Tag Archives: Rebecca Merry

A Sonnet for St. Matthew’s Day

St. Matthew by Rebbecca Merry

September the 21st is St. Matthew’s day, so here, once more, is a sonnet for the Evangelist, drawn from my sonnet sequence Sounding the Seasons. Like my sonnets for the other three evangelists, it draws on the traditional association of each evangelist with one of the four living creatures around the throne of God. As I repost this in the midst of the current refugee crisis the final couplet seems more pressing than ever, as one aspect or another of things unfolding around us bring some facet of the gospel into even sharper focus.

As always you can hear it by clicking on the title or the ‘play’ button. I am grateful to Rebecca Merry for the image above.

Matthew

First of the four, saint Matthew is the Man;
A gospel that begins with generation,
Family lines entwine around the Son
Born in Judea, born for every nation
Born under Law that all the Law of Moses
Might be fulfilled and flower into Grace
As every word and deed in time discloses
Eternal love within a human face.

This is the gospel of the great reversal
A wayside weed is Solomon in glory
The smallest sparrow’s fall is universal
And Christ the heart of every human story
‘I will be with you, though you may not see
And all you do, you do it unto me’

2 Comments

Filed under christianity, imagination, literature, Poems

A Sonnet for the Feast of the Transfiguration

Transfiguration by Rebecca Merry

Continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet for the feast of the Transfiguration. This is the day when we remember how the Disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest.

The transfiguration is also sometimes remembered just before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.

I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:

I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.

The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:

As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.

Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.

I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.

I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Transfiguration

For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.

Photograph by Margot Krebs Neale

5 Comments

Filed under christianity, imagination, literature, paintings, Poems

A Trio of Sonnets, and a choral setting for Corpus Christi

The Feast of Corpus Christi (the Body of Christ), which falls this year on the 4th of June, is  a celebration of the sacrament of Holy Communion. In mediaeval times there used to be wonderful processions in which the consecrated elements were taken out of the church on this day and processed on the streets, showing that the Word made flesh was not just in a box labelled ‘church’ but in our midst, just as He was on the streets of Nazareth and Jerusalem. Rebecca Merry‘s lovely art work ( above) has the feel of those mediaeval ‘showings’ on Corpus Christi.

For my contribution to Corpus Christi I am offering here a trio of sonnets about the experience of receiving Holy Communion, each from a slightly different angle. The first two sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on both Amazon UK and USA and physical copies are available in Canada via Steve Bell. It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. The third sonnet, which is about the 16th Century Oak communion Table in my church St. Edward King and Martyr, is from my most recent collection The Singing Bowl, also published by Canterbury Press.

Margot Krebs Neale has reflected on my phrases ‘He does not come in unimagined light ‘ and ‘to dye himself into experience’ with an image not simply of a stained glass window but of that dyed and refracted light itself reflected in water. I am grateful both to Rebecca and Margot for the way their work reflects on and develops mine. As always you can hear me read the poetry by clicking on the play button above each sonnet, if it appears, or on the title of the poem itself.


1 Love’s Choice

This bread is light, dissolving, almost air,

A little visitation on my tongue,

A wafer-thin sensation, hardly there.

This taste of wine is brief in flavour, flung

A moment to the palate’s roof and fled,

Even its aftertaste a memory.

Yet this is how He comes. Through wine and bread

Love chooses to be emptied into me.

He does not come in unimagined light

Too bright to be denied, too absolute

For consciousness, too strong for sight,

Leaving the seer blind, the poet mute;

Chooses instead to seep into each sense,

To dye himself into experience.

 

you can also hear JAC Redford’s beautiful choral setting of this sonnet from his new CD Let Beauty Be Our Memorial here

He does not come in unimagined light…


2 Hide and Seek

Ready or not, you tell me, here I come!

And so I know I’m hiding, and I know

My hiding-place is useless. You will come

And find me. You are searching high and low.

Today I’m hiding low, down here, below,

Below the sunlit surface others see.

Oh find me quickly, quickly come to me.

And here you come and here I come to you.

I come to you because you come to me.

You know my hiding places. I know you,

I reach you through your hiding-places too;

Touching the slender thread, but now I see –

Even in darkness I can see you shine,

Risen in bread, and revelling in wine.

3 This Table

The centuries have settled on this table
Deepened the grain beneath a clean white cloth
Which bears afresh our changing elements.
Year after year of prayer, in hope and trouble,
Were poured out here and blessed and broken, both
In aching absence and in absent presence.

This table too the earth herself has given
And human hands have made. Where candle-flame
At corners burns and turns the air to light
The oak once held its branches up to heaven,
Blessing the elements which it became,
Rooting the dew and rain, branching the light.

Because another tree can bear, unbearable,
For us, the weight of Love, so can this table

3 Comments

Filed under christianity, imagination, Poems

The Transfiguration; a glimpse of glory before Lent

Transfiguration by Rebecca Merry

Today, the Sunday before Lent, many churches will hear again the story of the Transfiguration. So continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet about the Transfiguration, when we remember how the Disciples, even before they went to Jerusalem to face his trials, had a glimpse of Christ in his true glory.

