Tag Archives: Poetry

Love, Remember: A New Book

This is just an advance notice to readers of my blog,to say that I have finished work on a third poetry anthology for Canterbury Press which will be called Love Remember and will be published at the end of October. My first two Anthologies, Waiting on the Word and Word in the Wilderness, accompanied Advent, and Lent, two seasons of the liturgical year, though they are also seasons of the spirit. My new anthology is offered to accompany and express nt a season of the year, but a season of the heart. It is an anthology of poetry that takes us on a journey through bereavement, grief, lamentation, remembrance and hope. As I say in the introduction:

This book is written to give voice both to love and to lamentation, to find expression for grief without losing hope, to help us honour the dead with tears, yet still to glimpse through those tears the light of resurrection. It is written in the conviction that the grief which we so often hide in embarrassment, the tears of which some people would want to make us ashamed, are the very things that make us most truly human. Grief and lament spring from the deepest parts of our soul because, however bitter the herbs and fruits they seem to bear, their real root is Love and I believe that it is Love who made the world and made us who we are.

There are poems from the great tradition, by Shakespeare, Shelley, Browning, Tennyson, and also by contemporary poets like Luci Shaw and Carol Ann Duffy, as well as some of my own. As in my previous anthologies, each poem is followed by a brief essay which opens it out and reflects on its depths, which is something I know readers of my previous anthologies have found helpful. Here’s what I say in the introduction about how the book might be used:

This is an anthology into which one might simply dip, searching through the parts for a particular poem or finding the words that express or match a mood as it is needed. It might be used a resource to find language for oneself, for a friend, or even for a service or memorial; words that will give expression that needs to be said on that specific occasion. But it is also possible to use this book as a companion for the journey of grief itself, or as a means to accompany a friend who is making that journey. Most religions in their earlier traditions have set aside a special period somewhere between 30 and 40 days for a first intense and companioned encounter with mourning. In Judaism this was called Shiat. First the seven days of private grief, and then a further 30 accompanied lamentation. In the Catholic Church there was a tradition of 40 days of mourning, matching and balancing the 40 days of Lent. This book is also organised so that anyone who wishes can also make this journey with the poets over 40 days. For each day there will be the offered nourishment of a poem and my prose reflection on it. However you use this book I hope that it will give expression to Loving Remembrance and that you will find, as Tennyson did, that ‘it is better to have loved and lost than never to have loved at all’.

Anyway the book is now available for advance order from Amazon and from Canterbury Press, I hope some of my readers here will find it helpful.

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Coleridge: A sonnet and more

 

Coleridge's self-composed epitaph

Coleridge’s self-composed epitaph

I glanced up at the charcoal rubbing taken from Coleridge’s gravestone of his beautiful epitaph,which hangs on my study wall and realised that today, July 25th, is the anniversary of his death, no better day to give thanks for all he means to me, to pray for him as his epitaph asks, and to invoke his blessing on my own efforts to receive his insights and interpret them for a new generation.!

This year I published Mariner: A Voyage With Samuel Taylor Coleridge. Publication was timed to celebrate the 200th anniversary of Coleridge’s seminal book Biographia Literaria, and also the first full collection of his poems Sybilline Leaves. My book tells Coleridge’s story through the lens of his own great poem The Rime of the Ancient Mariner, a poem which was uncannily prophetic not only of Coleridge’s own life, but of our own history and culture. The book traces the vital thread of Christian thought and witness that runs through Coleridge’s life and writing and also the startling relevance of that life and writing to the challenges of the 21st century. Happily it has been well and widely reviewed and I am glad to say that there will be an American Edition in January and an English Paperback edition in February.

I could not begin to reckon the personal debt I owe to Coleridge; for his poetry, for his personal and Christian wisdom, above all for his brilliant exploration and defence of the poetic imagination as a truth-bearing faculty which participates in, and is redeemed by the Logos, the living Word, himself the Divine Imagination. We are only now coming to appreciate the depth and range of what he achieved. His contemporaries scarcely understood him, and his Victorian successors looked down in judgement at what they saw as the shipwreck of his life. Something of that experience of rejection, twinned with deep Christian conviction, can be seen in the epitaph he wrote for himself:

Stop, Christian passer-by!—Stop, child of God,
And read with gentle breast. Beneath this sod
A poet lies, or that which once seemed he.
O, lift one thought in prayer for S. T. C.;
That he who many a year with toil of breath
Found death in life, may here find life in death!
Mercy for praise—to be forgiven for fame
He asked, and hoped, through Christ. Do thou the same!

