As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th some years ago, minutes after having composed it, by clicking on the title or the ‘play’button if it appears.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance Of all the bitterness and waste of war. Our silence tries but fails to make a semblance Of that lost peace they thought worth fighting for. Our silence seethes instead with wraiths and whispers, And all the restless rumour of new wars, The shells are falling all around our vespers, No moment is unscarred, there is no pause, In every instant bloodied innocence Falls to the weary earth ,and whilst we stand Quiescence ends again in acquiescence, And Abel’s blood still cries in every land One silence only might redeem that blood Only the silence of a dying God.
Silent Cross by Margot Krebs Neale
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it a a day early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th some years ago, minutes after having composed it, by clicking on the title or the ‘play’button if it appears.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance Of all the bitterness and waste of war. Our silence tries but fails to make a semblance Of that lost peace they thought worth fighting for. Our silence seethes instead with wraiths and whispers, And all the restless rumour of new wars, The shells are falling all around our vespers, No moment is unscarred, there is no pause, In every instant bloodied innocence Falls to the weary earth ,and whilst we stand Quiescence ends again in acquiescence, And Abel’s blood still cries in every land One silence only might redeem that blood Only the silence of a dying God.
Silent Cross by Margot Krebs Neale
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
On St. George’s day my thoughts turn again to Hatley St. George. Lockdown has eased a little and it can be visited again, as it continues its silent witness. And one part of that witness is to declare that we have been through this before. Our churches have stood and held and deepened the faith for us through other times of pestilence, through change and crisis as deep as this, a witness ‘in all the changes and chances of this fleeting world’ to the deeper things that abide.
If St. George, as our patron saint, inspires English patriotism, then I’d say my own patriotism is not about wrapping one political party or another in the flag. It was certainly not about ‘Brexit, that kerfuffle that seems so irrelevant now. But rather it is about loving the little particularites of my native land. Not the big nationalist rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help raise funds for its mantenance. Do visit it if you can, once our lockdown is lifted, and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
If you have enjoyed this page here’s a little link that allows you to ‘buy me a coffee’ (or a beer if you prefer!)
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it a a day early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th some years ago, minutes after having composed it, by clicking on the title or the ‘play’button if it appears.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance Of all the bitterness and waste of war. Our silence tries but fails to make a semblance Of that lost peace they thought worth fighting for. Our silence seethes instead with wraiths and whispers, And all the restless rumour of new wars, The shells are falling all around our vespers, No moment is unscarred, there is no pause, In every instant bloodied innocence Falls to the weary earth ,and whilst we stand Quiescence ends again in acquiescence, And Abel’s blood still cries in every land One silence only might redeem that blood Only the silence of a dying God.
Silent Cross by Margot Krebs Neale
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
On St. George’s day my thoughts turn again to Hatley St. George. Alas it remains locked for a little while longer, like all the other lovely parish churches, yet still keeping its silent witness. And one part of that witness is to declare that we have been through this before. Our churches have stood and held and deepened the faith for us through other times of pestilence, through change and crisis as deep as this, a witness ‘in all the changes and chances of this fleeting world’ to the deeper things that abide.
If St. George, as our patron saint, inspires English patriotism, then I’d say my own patriotism is not about wrapping one political party or another in the flag. It was certainly not about ‘Brexit, that kerfuffle that seems so irrelevant now. But rather it is about loving the little particularites of my native land. Not the big nationalist rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help raise funds for its mantenance. Do visit it if you can, once our lockdown is lifted, and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
If you have enjoyed this page here’s a little link that allows you to ‘buy me a coffee’ (or a beer if you prefer!)
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it a couple of days early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th some years ago, minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
It is St. George’s Day and as the feast day comes up my thoughts turn again to Hatley St. George. If St. George, as our patron saint, inspires English patriotism, then I’d say my own patriotism is not about wrapping one political party or another in the flag,it is certainly not about ‘Brexit, whichever way that goes, but rather it is about loving the little particularites of my native land. Not the big nationalist rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help raise funds for its mantenance. Do visit it if you can and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it a few days early so that any one who wishes to, can use it in services or events on this hundredth anniversary of the armistice in which Remembrance Sunday falls on Remembrance day itself.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th three years ago, minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
It is St. George’s Day this coming Monday, but many will be celebrating St. George, in one way or another, over this weekend. As the feast day comes up my thoughts turn again to Hatley St. George. If St. George, as our patron saint, inspires English patriotism, then I’d say my own patriotism is not about wrapping one political party or another in the flag, but about loving the little particularites of my native land. Not the big nationalist rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help raise funds for its mantenance. Do visit it if you can and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
As we approach Remembrance Day I am reposting this sonnet about the two minutes silence, which is now published in my book Sounding the Seasons.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily wrote this sonnet. Since I first posted it, here, and on audioboo, it has become the single most viewed and heard, of all my posts, and strangely, looking at the stats I have found that almost half of my total ‘views’ have been from Germany, something that I find strangely moving. I also notice many ‘views’ and listens from Afghanistan. You can hear the sonnet, as I recorded it minutes after having composed it, by clicking the ‘play’ button if it appears or clicking on the title.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
Malcolm Guite 