The feast of the Transfiguration is usually celebrated on August 6th, but The transfiguration is also the set reading for many churches on the Sunday before Lent. And just before Lent is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples on the journey with Christ towards Jerusalem, towards the events of Holy Week, and through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.

I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:

I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.

The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:

As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.

Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.

I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.

I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Transfiguration

For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.

Photograph by Margot Krebs Neale

3 Comments

Filed under christianity, imagination, literature, paintings, Poems

A Sonnet for St. Matthew’s Day

St. Matthew by Rebbecca Merry

This Sunday, September the 21st is St. Matthew’s day, so here is a sonnet for the Evangelist, drawn from my sonnet sequence Sounding the Seasons. Like my sonnets for the other three evangelists, it draws on the traditional association of each evangelist with one of the four living creatures around the throne of God. As always you can hear it by clicking on the title or the ‘play’ button. I am grateful to Rebecca Merry for the image above.

Matthew

First of the four, saint Matthew is the Man;
A gospel that begins with generation,
Family lines entwine around the Son
Born in Judea, born for every nation
Born under Law that all the Law of Moses
Might be fulfilled and flower into Grace
As every word and deed in time discloses
Eternal love within a human face.

This is the gospel of the great reversal
A wayside weed is Solomon in glory
The smallest sparrow’s fall is universal
And Christ the heart of every human story
‘I will be with you, though you may not see
And all you do, you do it unto me’

1 Comment

Filed under christianity, imagination, literature, Poems

A Sonnet for the feast of the Transfiguration

Transfiguration by Rebecca Merry

Continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet for the feast of the Transfiguration, when we remember how the Disciples, even before they went to Jerusalem to face his trials, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest, so I am posting this now, for any individuals or churches who might like to make use of it this Sunday or on the day itself.

The transfiguration is also sometimes remembered in mid-Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.

I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:

I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.

The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:

As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.

Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.

I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.

I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies also available in Canada via Steve Bell. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Transfiguration

For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.

Photograph by Margot Krebs Neale

5 Comments

Filed under christianity, imagination, literature, paintings, Poems

A Trio of Sonnets for Corpus Christi

The Feast of Corpus Christi (the Body of Christ), which falls this year on the 19th of June, is  a celebration of the sacrament of Holy Communion. In mediaeval times there used to be wonderful processions in which the consecrated elements were taken out of the church on this day and processed on the streets, showing that the Word made flesh was not just in a box labelled ‘church’ but in our midst, just as He was on the streets of Nazareth and Jerusalem. Rebecca Merry‘s lovely art work ( above) has the feel of those mediaeval ‘showings’ on Corpus Christi.

For my contribution to Corpus Christi I am offering here a trio of sonnets about the experience of receiving Holy Communion, each from a slightly different angle. The first two sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on both Amazon UK and USA and physical copies are available in Canada via Steve Bell. It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. The third sonnet, which is about the 16th Century Oak communion Table in my church St. Edward King and Martyr, will be published in my next collection The Singing Bowl, due out in November with Canterbury Press.

Margot Krebs Neale has reflected on my phrases ‘He does not come in unimagined light ‘ and ‘to dye himself into experience’ with an image not simply of a stained glass window but of that dyed and refracted light itself reflected in water. I am grateful both to Rebecca and Margot for the way their work reflects on and develops mine. As always you can hear me read the poetry by clicking on the play button above each sonnet, if it appears, or on the title of the poem itself.


1 Love’s Choice

This bread is light, dissolving, almost air,

A little visitation on my tongue,

A wafer-thin sensation, hardly there.

This taste of wine is brief in flavour, flung

A moment to the palate’s roof and fled,

Even its aftertaste a memory.

Yet this is how He comes. Through wine and bread

Love chooses to be emptied into me.

He does not come in unimagined light

Too bright to be denied, too absolute

For consciousness, too strong for sight,

Leaving the seer blind, the poet mute;

Chooses instead to seep into each sense,

To dye himself into experience.

He does not come in unimagined light…


2 Hide and Seek

Ready or not, you tell me, here I come!

And so I know I’m hiding, and I know

My hiding-place is useless. You will come

And find me. You are searching high and low.

Today I’m hiding low, down here, below,

Below the sunlit surface others see.

Oh find me quickly, quickly come to me.

And here you come and here I come to you.

I come to you because you come to me.

You know my hiding places. I know you,

I reach you through your hiding-places too;

Touching the slender thread, but now I see –

Even in darkness I can see you shine,

Risen in bread, and revelling in wine.

3 This Table

The centuries have settled on this table
Deepened the grain beneath a clean white cloth
Which bears afresh our changing elements.
Year after year of prayer, in hope and trouble,
Were poured out here and blessed and broken, both
In aching absence and in absent presence.

This table too the earth herself has given
And human hands have made. Where candle-flame
At corners burns and turns the air to light
The oak once held its branches up to heaven,
Blessing the elements which it became,
Rooting the dew and rain, branching the light.

Because another tree can bear, unbearable,
For us, the weight of Love, so can this table

6 Comments

Filed under christianity, imagination, Poems