The Divine Image by William Blake

Image created by Linda Richardson after Matisse

For January 6th (the feast of epiphany) in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson, for the unique book of responses to Waiting on the Word last year, and again this is one of my favourites. As we finish this series of posts I would like to thank Linda for allowing me to share these beautiful images with you and for making such a rich and creative response to my book in the first instance. She will soon be establishing a website for more of her art and when she does so I will write about it on this blog. about this final image Linda writes:

Once again I return to Matisse and his dancers. The little figures are naked and in a trance of wild woodland worship. They are unselfconscious and free, not arguing a doctrinal point but holding tight to each others hands as they whirl around a Divine tree. Our minds and thinking can ensnare us like a flies on a spider’s web, but our bodies do not lie. If we are stressed, we can talk ourselves into believing we are relaxed, but our jaw may be tight and our brow heavy. In the same way we sometimes mistake ‘correct doctrine’ for love, and wonder why we feel so angry when our doctrines are attacked. In the image, the little figures are ‘every man’ and ‘every woman’. They are lost in the present moment, and the only government is the beauty of the silent tree around which, with all their hearts, they dance.

There exists only the present instant… a Now which always and without end is itself new. There is no yesterday nor any tomorrow, but only Now, as it was a thousand years ago and as it will be a thousand years hence. Meister Eckhart

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Divine ImageWilliam Blake

To Mercy, Pity, Peace, and Love

All pray in their distress;

And to these virtues of delight

Return their thankfulness.

For Mercy, Pity, Peace, and Love

Is God, our father dear,

And Mercy, Pity, Peace, and Love

Is Man, his child and care.

For Mercy has a human heart,

Pity a human face,

And Love, the human form divine,

And Peace, the human dress.

Then every man, of every clime,

That prays in his distress,

Prays to the human form divine,

Love, Mercy, Pity, Peace.

And all must love the human form,

In heathen, Turk, or Jew;

Where Mercy, Love, and Pity dwell

There God is dwelling too.

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Rocky Mountain Railroad, Epiphany by Luci Shaw

Image by Linda Richardson

For January 5th in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Rocky Mountain Railroad, Epiphany by Luci Shaw. this poem makes an interesting contrast and parallel with Coleridge’s psalm-like outpouring of yesterday. Both poems are a response to the beauty of nature, and specifically to the sight of snowy mountains, and the whole play of light on snow and ice. In both poems we have a sense of glory and of the sublime rising ‘reaches of peak above peak beyond peak’.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:

Luci Shaw takes a subtly different approach to Coleridge as she describes, ‘in a net of words’, her transcendent experience. She uses herself as a mirror to describe the effect the experience has on her. ‘I imbed it in my brain so that it will flash and flash again…an alternate reality…my open window mind is too little,…I long for each sweep….’

 In the image I made, the words open and condense in the lines, sometimes clear, sometimes hidden in the ink, indicating the fleeting glimpses we see as we hurtle along in a train. Life reflects the train journey. The Divine is always around us, sometimes clearly visible in love given and received, sometimes only glimpsed as we speed by. And often, if our focus is too close, all we see is our own reflection in the window.

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Rocky Mountain Railroad, Epiphany   Luci Shaw

The steel rails parallel the river as we penetrate

ranges of pleated slopes and crests—all too complicated

for capture in a net of words. In this showing, the train window

is a lens for an alternate reality—the sky lifts and the light forms

shadows of unstudied intricacy. The multiple colors of snow

in the dimpled fresh fall. Boulders like white breasts. Edges

blunted with snow. My open-window mind is too little for

this landscape. I long for each sweep of view to toss off

a sliver, imbed it in my brain so that it will flash

and flash again its unrepeatable views. Inches. Angles.

Niches. Two eagles. A black crow. Skeletal twigs’ notched

chalices for snow. Reaches of peak above peak beyond peak

Next to the track the low sun burns the silver birches into

brass candles. And always the flow of the companion river’s

cord of silk links the valleys together with the probability

of continuing revelation. I mind-freeze for the future

this day’s worth of disclosure. Through the glass

the epiphanies reel me in, absorbed, enlightened.

