimate source of that truth and that assent, but rather an ‘inner’ teacher, deep within us, a source of light and truth to whom we have brought each proposition for confirmation, and that teacher, said Augustine is Christ, himself, the Logos, the Word in each of us, who guides us through the wilderness. At such moments of joyful recognition both teacher and pupil discern the Word in and through one another, and in and through the words they share.

Dante’s poem begins ‘in a dark wood’ in ‘midmost of the path of this life’. Sometimes words themselves can seem like a tangled wood, but a good teacher can show us the path, and guide us gradually to find the true source of all language and meaning in Christ the logos, and I have tried to evoke that experience in this poem, in the lines:

 

In mid-most of the word-wood is a path

That leads back to the springs of truth in speech.

You showed it to me, kneeling on your hearth,

 

You showed me how my halting words might reach

To the mind’s maker, to the source of Love,

And so you taught me what it means to teach.

 

Perhaps, in the midst of this Lenten journey this is a good time to remember, give thanks and pray for those teachers, official and unofficial, through whom Christ has ‘brought us safe thus far’.

 

This poem is  from my collection The Singing Bowl  published by Canterbury Press and is also available on Amazon here

If English readers would like to buy my books from a proper bookshop Sarum College Bookshop here in the UK always have it in stock.

I am happy to announce to North American readers that copies of The Singing Bowl and my other books are readily available from Steve Bell Here

 

 

As always you can hear my poem by clicking on the title or the ‘play button’. I am grateful to Oliver Neale for the contemporary image that follows the poem.

4 De Magistro

I thank my God I have emerged at last,

blinking from Hell, to see these quiet stars

bewildered by the shadows that I cast.

 

You set me on this stair, in those rich hours

pacing your study, chanting poetry.

The Word in you revealed His quickening powers,

 

removed the daily veil, and let me see,

as sunlight played along your book-lined walls,

that words are windows onto mystery.

 

From Eden, whence the living fountain falls

in music, from the tower of ivory,

and from the hidden heart, He calls

 

in the language of Adam, creating memory

of unfallen speech. He sets creation

free from the carapace of history.

 

His image in us is Imagination,

His Spirit is a sacrifice of breath

upon the letters of His revelation.

 

In mid-most of the word-wood is a path

that leads back to the springs of truth in speech.

You showed it to me, kneeling on your hearth,

 

you showed me how my halting words might reach

to the mind’s Maker, to the source of Love,

and so you taught me what it means to teach.

 

Teaching, I have my ardours now to prove

climbing with joy the steps of Purgatory.

Teacher and pupil, both are on the move,

 

as fellow pilgrims on a needful journey.

photo by Oliver Neale

photo by Oliver Neale

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WEEK 2 Deepening the Life of Prayer

WEEK 2

Deepening the Life of Prayer

Here is another week’s worth of recordings in which I read the poems I selected in my anthology for Lent The Word in the Wilderness. I hope you enjoy these recordings, just click on the title of the poem or the ‘play’ button if it appears. Once again I am grateful to Lancia Smith for providing the two lovely images to go with this week’s readings.

SUNDAY

 

Postscript Seamus Heaney

MONDAY

 

Prayer (I)   George Herbert

PRAYER the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth;

Engine against th’ Almightie, sinner’s towre,
Reversed thunder, Christ-side-piercing spear,
The six daies world-transposing in an houre,
A kinde of tune, which all things heare and fear ;

Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,

Church-bels beyond the stars heard, the souls bloud,
The land of spices, something understood.

 

TUESDAY

 

Homecoming   Gwyneth Lewis

Two rivers deepening into one;
less said, more meant; a field of corn
adjusting to harvest; a battle won

by yielding; days emptied to their brim;
an autumn; a wedding; a logarithm;
self-evidence earned, a coming home

to something brand new but always known;
not doing, but being – a single noun;
now in infinity; a fortune found

in all that’s disposable; not out there, but in,
the ceremonials of light in the rain;
the power of being nothing, but sane.

