Tag Archives: Lancia smith

After Prayer is published tomorrow!

Photo by Lancia Smith from her interview

Tomorrow my new book After Prayer will be published by Canterbury Press. It’s the fourth collection of my poetry, and, on the eve of publication, I thought I would quote a couple of extracts from the full interview I did with Lancia Smith about the new book.

You can read the whole in-depth interview on Lancia’s excellent ‘Cultivating’ website Here, but here is a brief extract, about George  Herbert, and about the title sequence of the new book:

LES: Malcolm, you have spent considerable time and attention with the poetry of George Herbert. He shares the chapter “A Second Glance” with John Donne in your book Faith, Hope, and Poetry. His work and presence make frequent appearances on your website and in other poetry collections that you have authored, and you have even written a sonnet for him.  In our original interview in 2012 you mentioned that Herbert was one of the influences that shaped your becoming Anglican and finding a place within the Church.  With all the company you keep among remarkable poets (Keats, Coleridge, Tennyson, Heaney), what is it that you find uniquely compelling about George Herbert? Why does he linger as a particular influence in your life?

MG: There are so many ways of answering this, because Herbert is an attractive figure in so many different ways, both as a person and as a poet. I think the first feature for me, in both the man and the poet is a kind of inclusive balance and honesty. He writes about both the struggles and the consolations of faith, about both sorrow and joy, and to my mind the consolation, the joy, and the final affirmation of love which animates his poetry, rings all the more true, and is all the more persuasive because he is honest about the sorrow and struggle. As he says in his little poem ‘Bitter-Sweet’:

I will complain, yet praise;

I will bewail, approve:

And all my sour-sweet days

I will lament, and love

 

But there is also his personal example: the way he brings all he is and has to the twin vocations of being a poet and a priest. As a young man in Cambridge he was known to be dapper, perhaps a little indulgent, with a fine taste in clothes, in food, and wine, a sense of elegance and style. In one sense he sacrificed all that and laid it at the feet of Christ when he forsook worldly life for his priestly vocation, but in another sense, there is a resurrection of those gifts and sensibilities but this time in the service of Christ and his Church, not King James and his court. So prayer itself becomes for Herbert, a banquet, the name and sovereignty of Jesus becomes itself a rich and sensual thing, as in the opening stanza of his poem ‘The Odour’:

 

‘How sweetly doth My Master sound! My Master!

As Amber-Grease leaves a rich scent

Unto the taster:

So do these words a sweet content,

An oriental fragrancy, My Master.’

To be a poet you must have a certain sensuousness, a certain sensibility to the almost aching beauties of sight and sound. As a priest you must know how to transcend these things, not stop at them, or allow them to become possessions or addictions, but rather pass through them towards their all-beautiful source in God.

Herbert shows me how to do that, and that is why one of his most famous verses, in ‘The Elixir’ has become a watchword, a kind of personal mantra for me:

A man that looks on glass

On it may stay his eye,

Or, if he pleaseth, through it pass,

And then the Heavens espy

 

It is that quality of ‘throughness’, of translucence, that makes Herbert so important for me.

LES: Herbert said of prayer that it is “the soul in paraphrase”.  The 27 word-images that Herbert uses in his poem “Prayer” might be seen as a kind of alphabet through which we can both be in connection with our Maker, but also create a poetic knowing of our own inner being. How do you suggest that we practice using poetry and word-images to deepen our prayer life? Are there pitfalls along the way you might warn us to avoid?

MG:  Yes, in fact one might see Prayer as having 26 distinct images, the same number as the letters in the alphabet, and then in the final, 27th phrase, a little coda, to say that through these images we might at last attain to the modest goal of ‘something understood’. So in that sense Herbert may have been deliberately offering the first 26 image-phrases as a kind of alphabet of prayer. I think we come to know the truth as much through images as through words and in my poetry sequence I have taken each of the images in Herbert’s visual alphabet and tried to sense a little of what they might be spelling out for us now. The sequence is the fruit of many years of leading retreats based on Herbert’s poem and exploring with the retreatants how each of these word-images might help us discern both the state of our own souls and also give us new ways to approach God in prayer. One way of practicing this in prayer is to take Herbert’s images one at a time and pray with, and through them; another is to follow his example and make our own cascading list of images and see where they take us. I have done that in my poem responding to his image ‘The Soul in Paraphrase’, in this new sequence.

 

To continue reading this interview on Lancia’s site click HERE

Of course there are pitfalls in all forms of prayer, and the pitfall here is to get stuck on the glassy surface of our own image and not pass through it or let Christ’s light shine through it, for of course the aim of all prayer, in the end, is to let God’s Spirit bring us back into Christ and Christ back into us.