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The Bird in the Tree Ruth Pitter

Image by Linda Richardson

For January 2nd in my  Anthology from Canterbury Press, Waiting on the Word, I have chosen to read The Bird in the Tree by Ruth Pitter. On New Year’s Eve we considered Hardy’s almost reluctant glimpse of transfiguration ‘when Frost was spectre-grey, and ‘shrunken hard and dry’, and Hardy’s heart, bleak as the world through which he moves, nevertheless hears for a moment the ‘ecstatic sound’ of his darkling thrush. And even though he wanted to end his poem with the word ‘unaware’, something of the transcended has ‘trembled through’ his poem. Today’s poem, also about hearing a bird in a tree, also addresses the question of how the transcendent might for ‘a moment of time’ ‘tremble through’ into the immanent.

You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson and is one of my favourites from the beautiful book of responses she made to Waiting on the Word, it is so full of life, movement and energy. Linda Writes:

A few years ago I was walking up the hill behind our house. I had an extraordinary experience of feeling myself dissolve into the land around me, of being one with the trees, the insects below the earth and the sky above me. When I got home I attempted to paint the experience and reading Ruth Pitter’s poem brought it back to my mind.

Throughout this Advent, Malcolm has offered us poems that invite us to ‘see’. We believe we know what a bird is like, what a tree is like, we have heard the Christmas stories so often that we think we know them, but if we give ourselves time to ‘see’ anew, we will be able to glimpse eternity shining all around us and within us. We can find God manifest in the finite and the infinite, in time and eternity. In the Gospel of Thomas Jesus says, ‘split the wood, and I am there. Turn over the stone and there you will find me.’

You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

The Bird in the Tree   Ruth Pitter

 

The tree, and its haunting bird,

Are the loves of my heart;

But where is the word, the word,

Oh where is the art,

To say, or even to see,

For a moment of time,

What the Tree and the Bird must be

In the true sublime?

They shine, listening to the soul,

And the soul replies;

But the inner love is not whole,

and the moment dies.

Oh give me before I die

The grace to see

With eternal, ultimate eye,

The Bird and the Tree.

The song in the living Green,

The Tree and the Bird –

Oh have they ever been seen,

Ever been heard?

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Nativity by Scott Cairns

Image by Linda Richardson

We return to Scott Cairns in my series of readings of the poems in my  Anthology from Canterbury Press Waiting on the Word.The poem I have chosen for December 27th, is  Nativity, a beautiful reflection on an icon of the Nativity and how it draws us in. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. Linda writes:

As I read this poem I discerned a kind of radiance and inwardness that fascinated me. Again there are glimpses of the Divine that may be missed if we are not attentive or prayerful. We lean in and see a “tiny God.. slip briefly out of time.. miss the point or meet there”.

In the image, I created a fissure in the virgin blue, and beyond that there is a brightness that cannot be touched. It is a secret brightness, obscure and transcendent and cannot be possessed by us. All of life is potentially prayer that deepens us and makes our ‘ordinary’ time more loving and creative. But prayer is not an intellectual activity but an activity of love where we learn to be near God and learn too, never to leave the holiness of his nearness as we go about our daily duties.

You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button

Nativity

As you lean in, you’ll surely apprehend

the tiny God is wrapped

in something more than swaddle. The God

is tightly bound within

His blesséd mother’s gaze—her face declares

that she is rapt by what

she holds, beholds, reclines beholden to.

She cups His perfect head

and kisses Him, that even here the radiant

compass of affection

is announced, that even here our several

histories converge and slip,

just briefly, out of time. Which is much of what

an icon works as well,

and this one offers up a broad array

of separate narratives

whose temporal relations quite miss the point,

or meet there. Regardless,

one blithe shepherd offers music to the flock,

and—just behind him—there

he is again, and sore afraid, attended

by a trembling companion

and addressed by Gabriel. Across the ridge,

three wise men spur three horses

towards a star, and bowing at the icon’s

nearest edge, these same three

yet adore the seated One whose mother serves

as throne. Meantime, stumped,

the kindly Abba Joseph ruminates,

receiving consolation

from an attentive dog whose master may

yet prove to be a holy

messenger disguised as fool. Overhead,

the famous star is all

but out of sight by now; yet, even so,

it aims a single ray

directing our slow pilgrims to the core

where all the journeys meet,

appalling crux and hallowed cave and womb,

where crouched among these other

lowing cattle at their trough, our travelers

receive that creatured air, and pray.