 

WEDNESDAY

 

Prayer/Walk   Malcolm Guite


 

A hidden path that starts at a dead end,

Old ways, renewed by walking with a friend,

And crossing places taken hand in hand,

 

The passages where nothing need be said,

With bruised and scented sweetness underfoot

And unexpected birdsong overhead,

 

The sleeping life beneath a dark-mouthed burrow,

The rooted secrets rustling in a hedgerow,

The land’s long memory in ridge and furrow,

 

A track once beaten and now overgrown

With complex textures, every kind of green,

Land- and cloud-scape melting into one,

 

The rich meandering of streams at play,

A setting out to find oneself astray,

And coming home at dusk a different way.

 

THURSDAY

 

How I talk to God   Kelly Belmonte Read more about Kelly Belmonte on her great poetry site All Nine

Coffee in one hand

leaning in to share, listen:

How I talk to God.

 

“Momma, you’re special.”

Three-year-old touches my cheek.

How God talks to me.

 

While driving I make

lists: done, do, hope, love, hate, try.

How I talk to God.

 

Above the highway

hawk: high, alone, free, focused.

How God talks to me.

 

Rash, impetuous

chatter, followed by silence:

How I talk to God.

 

First, second, third, fourth

chance to hear, then another:

How God talks to me.

 

Fetal position

under flannel sheets, weeping

How I talk to God.

 

Moonlight on pillow

tending to my open wounds

How God talks to me.

 

Pulling from my heap

of words, the ones that mean yes:

How I talk to God.

 

Infinite connects

with finite, without words:

How God talks to me.

 

FRIDAY

 

The Pains of Sleep   S. T. Coleridge


 

Ere on my bed my limbs I lay,

It hath not been my use to pray

With moving lips or bended knees;

But silently, by slow degrees,

My spirit I to Love compose,

In humble trust mine eye-lids close,

With reverential resignation

No wish conceived, no thought exprest,

Only a sense of supplication;

A sense o’er all my soul imprest

That I am weak, yet not unblest,

Since in me, round me, every where

Eternal strength and Wisdom are.

 

But yester-night I prayed aloud

In anguish and in agony,

Up-starting from the fiendish crowd

Of .

shapes and thoughts that tortured me:

A lurid light, a trampling throng,

Sense of intolerable wrong,

And whom I scorned, those only strong!

Thirst of revenge, the powerless will

Still baffled, and yet burning still!

Desire with loathing strangely mixed

On wild or hateful objects fixed.

Fantastic passions! maddening brawl!

And shame and terror over all!

Deeds to be hid which were not hid,

Which all confused I could not know

Whether I suffered, or I did:

For all seemed guilt, remorse or woe,

My own or others still the same

Life-stifling fear, soul-stifling shame.

 

So two nights passed: the night’s dismay

Saddened and stunned the coming day.

Sleep, the wide blessing, seemed to me

Distemper’s worst calamity.

The third night, when my own loud scream

Had waked me from the fiendish dream,

O’ercome with sufferings strange and wild,

I wept as I had been a child;

And having thus by tears subdued

My anguish to a milder mood,

Such punishments, I said, were due

To natures deepliest stained with sin,

For aye entempesting anew

The unfathomable hell within,

The horror of their deeds to view,

To know and loathe, yet wish and do!

Such griefs with such men well agree,

But wherefore, wherefore fall on me?

To be loved is all I need,

And whom I love, I love indeed.

 

SATURDAY

 

Batter my heart   John Donne


 

Batter my heart, three-person’d God, for you

As yet but knock, breathe, shine, and seek to mend;

That I may rise and stand, o’erthrow me, and bend

Your force to break, blow, burn, and make me new.

I, like an usurp’d town to another due,

Labor to admit you, but oh, to no end;

Reason, your viceroy in me, me should defend,

But is captiv’d, and proves weak or untrue.

