Continuing in my series of sonnets for the Church Year I have written this one for Mothering Sunday. It’s a thanksgiving for all parents, especialy for those who bore the fruitful pain of labour, and more particularly in this poem I have singled out for praise those heroic single parents who, for whatever reason, have found themselves bearing alone the burdens, and sharing with no-one the joys of their parenthood.
Though the 12 days of Christmas ended with Twelfth Night and Epiphany, there is another sense in which this season, in which we reflect on the great mystery of God in Christ as an infant, continues until February 2nd, the Feast of the Presentation of Christ in the Temple. This feast came to be called by the shorter and more beautiful name of Candlemas because the day it celebrates, recorded in Luke 2:22-40, is the day the old man Simeon took the baby in his arms and recognised him as ‘A Light to lighten the Gentiles and the glory of thy people Israel.’ It became the custom of the church to light a central candle and bring it to the altar to represent the Christ-light, and also on the occasion of this feast to bless all the ‘lights’ or candles in the church, praying that all who saw that outward and visible light would remember also and be blessed by the inner light of Christ ‘who lightens everyong who comes into the world.’
It had always been prophesied that God would one day come into the Temple that human beings had built for him, though Solomon, who built the first temple had said ‘even the Heavens are too small to hold you much less this temple I have built’. Candlemas is the day we realise that eternity can come into time and touch us in the form of a tiny child, that God appears at last in His Temple, not as a transcendent overlord, but as a vulnerable pilgrim, coming in His Love to walk the road of life along side us.
“This picture is of my first born on his first outing to walk to the station
with his grand-mother who was returning to France. he was four days old. On
the way back I stopped at the local bakers, whom I knew well and we were
both properly feasted. Was I proud and pleased! I choose it because
something of these lines was my feeling
Though they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
He was a new little Temple of the Lord. There was definitely a sense of awe
for me. We chose his name for the Olive branch brought by the dove. I did
not like that shirt very much (it had been passed on) but for the dove…”
There is no feast of Thanksgiving in either the British national or church calendars, but it seems to me a good thing for any nation to set aside a day for the gratitude which is in truth the root of every other virtue. So on the eve of American Thanksgiving, I am re-posting here an Englishman’s act of thanksgiving. As always you can hear the poem by clicking on the play button if it appears or on the title.
Thanksgiving starts with thanks for mere survival,
Just to have made it through another year
With everyone still breathing. But we share
So much beyond the outer roads we travel;
Our interweavings on a deeper level,
The modes of life that embodied souls can share,
The unguessed blessings of our being here,
The warp and weft that no one can unravel.
So I give thanks for our deep coinherence
Inwoven in the web of God’s own grace,
Pulling us through the grave and gate of death.
I thank him for the truth behind appearance,
I thank him for his light in every face,
I thank him for you all, with every breath.
As we approach Remembrance Day I am reposting this sonnet about the two minutes silence, which is now published in my book Sounding the Seasons.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily wrote this sonnet. Since I first posted it, here, and on audioboo, it has become the single most viewed and heard, of all my posts, and strangely, looking at the stats I have found that almost half of my total ‘views’ have been from Germany, something that I find strangely moving. I also notice many ‘views’ and listens from Afghanistan. You can hear the sonnet, as I recorded it minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
St. Luke accompanied by his ‘creature’ the winged ox
This Wednesday, the 18th of October, is the feast day of St. Luke the Physician and Evangelist and so I am reposting this sonnet in his honour. This poem comes from Sounding the Seasons, my series of sonnets for the church year. My sonnets, in that series, present the four Evangelists together and the imagery in those sonnets is influenced by the images of the four living creatures round the throne of God and the tradition that each of these creatures represents both an aspect of Christ and one of the four Evangelists.
‘...since there are four zones of the world in which we live, and four principal winds, while the Church is scattered throughout all the world, and the “pillar and ground” of the Church is the Gospel and the spirit of life it is fitting that she should have four pillars, breathing out immortality on every side, and vivifying men afresh. From which fact, it is evident that the Word, the Artificer of all, He that sitteth upon the cherubim, and contains all things, He who was manifested to men, has given us the Gospel under four aspects, but bound together by one Spirit. ‘ St. Irenaeus of Lyons (ca. 120-202 AD) – Adversus Haereses 3.11.8
For a good account of this tradition click here. I am drawing my inspiration both from the opening page image of each Gospel in the Lindesfarne Gospels and also from the beautiful account of the four living creatures given by St. Ireneus, part of which I quote above. As well as being himself a Physician, and therefore the patron saint of doctors and all involved in healing ministry, Luke is also the patron of artists and painters. His gospel seems to have a particular connection with those on the margins of his society. In Luke we hear the voices of women more clearly than in any other gospel, and the claims and hope of the poor in Christ find a resonant voice.
As always you can hear the poem by clicking the ‘play’ button if it appears or clicking on the title of the poem. The photographer Margot Krebs Neale has again provided a thought-provoking photograph to interpret the poem, in this case one taken by her son Oliver. The book with these sonnets was published by Canterbury Press and is available from all the usual Amazons etc.
Continuing my sequence from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press, the 29th September brings us the feast of St. Michael and All Angels which is known as Michaelmas in England, and this first autumn term in many schools and universities is still called the Michaelmas term. The Archangel Michael is traditionally thought of as the Captain of the Heavenly Host, and, following an image from the book of Revelation, is often shown standing on a dragon, an image of Satan subdued and bound by the strength of Heaven. He is also shown with a drawn sword, or a spear and a pair of scales or balances, for he represents, truth, discernment, the light and energy of intellect, to cut through tangles and confusion, to set us free to discern and choose. He is celebrated and revered in all three Monotheistic religions. There is a good, full account of him here. And here is a bright and playful image of him by the Cambridge Artist Rebecca Merry, who has done a number of icons and other images of the Archangels. You can see more of her art here, and also in the Byard Art Gallery.
And Michael’s scale is true, his blade is bright
And here is a response to the poem from photographer Margot Krebs Neale, weaving the words at the heart of the poem into the heart-shaped image. More of Margot’s work can be seen here.
As always you can hear the poem by clicking on the ‘play’ button if it appears, or the title. Many of you have commented on how good it is to be able to hear the poems, and I’m glad thats working.
The 17th of September is the feast day of Abbess Hildegard of Bingen, a remarkable and prophetic woman, who described herself as ‘a feather on the breath of God’, and whose many works in theology, music, visual art, poetry and drama are still inspiring people today. Indeed she is coming more and more into her own, as one of her key ideas ‘Viriditas’, or the greening and life-renewing work of the Holy Spirit, seems especially apposite for our time. See this page on her by a contemporary Benedictine. Appropriately for Hildegard’s day, I will be taking part in a service at Ely Cathedral this evening at 6:30pm called Dark Reflections: Poetry Environment and Lament