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Christmas and the Common Birth by Anne Ridler

image by Linda Richardson

The poem I have chosen for December 15th in my Advent Anthology from Canterbury Press Waiting on the Word, is Christmas and the Common Birth by Anne Ridler. You can hear me read this poem by clicking on the title or the play button. the image above, is once more from the beautiful book of art which Linda Richardson made in response to Waiting on the Word.

She Writes:

The image for today looks, from a distance, like a peaceful, sleeping face. On closer inspection you will see it is made up of hundreds of intense scribbled lines. We can, from a distance appear calm to those around us, but perhaps our inner lives are in turmoil, those inner voices utterly draining and our value comes from what we ‘do’, not what we ‘are’. In the poem we hear that, “Christmas comes at the dark dream of the year that might wish to sleep ever…birth is effort and pain.” Our busy-ness is often a way to stay asleep, to avoid the call that Jesus and all the mystics make on our lives to wake up to a greater vision of life where we are children of God, the beloved of the Father.

Our prayer today may be of a harried or sick person. This is the person God wants to be with and we come to God in the reality of what we are and with all the scribbles and scrawls that seem to make up our life. We bring all our addictions and anxieties with us and turn away from them to God, because the space inside us is the same space that contains the cosmos. One moment of true silence will find us in loving heart of the Great Silence out of which everything is and has its being.

You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

Christmas and the Common Birth

Christmas declares the glory of the flesh:

And therefore a European might wish

To celebrate it not at midwinter but in spring,

When physical life is strong,

When the consent to live is forced even on the young,

Juice is in the soil, the leaf, the vein,

Sugar flows to movement in limbs and brain.

Also before a birth, nourishing the child

We turn again to the earth

With unusual longing—to what is rich, wild,

Substantial: scents that have been stored and strengthened

In apple lofts, the underwash of woods, and in barns;

Drawn through the lengthened root; pungent in cones

(While the fir wood stands waiting; the beech wood aspiring,

Each in a different silence), and breaking out in spring

With scent sight sound indivisible in song.

Yet if you think again

It is good that Christmas comes at the dark dream of the year

That might wish to sleep ever.

For birth is awaking, birth is effort and pain;

And now at midwinter are the hints, inklings

(Sodden primrose, honeysuckle greening)

That sleep must be broken.

To bear new life or learn to live is an exacting joy:

The whole self must waken; you cannot predict the way

It will happen, or master the responses beforehand.

For any birth makes an inconvenient demand;

Like all holy things

It is frequently a nuisance, and its needs never end;

Freedom it brings: We should welcome release

From its long merciless rehearsal of peace.

So Christ comes

At the iron senseless time, comes

To force the glory into frozen veins:

His warmth wakes

Green life glazed in the pool, wakes

All calm and crystal trance with the living pains.

And each year

In seasonal growth is good– year

That lacking love is a stale story at best

By God’s birth

Our common birth is holy; birth

Is all at Christmas time and wholly blest.

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Samuel Taylor Coleridge; a birthday sonnet, and a book

The great poet, philosopher, and Christian sage, Samuel Taylor Coleridge was born on the 21st of October in 1772, so I am reposting this sonnet for his birthday!

I should also mention that in 2017 I published Mariner: A Voyage with Samuel Taylor Coleridge which has been well and widely reviewed and examines Coleridge’s life and faith in fresh ways, through the lens of the Rime of the Ancient Mariner, his most famous poem.

I could not begin to reckon the personal debt I owe to Coleridge; for his poetry, for his personal and Christian wisdom, above all for his brilliant exploration and defence of the poetic imagination as a truth-bearing faculty which participates in, and is redeemed by the Logos, the living Word, himself the Divine Imagination. We are only now coming to appreciate the depth and range of what he achieved, his contemporaries scarcely understood him, and his Victorian successors looked down in judgement at what they saw as the shipwreck of his life. Something of that experience of rejection, twinned with deep Christian conviction, can be seen in the epitaph he wrote for himself:

Stop, Christian passer-by!—Stop, child of God,

And read with gentle breast. Beneath this sod

A poet lies, or that which once seemed he.

O, lift one thought in prayer for S. T. C.;

That he who many a year with toil of breath

Found death in life, may here find life in death!

Mercy for praise—to be forgiven for fame

He asked, and hoped, through Christ. Do thou the same!