Yet dearly I love you, and would be lov’d fain,

But am betroth’d unto your enemy;

Divorce me, untie or break that knot again,

Take me to you, imprison me, for I,

Except you enthrall me, never shall be free,

Nor ever chaste, except you ravish me.

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Shriven, Ashed, and ready for Action

image courtesy of https://lanciaesmith.com

image courtesy of https://lanciaesmith.com

This is the first of the weekly series I am posting throughout this Lent in which you can hear me read aloud the poems I have chosen for my Lent Anthology The Word in the Wilderness. In the book itself you can read my commentary on each poem but I thought that, as with my advent anthology, you might like to hear the poems read. Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing  specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our  being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.

Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.

As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.

Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.

So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:

Station Island XI Seamus Heaney/St. John of the Cross

And here is my sonnet for Ash Wednesday
Ash Wednesday

Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.

He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.

From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.

Thursday:

Stones into Bread

 

The Fountain thirsts, the Bread is hungry here

The Light is dark, the Word without a voice.

When darkness speaks it seems so light and clear.

Now He must dare, with us, to make a choice.

In a distended belly’s cruel curve

He feels the famine of the ones who lose

He starves for those whom we have forced to starve

He chooses now for those who cannot choose.

He is the staff and sustenance of life

He lives for all from one Sustaining Word

His love still breaks and pierces like a knife

The stony ground of hearts that never shared,

God gives through Him what Satan never could;

The broken bread that is our only food.

 

His love still breaks and pierces like a knife (image courtesy of Margot Krebs Neale)

Friday:

All the Kingdoms of the World

 ‘So here’s the deal and this is what you get:

The penthouse suite with world-commanding views,

The banker’s bonus and the private jet

Control and ownership of all the news

An ‘in’ to that exclusive one percent,

Who know the score, who really run the show

With interest on every penny lent

And sweeteners for cronies in the know.

A straight arrangement between me and you

No hell below or heaven high above

You just admit it, and give me my due

And wake up from this foolish dream of love…’

But Jesus laughed, ‘You are not what you seem.

Love is the waking life, you are the dream.’

Saturday:

On the Pinnacle

‘Temples and Spires are good for looking down from;

You stand above the world on holy heights,

Here on the pinnacle, above the maelstrom,

Among the few, the true, unearthly lights.

Here you can breathe the thin air of perfection

And feel your kinship with the lonely star,

Above the shadow and the pale reflection,

Here you can know for certain who you are.

The world is stalled below, but you could move it

If they could know you as you are up here,

Of course they’ll doubt, but here’s your chance to prove it

Angels will bear you up, so have no fear….’

‘I was not sent to look down from above

It’s fear that sets these tests and proofs, not Love.’

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The Divine Image by William Blake

For January 6th (the feast of epiphany) in my  Anthology from Canterbury PressWaiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.

You can hear me read this poem by clicking on the title or the play button. the image above was created by Lancia Smith, and carries a quotation from the poem. You can see this and more on her  excellent Website Cultivating the True the Good and the Beautiful.. May I take this opportunity to thank Lancia for the great gift she has given us unmaking and sharing all the images that have accompanied these recordings. Tomorrow I will post two final images from her by way of farewell and as a kind of epilogue to this series.

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Divine Image William Blake

 

To Mercy, Pity, Peace, and Love

All pray in their distress;

And to these virtues of delight

Return their thankfulness.

 

For Mercy, Pity, Peace, and Love

Is God, our father dear,

And Mercy, Pity, Peace, and Love

Is Man, his child and care.

 

For Mercy has a human heart,

Pity a human face,

And Love, the human form divine,

And Peace, the human dress.

 

Then every man, of every clime,

That prays in his distress,

Prays to the human form divine,

Love, Mercy, Pity, Peace.

 

And all must love the human form,

In heathen, Turk, or Jew;

Where Mercy, Love, and Pity dwell

There God is dwelling too.

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