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‘Heaven in Ordinary’ and a book launch invitation!

I am happy to announce that the official launch of my new poetry collection After Prayer will take place in the church of St. Edward King and Martyr, Peas Hill in central Cambridge on the 8th of November from 8-9:30pm. There will be wine and other refreshments, a reading of some poems from the new book and the chance to buy a copy at a discount and have it signed. All the readers of this blog are warmly invited. I know that for many of you there are oceans and various other impediments between you and Cambridge, but if you are anywhere near do come along if you can. If you are coming could you let me know at malcolmguite@gmail.com so I can make sure there’s enough wine!

If you want a feel for the book itself and for what moved me to write it there is a full interview Here, conducted by Lancia Smith for her excellent ‘Cultivating’ website.

Mean while here is another ‘sampler’ poem from the collection. As you know the opening sequence is a series of meditations on the phrases in George Herbert’s poem Prayer, so here is the sonnet I wrote in response to the most famous phrase in that poem: ‘Heaven in Ordinary. As always you can hear me read it by clicking on the ‘play’ button or the title.

Heaven in Ordinary

Because high heaven made itself so low

That I might glimpse it through a stable door,

Or hear it bless me through a hammer blow,

And call me through the voices of the poor,

Unbidden now, its hidden light breaks through

Amidst the clutter of the every day,

Illuminating things I thought I knew,

Whose dark glass brightens, even as I pray.

 

Then this world’s walls no longer stay my eyes,

A veil is lifted likewise from my heart,

The moment holds me in its strange surprise,

The gates of paradise are drawn apart,

I see his tree, with blossom on its bough,

And nothing can be ordinary now.

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Easter Day: Station XV and a new Easter Aubade

 

the sun is on the rise

The Lord is Risen! He is risen indeed Alleluia!

For this Easter morning I am posting the fifteenth and final sonnet from my Stations of the Cross sequence, but also adding a new Easter poem, which takes the form of an Aubade, a traditional form, set as a dialogue between lovers and the break of day. I have taken a genre of secular love poetry and set it in a new, spiritually resonant key, imagining a dialogue between Christ and the Soul. This poem will appear in my next collection ‘After Prayer’ which is due out in the autumn. As the poem is also a dialogue between bride and groom, Maggie, my wife, has kindly read the bride’s part on the recording.

This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA It is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

As usual you can hear the poems by clicking on the title or the ‘play’ button if it appears

XV Easter Dawn

He blesses every love which weeps and grieves

And now he blesses hers who stood and wept

And would not be consoled, or leave her love’s

Last touching place, but watched as low light crept

Up from the east. A sound behind her stirs

A scatter of bright birdsong through the air.

She turns, but cannot focus through her tears,

Or recognise the Gardener standing there.

She hardly hears his gentle question ‘Why,

Why are you weeping?’, or sees the play of light

That brightens as she chokes out her reply

‘They took my love away, my day is night’

And then she hears her name, she hears Love say

The Word that turns her night, and ours, to Day.

 

 

Aubade

And are you sleeping still my love?

The sun is on the rise,

A gentle west wind lifts the leaves,

And songbirds fill the skies.

 

I closed my eyes in sorrow love,

My heart as cold as stone,

And thought, as darkness covered me,

That I would lie alone.

 

I closed my eyes in weariness,

I closed my eyes in pain,

And never thought I should be called

To open them again.

 

But you were not alone my love,

Your weariness was mine,

I brought a light into the dark

That you might see it shine.

 

I too endured the deadly cold

That chilled us to the bone,

That I might warm the sepulchre

And roll away the stone.

 

Awaken now to life my love,

Arise alive and free,

Shake off the sleep of death my love,

And come away with me.

 

And she has risen from her bed

And held her arms out wide

And touched his wounded hands and heart

And gone to be his bride.

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Holy Saturday: Stations XIII and XIV

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Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. It has its own patterns and rituals that take up a little of that empty space of waiting. Children come into church to make an Easter Garden, exhausted clergy give themselves the space to venture a walk with their families and draw breath before tomorrow’s big declamations, those who have passed through the intense experience of a Good Friday three hours watch service feel strangely dislocated from the crowds of Easter Bank holiday shoppers that surge around the Saturday markets, and all the while for all the faithful who have made this journey through Holy Week together, there is a kind of emptiness and expectant stillness within.

I have tried to reflect a little of this in these two sonnets, which follow in sequence from the ones we had on Good Friday. I was conscious as I wrote them of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.

https://lanciaesmith.com

Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA  It is now also out on Kindle.

The Images above are by Lancia Smith,  I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.

 

Stations Of the Cross

 

XIII Jesus’ body is taken down from the cross

His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.