From my first teenage raptures when I was first enchanted by Kubla Khan and the Ancient Mariner, to my own struggles and adventures in the middle of life STC has been my companion and guide.In the chapter on Coleridge in my book Faith Hope and Poetry I have set out an account of his thinking and made the case for his central importance in our own age, but what I offer here is a sonnet celebrating his legacy, drawing on that epitaph I mentioned above, one of a sequence of sonnets on my fellow christians in my  book The Singing Bowl,  published by the Canterbury Press.

As Always you can hear the poem by clicking on the title or clicking the ‘play’ button.

Samuel Taylor Coleridge

‘Stop, Christian passer-by!—Stop, child of God!’

You made your epitaph imperative,

And stopped this wedding guest! But I am glad

To stop with you and start again, to live

From that pure source, the all-renewing stream,

Whose living power is imagination,

And know myself a child of the I AM,

Open and loving to his whole creation.

Your glittering eye taught mine to pierce the veil,

To let his light transfigure all my seeing,

To serve the shaping Spirit whom I feel,

And make with him the poem of my being.

I follow where you sail towards our haven,

Your wide wake lit with glimmerings of heaven.

Steve Bell captured me in ancient mariner mode!

If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

And Is It Not Enough? A Poem on National Poetry Day

what falling leaves disclose

October 7th is National Poetry Day. Falling as it does in Autumn, the most poetic of the seasons, I thought I might repost this Autumnal poem.

I had been wanting for a while to make an Autumn song and somehow catch in sound the feel I have for falling leaves and for what is cleanly revealed in the naked shape  of the trees. At the same time I had been reflecting again on why one writes at all. So much is beautifully shaped already and given by God, why should one try to shape it again in writing? And yet each day begins again the urge and calling to renew the rich connection, the covenant of word and world, to make, and then to walk, the airy bridge between our island minds, so that another self can say, ‘you feel it too’!. This poem rises out of all these things; an Autumn song that also feels its way, I hope, into the mystery of what is written, on the leaves of pages and of trees.

The photo is one I took on the banks of the Wear in Durham on the day this poem was composed. as usual you can hear me read the poem, and its preface, by clicking on the title or the ‘play’ button

And Is It Not Enough?

And Is it not enough that every year

A richly laden autumn should unfold

And shimmer into being leaf by leaf,

It’s scattered ochres mirrored everywhere

In hints and glints of hidden red and gold

Threaded like memory through loss and grief,

When dusk descends, when branches are unveiled,

When roots reach deeper than our minds can feel

And ready us for winter with strange calm,

That I should see the inner tree revealed

And know its beauty as the bright leaves fall

And feel its truth within me as I am?

And Is it not enough that I should walk

Through low November mist along the bank,

When scents of woodsmoke summon, in some long

And melancholy undertone, the talk

Of those old poets from whose works I drank

The heady wine of an autumnal song?

It is not yet enough. So I must try,

In my poor turn, to help you see it too,

As though these leaves could be as rich as those,

That red and gold might glimmer in your eye,

That autumn might unfold again in you,

Feeling with me what falling leaves disclose.

On Reading the Commedia 9:The Rose

a white rose opens

I come now to the final part my sequence of nine poems reflecting on the exprerience of reading, and re-reading Dante’s Commedia. By the end of the Paradiso Dante has taken us to the very limits of human thought and expression, to the brink of a reality which is beyond language, and yet which is the true source of all reality. That source is Love, ‘the Love that moves the sun and the other stars’, and the whole purpose of the poem is that we learn and choose also to be moved by, and find our peace, in that Love.

To describe his journey, Dante used the astronomy of his day, but the truth of his message does not depend on one scientific model, or another, but on what lies behind the reality they model. In this poem I have tried to hint at the exprerience of reading Dante with our own, equally marvelous and mysterious cosmology in mind.

If you have enjoyed reading these poems you may be interested to know that a Special Edition of them has been printed and bound in Florence by Aureo Anello Books. Printed in William Morris Troy Font, in a numbered limited edition of 250, these little chapbooks, with parchment covers, are being offered for a suggested donation of €15,00, to help the work of Anchoress and Dante Scholar Sister Julia Bolton Holloway who helps look after the famous ‘English Cemetry’ in Florence, where Elizabeth Barett Browning and other poets are buried. For Julia’s wonderful suite of web resources for Dante, Mother Julian, and mediaeval theology, start exploring here.  The special page telling you how to obtain Aureo Anello’s limited editions including my Dante poem is here.

I am Grateful to Margot Krebs Neale for the beautiful image of the rose, as usual you can hear me read the poem by clicking on the title or the ‘play button.

