The 17th of September is the feast day of Abbess Hildegard of Bingen, a remarkable and prophetic woman, who described herself as ‘a feather on the breath of God’, and whose many works in theology, music, visual art, poetry and drama are still inspiring people today. Indeed she is coming more and more into her own, as one of her key ideas ‘Viriditas’, or the greening and life-renewing work of the Holy Spirit, seems especially apposite for our time. See this page on her by a contemporary Benedictine.
August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare. She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision of St. Francis and her extraordinary gifts a soul-guide, friend, and leader made her a shining light and a clear mirror of Christ for thousands in her lifetime and still a light and inspiration to Christians from many denominations today.
Place your mind before the mirror of eternity!
Place your soul in the brilliance of glory!
Place your heart in the figure of the divine substance!
And transform your entire being into the image
of the Godhead Itself through contemplation.
So that you too may feel what His friends feel
as they taste the hidden sweetness
that God Himself has reserved from the beginning
for those who love Him”
So here is my sonnet in her honour reflecting on how the meaning of her name, ‘light and clarity’, was also the meaning of her life. This sonnet is taken from The Singing Bowl , which is published by Canterbury Press and available through Amazon etc.
Continuing my series of sonnets ‘Sounding the Seasons’ of the Church’s year, here is a sonnet for the feast of the Transfiguration. This is the day when we remember how the Disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest.
The transfiguration is also sometimes remembered just before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:
As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.
Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.
I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.
I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.
The Feast of Corpus Christi (the Body of Christ), which falls this year on the 31st of May, is really a celebration of the sacrament of Holy Communion. In mediaeval times there used to be wonderful processions in which the consecrated elements were taken out of the church on this day and processed on the streets, showing that the Word made flesh was not just in a box labelled ‘church’ but in our midst, just as He was on the streets of Nazareth and Jerusalem. Rebecca Merry‘s lovely art work ( above) has the feel of those mediaeval ‘showings’ on Corpus Christi.
For my contribution to Corpus Christi I am offering here a trio of sonnets about the experience of receiving Holy Communion, each from a slightly different angle. The first two sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. The third sonnet, which is about the 16th Century Oak communion table in the church of St. Edward King and Martyr, is from my book The Singing Bowl also published by Canterbury Press
Margot Krebs Neale has reflected on my phrases ‘He does not come in unimagined light ‘ and ‘to dye himself into experience’ with an image not simply of a stained glass window but of that dyed and refracted light itself reflected in water. I am grateful both to Rebecca and Margot for the way their work reflects on and develops mine.
As always you can hear me read the poetry by clicking on the play button above each sonnet, if it appears, or on the title of the poem itself.
The centuries have settled on this table
Deepened the grain beneath a clean white cloth
Which bears afresh our changing elements.
Year after year of prayer, in hope and trouble,
Were poured out here and blessed and broken, both
In aching absence and in absent presence.
This table too the earth herself has given
And human hands have made. Where candle-flame
At corners burns and turns the air to light
The oak once held its branches up to heaven,
Blessing the elements which it became,
Rooting the dew and rain, branching the light.
Because another tree can bear, unbearable,
For us, the weight of Love, so can this table
Continuing my cycle of sonnets for the Church year. Here is one for Trinity Sunday which I am posting the day before, in case people would like to make use of it tomorrow.
By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.
The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making.
As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.
Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
A Pentecost Banner at St. Michael ‘s Bartley Green
Here, once more is my sonnet for Pentecost. Drawn from ‘Sounding the Seasons’, my cycle of sonnets for the Church Year this is a sonnet reflecting on and celebrating the themes and readings of Pentecost. Throughout the cycle, and more widely, I have been reflecting on the traditional ‘four elements’ of earth, air, water and fire. I have been considering how each of them expresses and embodies different aspects of the Gospel and of God’s goodness, as though the four elements were, in their own way, another four evangelists. In that context I was very struck by the way Scripture expresses the presence of the Holy Spirit through the three most dynamic of the four elements, the air, ( a mighty rushing wind, but also the breath of the spirit) water, (the waters of baptism, the river of life, the fountain springing up to eternal life promised by Jesus) and of course fire, the tongues of flame at Pentecost. Three out of four ain’t bad, but I was wondering, where is the fourth? Where is earth? And then I realised that we ourselves are earth, the ‘Adam’ made of the red clay, and we become living beings, fully alive, when the Holy Spirit, clothed in the three other elements comes upon us and becomes a part of who we are. So something of that reflection is embodied in the sonnet.
As usual you can hear me reading the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem itself. Thanks to Margot Krebs Neale for the beautiful image which follows the poem.
Sounding the Seasons, is published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
Today we feel the wind beneath our wings
Today the hidden fountain flows and plays
Today the church draws breath at last and sings
As every flame becomes a Tongue of praise.
This is the feast of fire,air, and water
Poured out and breathed and kindled into earth.
The earth herself awakens to her maker
And is translated out of death to birth.
The right words come today in their right order
And every word spells freedom and release
Today the gospel crosses every border
All tongues are loosened by the Prince of Peace
Today the lost are found in His translation.
Whose mother-tongue is Love, in every nation.
Here is a sonnet for Ascension Day, the glorious finale of the Easter Season.
In the mystery of the Ascension we reflect on the way in which, one sense Christ ‘leaves’ us and is taken away into Heaven, but in another sense he is given to us and to the world in a new and more universal way. He is no longer located only in one physical space to the exclusion of all others. He is in the Heaven which is at the heart of all things now and is universally accessible to all who call upon Him. And since His humanity is taken into Heaven, our humanity belongs there too, and is in a sense already there with him.”For you have died”, says St. Paul, “and your life is hidden with Christ in God”. In the Ascension Christ’s glory is at once revealed and concealed, and so is ours. The sonnet form seemed to me one way to begin to tease these things out.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As always you can hear the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem.
I’m grateful to Oliver Neale for the image above, the image below was taken as we launched rockets to celebrate Ascension day at Girton College:
We saw his light break through the cloud of glory
Whilst we were rooted still in time and place
As earth became a part of Heaven’s story
And heaven opened to his human face.
We saw him go and yet we were not parted
He took us with him to the heart of things
The heart that broke for all the broken-hearted
Is whole and Heaven-centred now, and sings,
Sings in the strength that rises out of weakness,
Sings through the clouds that veil him from our sight,
Whilst we our selves become his clouds of witness
And sing the waning darkness into light,
His light in us, and ours in him concealed,
Which all creation waits to see revealed .