From my teenage raptures when I was first enchanted by Kubla Khan and the Ancient Mariner, to my struggles and adventures in the middle of life STC has been my companion and guide. In the chapter on Coleridge in my book Faith Hope and Poetry I have set out an account of his thinking and made the case for his central importance in our own age, but what I offer here is a sonnet celebrating his legacy, drawing on that epitaph I mentioned above, one of a sequence of sonnets on my fellow christians in my most recent book The Singing Bowl,  published by the Canterbury Press.

As Always you can hear the poem by clicking on the title or clicking the ‘play’ button.

Samuel Taylor Coleridge

‘Stop, Christian passer-by!—Stop, child of God!’

You made your epitaph imperative,

And stopped this wedding guest! But I am glad

To stop with you and start again, to live

From that pure source, the all-renewing stream,

Whose living power is imagination,

And know myself a child of the I AM,

Open and loving to his whole creation.

Your glittering eye taught mine to pierce the veil,

To let his light transfigure all my seeing,

To serve the shaping Spirit whom I feel,

And make with him the poem of my being.

I follow where you sail towards our haven,

Your wide wake lit with glimmerings of heaven.

Steve Bell captured me in ancient mariner mode!

Steve Bell captured me in ancient mariner mode!

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Mary Magdalene: A Sonnet

22nd July is Mary Magdalene’s day, and continuing my sequence of sonnets written in response to the church year I post this for her. As usual you can hear the poem by clicking on its title or on the ‘play’ button.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are  available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.



Mary Magdalene

Men called you light so as to load you down,
And burden you with their own weight of sin,
A woman forced to  cover and contain
Those seven devils sent by Everyman.
But one man set you free and took your part
One man knew and loved you to the core
The broken alabaster of your heart
Revealed to Him alone a hidden door,
Into a garden where the fountain sealed,
Could flow at last for him in healing tears,
Till, in another garden, he revealed
The perfect Love that cast out all your fears,
And quickened you  with love’s own sway and swing,
As light and lovely as the news you bring.

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John Keble and The Christian Year

Portrait_of_John_Keble_(cropped)On the 14th of July the Church of England remembers with thanksgiving the life and work of the priest-poet John Keble. Keble who was part of the Oxford Movement, a  revival of depth and sanctity in the church’s ritual life, was ordained in 1815 and in 1827 published, anonymously, a little volume of poetry which gave a poem for every Sunday of the Church Year, called’ The Christian Year. It was quite simply the most popular book of verse in the nineteenth century and went through 95 editions in Keble’s life time! Some of its poems, for example ‘New Every morning is the love’ have become well known hymns. Whilst I haven’t written an individual sonnet for Keble, my entire volume ‘Sounding the Seasons; seventy sonnets for the Christian Year’, was, as the title suggests, partly inspired by Keble’s example. So here, on his day, is the opening poem of that book which  meditates on what we hope to achieve by keeping the seasons, keeping holy and memorial days. Of course the truths on which we meditate over the course of the liturgical year, from the mystery of Christmas to the all-transforming drama of Good Friday and Easter, are true all the time! But we do not remember or think of them all the time, for time itself, ‘the subtle thief’, can so easily take even the memory of truth from us. So it was a deep wisdom that led the early church to turn ‘Time the thief’ into ‘Time the messenger’, to make the very medium that might have taken the truth away from us become the medium that restores it, as Time brings round and renews each Holy Day.

 

 

Sounding The Seasons

Tramelled in time, we live with hints and guesses
Turning the wheel of each returning year,
But in between our failures and successes
We sometimes glimpse the Love that casts out fear,
Sometimes the heart remembers its own reasons
And breathes a Sanctus as we tell our story,
Tracing the tracks of grace, sounding the seasons
That lead at last through time to timeless glory.

From the first yearnings for a Saviours birth
To the full joy of knowing sins forgiven
We gather as His church on Gods’s good earth
To share an echo of the choirs of heaven
I share these hints, returning what was lent,
Turning to praise each ‘moment’s monument’.

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A sonnet for St. Benedict

20130710-093249.jpg

On July the 11th the Church celebrates the feast of St. Benedict of Nursia, the gentle founder of the Benedictine order and by extension the father of Monasticism. A moderate and modest man he would have been astonished to learn that his ‘simple school for prayer’, his ‘modest rule for beginners’ led to the foundation of communities which kept the Christian flame alight through dark ages, preserved not only Christian faith, scripture, and culture,but also the best of Classical Pagan learning and culture, fed the poor, transformed societies, promoted learning and scholarship, and today provides solace, grounding, perspective and retreat not only to monks and nuns but to millions of lay people around the world.
Here is my sonnet for Benedict, drawing largely on phrases from the Rule, I dedicate it to the sisters at Turvey Abbey. It appears in my second book with Canterbury Press, The Singing Bowl

As always you can hear the sonnet by clicking on the ‘play’ button or the title.