9 The Rose

A white rose opens in a quiet arbour

Where I sit reading Dante, Paradise

Unfolding in me, opens hour by hour,

 

In sunlight and amidst the hum of bees

On a late afternoon. I think of how

Everything flowers, the whole universe

 

Itself is still unfolding even now

Sprung from a stem of singularity

Which petals time and space.  I think of how

 

The very elements that let my body be

Began and will continue in the stars

Whose light and distance frame our mystery,

 

And how my shadowed heart still loves, still bears

With every beat that animates  my being,

Eternal yearnings through the turning years.

 

I turn back to the lines that light my seeing

And lift me to the limits of all thought

And long that I might also find that freeing

 

And enabling Love, and so be caught

And lifted into His renewing Heaven.

Evening glimmers, and the stars come out,

 

Venus is shining clear, my prayers are woven

Into a sounding song, a symphony,

As all creation gives back what is given

 

In music made to praise the Mystery

Who is both gift and giver. Something stirs

A grace in me beyond my memory

 

I close the book and look up at the stars.

If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

If you missed the earlier episodes, here are the links to the other poems in this sequence:

Previous poems in this Dante Series:

Inferno:

1 In Medias Res

2 Through the Gate

3 Vexila Regis

Purgatorio

4 De Magistro

5 Love in Idleness

6 Dancing Through the Fire

Paradiso

7  Look up

8 Circle Dance

On Reading the Commedia 4: De Magistro

Dante with mount Purgatory in the background

With this fourth poem in my Dante series we leave behind the dark and stifled atmosphere of the Inferno and contemplate the holy mountain of the Purgatorio. Here souls already bound for Paradise are enabled to purify, strengthen and re-order their capacity for love so as to be ready for the love and joy of Heaven when they get there. In this book Dante shows how friendship, love, poetry and art are all means whereby God prepares our souls for the great ascent.Dante fills Purgatorio with tributes to friends and poets who have helped him. I open my own ‘readers pilgrimage’ here with a tribute to the teacher who first showed me how to read Dante, thus giving me the gift of a lifetime. This poem first appeared at the front of my book Faith Hope and Poetry.

As always you can hear my poem by clicking on the title or the ‘play button’. I am grateful to Oliver Neale for the contemporary image that follows the poem.

4 De Magistro

I thank my God I have emerged at last,

blinking from Hell, to see these quiet stars

bewildered by the shadows that I cast.

You set me on this stair, in those rich hours

pacing your study, chanting poetry.

The Word in you revealed His quickening powers,

removed the daily veil, and let me see,

as sunlight played along your book-lined walls,

that words are windows onto mystery.

From Eden, whence the living fountain falls

in music, from the tower of ivory,

and from the hidden heart, He calls

in the language of Adam, creating memory

of unfallen speech. He sets creation

free from the carapace of history.

His image in us is Imagination,

His Spirit is a sacrifice of breath

upon the letters of His revelation.

In mid-most of the word-wood is a path

that leads back to the springs of truth in speech.

You showed it to me, kneeling on your hearth,

you showed me how my halting words might reach

to the mind’s Maker, to the source of Love,

and so you taught me what it means to teach.

Teaching, I have my ardours now to prove

climbing with joy the steps of Purgatory.

Teacher and pupil, both are on the move,

as fellow pilgrims on a needful journey.

photo by Oliver Neale

If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

WEEK 2 Deepening the Life of Prayer

WEEK 2

Deepening the Life of Prayer

courtesy of https://lanciaesmith.com

Here is another week’s worth of recordings in which I read the poems I selected in my anthology for Lent The Word in the Wilderness. I hope you enjoy these recordings, just click on the title of the poem or the ‘play’ button if it appears. Once again I am grateful to Lancia Smith for providing the two lovely images to go with this week’s readings.

SUNDAY

Postscript Seamus Heaney

courtesy of https://lanciaesmith.com

MONDAY

Prayer (I)   George Herbert

PRAYER the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth;

Engine against th’ Almightie, sinner’s towre,
Reversed thunder, Christ-side-piercing spear,
The six daies world-transposing in an houre,
A kinde of tune, which all things heare and fear ;

Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,

Church-bels beyond the stars heard, the souls bloud,
The land of spices, something understood.