XIV Jesus is laid in the tomb

Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.

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Good Friday: the first 12 Stations of the Cross

image courtesy of https://lanciaesmith.com

In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.

The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday. If you are in Cambridge today do come and join us for the three hours service at St. Bene’t’s, where we will be using some of  these sonnets. The service starts at 12.

Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle.

The Image above is courtesy of Lancia Smith.  I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.

These sonnets have been used by a number of churches in different ways and Dr. Holly Ordway has given a series of excellent podcast talks based on these sonnets.

Stations Of the Cross

I Jesus is condemned to death

The very air that Pilate breathes, the voice

With which he speaks in judgment, all his powers

Of perception and discrimination, choice,

Decision, all his years, his days and hours,

His consciousness of self, his every sense,

Are given by this prisoner, freely given.

The man who stands there making no defence,

Is God. His hands are tied, His heart is open.

And he bears Pilate’s heart in his and feels

That crushing weight of wasted life. He lifts

It up in silent love. He lifts and heals.

He gives himself again with all his gifts

Into our hands. As Pilate turns away

A door swings open. This is judgment day.

II Jesus is given his cross

He gives himself again with all his gifts

And now we give him something in return.

He gave the earth that bears, the air that lifts,

Water to cleanse and cool, fire to burn,

And from these elements he forged the iron,

From strands of life he wove the growing wood,

He made the stones that pave the roads of Zion

He saw it all and saw that it is good.

We took his iron to edge an axe’s blade,

We took the axe and laid it to the tree,

We made a cross of all that he has made,

And laid it on the one who made us free.

Now he receives again and lifts on high

The gifts he gave and we have turned awry.

III Jesus falls the first time

He made the stones that pave the roads of Zion

And well he knows the path we make him tread

He met the devil as a roaring lion

And still refused to turn these stones to bread,

Choosing instead, as Love will always choose,

This darker path into the heart of pain.

And now he falls upon the stones that bruise

The flesh, that break and scrape the tender skin.

He and the earth he made were never closer,

Divinity and dust come face to face.

We flinch back from his via dolorosa,

He sets his face like flint and takes our place,

Staggers beneath the black weight of us all

And falls with us that he might break our fall.

IV Jesus meets His Mother

This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.

V Simon of Cyrene carries the cross

In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.

VI Veronica wipes the face of Jesus

Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.


VII Jesus falls the second time

Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.

 

VIII Jesus meets the women of Jerusalem

He falls and stumbles with us, hurt again

But still he holds the road and looks in love

On all of us who look on him. Our pain

As close to him as his. These women move

Compassion in him as he does in them.

He asks us both to weep and not to weep.

Women of Gaza and Jerusalem,

Women of every nation where the deep

Wounds of memory divide the land

And lives of all your children, where the mines

Of all our wars are sown: Afghanistan ,

Iraq, the Cote d’Ivoire… he reads the signs

And weeps with you and with you he will stay

Until the day he wipes your tears away.

 

IX Jesus falls the third time

He weeps with you and with you he will stay

When all your staying power has run out

You can’t go on, you go on anyway.

He stumbles just beside you when the doubt

That always haunts you, cuts you down at last

And takes away the hope that drove you on.

This is the third fall and it hurts the worst

This long descent through darkness to depression

From which there seems no rising and no will

To rise, or breathe or bear your own heart beat.

Twice you survived; this third will surely kill,

And you could almost wish for that defeat

Except that in the cold hell where you freeze

You find your God beside you on his knees.

X Jesus is stripped of His garments

You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now

XI Crucifixion: Jesus is nailed to the cross

See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.

XII Jesus dies on the cross

The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.

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Holy Week: Maundy Thursday

courtesy of https://lanciaesmith.com

There is so much happening here, so many threads of connection flowing to and from this deep source of love and gospel vision. my sonnet for this central and sacramental day can only suggest one or two of them.

This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Thanks to Lancia Smith for the image

You can hear the poem by clicking on the title or the ‘play’ button

Maundy Thursday.

 

Here is the source of every sacrament,

The all-transforming presence of the Lord,

Replenishing our every element

Remaking us in his creative Word.

For here the earth herself gives bread and wine,

The air delights to bear his Spirit’s speech,

The fire dances where the candles shine,

The waters cleanse us with His gentle touch.

And here He shows the full extent of love

To us whose love is always incomplete,

In vain we search the heavens high above,

The God of love is kneeling at our feet.

Though we betray Him, though it is the night.

He meets us here and loves us into light.

 

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Holy Week, Wednesday The Anointing at Bethany

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John 12 1-8, which was also set for Passion Sunday this year, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.

This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button

The Anointing at Bethany

Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,

The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.

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