Benedict

You sought to start a simple school of prayer,
A modest, gentle, moderate attempt,
With nothing made too harsh or hard to bear,
No treating or retreating with contempt,
A little rule, a small obedience
That sets aside, and tills the chosen ground,
Fruitful humility, chosen innocence,
A binding by which freedom might be found

You call us all to live, and see good days,
Centre in Christ and enter in his peace,
To seek his Way amidst our many ways,
Find blessedness in blessing, peace in praise,
To clear and keep for Love a sacred space
That we might be beginners in God’s grace.

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Thank God for ‘Doubting’ Thomas!

July the 3rd is the Feast of St. Thomas the apostle. Sometimes known as ‘doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark!
I thank God for St. Thomas, the one disciple who had the courage to say what everyone else was thinking but didnt dare say, the courage to ask the awkward questions that drew from Jesus some of the most beautiful and profoundly comforting of all his sayings. “We dont know where you’re going, how can we know the way”? asked Thomas, and because he had the courage to confess his ignorance, we were given that beautiful saying “I am the way the Truth and the Life” Here is the poem I have written for St. Thomas, and also a sermon called ‘Touching the Wounds’ which I preached  at St. Edwards.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

I am greateful to Margot Krebs Neale for the thought-provoking image above, you can hear the poem by clicking on the ‘play’ button below or on the title of the poem and you can hear the sermon on my podcast site by clicking here: Touching The Wounds

St. Thomas the Apostle

 

“We do not know… how can we know the way?”

Courageous master of the awkward question,

You spoke the words the others dared not say

And cut through their evasion and abstraction.

Oh doubting Thomas, father of my faith,

You put your finger on the nub of things

We cannot love some disembodied wraith,

But flesh and blood must be our king of kings.

Your teaching is to touch, embrace, anoint,

Feel after Him and find Him in the flesh.

Because He loved your awkward counter-point

The Word has heard and granted you your wish.

Oh place my hands with yours, help me divine

The wounded God whose wounds are healing mine.

 

oh place my hands with yours, help me divine
the wounded God whose wounds are healing mine

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A pair of sonnets for St. John the Baptist.

So keep his fires burning through the night
Beacons and gateways for the child of light.

In our poetic journey through the sacred seasons of the year we have come to midsummer! The traditional Church festival for this beautiful, long-lit solstice season is the Feast of St. John the Baptist, which falls on June 24th, which was midsummer day in the old Roman Calender. Luke tells us  that John the Baptist was born about 6 months before Jesus, so this feast falls half way through the year, 6 months before Christmas!

The tradition of keeping St. John’s Eve with the lighting of Bonfires and Beacons is very ancient, almost certainly pre-Christian, but in my view it is very fitting that it has become part of a Christian festivity. Christ keeps and fulfills all that was best in the old pagan forshadowings of his coming and this Midsummer festival of light is no exception. John was sent as a witness to the light that was coming into the world, and John wanted to point to that light, not stand in its way, hence his beautiful saying ‘He must increase and I must diminish’, a good watchword for all of those who are, as the prayer book calls us, the ‘ministers and stewards of his mysteries’.

I have written two sonnets,  one for St. John’s Eve reflecting on the lighting of the fires and another for St. John’s day in which , in honour of the Baptist, I reflect on the mystery and grace of baptism itself.

I am very grateful to the artist Rebecca Merry  for her beautiful interpretation of this feast and these poems.

Both these sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on bothAmazon UK and USA and physical copies are available in Canada via Steve Bell. It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

As usual you can hear the poems by pressing the ‘play’ button if it appears, or else by clicking on the title.

St. John the Baptist: 1 St. John’s Eve

Midsummer night, and bonfires on the hill

Burn for the man who makes way for the Light:

‘He must increase and I diminish still,

Until his sun illuminates my night.’

So John the Baptist pioneers our path,

Unfolds the essence of the life of prayer,

Unlatches the last doorway into faith,

And makes one inner space an everywhere.

Least of the new and greatest of the old,

Orpheus on the threshold with his lyre,

He sets himself aside, and cries “Behold

The One who stands amongst you comes with fire!”

So keep his fires burning through this night,

Beacons and gateways for the child of light.


St. John the Baptist: 2 Baptism

Love’s hidden thread has drawn us to the font,

A wide womb floating on the breath of God,

Feathered with seraph wings, lit with the swift

Lightening of praise, with thunder over-spread,

And under-girded with an unheard song,

Calling through water, fire, darkness, pain,

Calling us to the life for which we long,

Yearning to bring us to our birth again.

Again the breath of God is on the waters

In whose reflecting face our candles shine,

Again he draws from death the sons and daughters

For whom he bid the elements combine.

As living stones around a font today,

Rejoice with those who roll the stone away.

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