TUESDAY

Homecoming   Gwyneth Lewis

Two rivers deepening into one;
less said, more meant; a field of corn
adjusting to harvest; a battle won

by yielding; days emptied to their brim;
an autumn; a wedding; a logarithm;
self-evidence earned, a coming home

to something brand new but always known;
not doing, but being – a single noun;
now in infinity; a fortune found

in all that’s disposable; not out there, but in,
the ceremonials of light in the rain;
the power of being nothing, but sane.

WEDNESDAY

 

Prayer/Walk   Malcolm Guite

 

A hidden path that starts at a dead end,

Old ways, renewed by walking with a friend,

And crossing places taken hand in hand,

The passages where nothing need be said,

With bruised and scented sweetness underfoot

And unexpected birdsong overhead,

The sleeping life beneath a dark-mouthed burrow,

The rooted secrets rustling in a hedgerow,

The land’s long memory in ridge and furrow,

A track once beaten and now overgrown

With complex textures, every kind of green,

Land- and cloud-scape melting into one,

The rich meandering of streams at play,

A setting out to find oneself astray,

And coming home at dusk a different way.

THURSDAY

 

How I talk to God   Kelly Belmonte Read more about Kelly Belmonte on her great poetry site All Nine

Coffee in one hand

leaning in to share, listen:

How I talk to God.

“Momma, you’re special.”

Three-year-old touches my cheek.

How God talks to me.

While driving I make

lists: done, do, hope, love, hate, try.

How I talk to God.

Above the highway

hawk: high, alone, free, focused.

How God talks to me.

Rash, impetuous

chatter, followed by silence:

How I talk to God.

First, second, third, fourth

chance to hear, then another:

How God talks to me.

Fetal position

under flannel sheets, weeping

How I talk to God.

Moonlight on pillow

tending to my open wounds

How God talks to me.

Pulling from my heap

of words, the ones that mean yes:

How I talk to God.

Infinite connects

with finite, without words:

How God talks to me.

FRIDAY

 

The Pains of Sleep   S. T. Coleridge

 

Ere on my bed my limbs I lay,

It hath not been my use to pray

With moving lips or bended knees;

But silently, by slow degrees,

My spirit I to Love compose,

In humble trust mine eye-lids close,

With reverential resignation

No wish conceived, no thought exprest,

Only a sense of supplication;

A sense o’er all my soul imprest

That I am weak, yet not unblest,

Since in me, round me, every where

Eternal strength and Wisdom are.

But yester-night I prayed aloud

In anguish and in agony,

Up-starting from the fiendish crowd

Of .

shapes and thoughts that tortured me:

A lurid light, a trampling throng,

Sense of intolerable wrong,

And whom I scorned, those only strong!

Thirst of revenge, the powerless will

Still baffled, and yet burning still!

Desire with loathing strangely mixed

On wild or hateful objects fixed.

Fantastic passions! maddening brawl!

And shame and terror over all!

Deeds to be hid which were not hid,

Which all confused I could not know

Whether I suffered, or I did:

For all seemed guilt, remorse or woe,

My own or others still the same

Life-stifling fear, soul-stifling shame.

So two nights passed: the night’s dismay

Saddened and stunned the coming day.

Sleep, the wide blessing, seemed to me

Distemper’s worst calamity.

The third night, when my own loud scream

Had waked me from the fiendish dream,

O’ercome with sufferings strange and wild,

I wept as I had been a child;

And having thus by tears subdued

My anguish to a milder mood,

Such punishments, I said, were due

To natures deepliest stained with sin,

For aye entempesting anew

The unfathomable hell within,

The horror of their deeds to view,

To know and loathe, yet wish and do!

Such griefs with such men well agree,

But wherefore, wherefore fall on me?

To be loved is all I need,

And whom I love, I love indeed.

SATURDAY

 

Batter my heart   John Donne

 

Batter my heart, three-person’d God, for you

As yet but knock, breathe, shine, and seek to mend;

That I may rise and stand, o’erthrow me, and bend

Your force to break, blow, burn, and make me new.

I, like an usurp’d town to another due,

Labor to admit you, but oh, to no end;

Reason, your viceroy in me, me should defend,

But is captiv’d, and proves weak or untrue.

Yet dearly I love you, and would be lov’d fain,

But am betroth’d unto your enemy;

Divorce me, untie or break that knot again,

Take me to you, imprison me, for I,

Except you enthrall me, never shall be free,

Nor ever chaste, except you ravish me.

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