Heres is an extra ‘fifteenth’ sonnet for Easter Morning, which I dedicate to my friend Mary who asked me to write it, and to the memory of her husband Gavin. May he rest in peace and rise in glory.
Later today I will publish another Easter poem, but this completes the sonnet series I have been posting throughout Holy Week.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Oliver Neale for permission to use the image above. as always you can hear the sonnet by clicking on the ‘play’ button or on the title.
Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. No more so than now, in the preternatural stillness emptiness and grief of this pandemic, when life is paused, but also perhaps poised on the threshold of the new.
When I wrote the two ‘stations’ sonnets I am posting today I was conscious of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
That need, expressed in these sonnets bon to honour grief and yet to bring a whisper of hope to the grieving, seems more pressing than ever.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA It is now also out on Kindle.
The Images above are by Lancia Smith, I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
So many gospel themes find their focus on Maundy Thursday, so many threads of connection flowing to and from this deep source of love and vision, in the foot washing, and in the last supper.
The meditation in this sonnet, is centred on the ancient idea of the four elements of earth, air, water and fire, for it struck me as I contemplated the events of Maundy Thursday, both the foot-washing and the first communion, that all these elements of the old creation are taken up by Jesus and transformed in the making of the new. Jesus is both the fully human companion cleansing his friends with a gentle touch, sharing his last supper with them, showing the fullness of his love, and he also the Word, God in his full creative and shaping power, the One in and through whom everyone in that room, and every element of the world is sustained in the beauty and particularity of its being. What we witness in the birth of the sacraments is both a human drama and a divine act of new creation. Although we cannot be in church to receive the familiar sacrament of this night, it may be, that if our eyes and ears are open we will sense Christ’s all-transforming presence even through the ordinary elements of the place where we are.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
John 12 1-8, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.
I feel a special poignancy in this gospel moment amidst the isolation of our present crisis, because it celebrates the touch and intimacy which so many of us are having to go without. My poem opens with the injunction ‘come close’ and yet the mantra of our time is ‘keep apart’. All the more then, as we are social distancing, must we seek intimacy with God, the intimacy he offers us in Christ.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button
Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,
The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the essence of all light and purity in human flesh, he came as a young boy full of questions, seeking to know his father’s will, and today he came in righteous anger to clear away the blasphemous barriers that human power-games try to throw up between God and the world he loves. Then finally, by his death on the cross he took away the last barrier in the Temple, and in our hearts, the veil that stood between us and the Holy of Holies, the very presence of God, in us and beyond us.
But these outward events are also inward ones. We cannot go out to the outer edifice of church or cathedral this week, but we can certainly invite Christ to come in to us, and that is what I do in this sonnet, with its fourfold cry for Christ to come into the temple of my heart.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
We come now, on Palm Sunday, to the beginning of Holy Week: a strange Palm Sunday, a strange Holy Week, in which we cannot make the outward and visible journeys and gestures, exchanges and gatherings that have always bodied forth the inner meaning of this week; the procession of palm crosses, the choral singing of hosannah, all those things that echo the events of the first Palm Sunday.
But the inner journey is more necessary than ever, and in the sonnets that follow I have explored the truth that what was happening ‘out there’ and ‘back then’ as Christ entered Jerusalem is also happening ‘in here’ and ‘right now’. There is a Jerusalem of the heart. Our inner life also has its temple and palaces, its places of corruption, its gardens of rest, its seat of judgement.
In the sequence of sonnets which begins today I invite you to walk with Christ, and let him walk with you on both an outer and an inner journey that leads to the cross and beyond.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Presshere in England. The book is now back in stock on both Amazon UK and USA. It is also out on Kindle.
Do feel free to reproduce these poems for any Church services in which you may wish to use them, just include a line to say “From Sounding the Seasons, by Malcolm Guite, CanterburyPress 2012”
As before I am grateful to Lancia Smith and Margot Krebs Neale for the evocative images that accompany these poems. Of the image at the beginning of this post she writes:
– Who stands in the eye of the camera? behind that gate?
– The Savior? or me looking out and seeing in my fellow being an incarnation of the Saviour?
and for the image below she says: ‘this wax the child is melting could symbolise this resistance which becomes the source, the stock of the light that comes from us.’
As always you can hear the poem by clicking on the ‘play’ button below or on the title of the poem
They raise their hands, get caught up in the singing,
And think the battle won. Too soon they’ll find
The challenge, the reversal he is bringing
Changes their tune. I know what lies behind
The surface flourish that so quickly fades;
Self-interest, and fearful guardedness,
The hardness of the heart, its barricades,
And at the core, the dreadful emptiness
Of a perverted temple. Jesus come
Break my resistance and make me your home.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
This strange Holy Week has begun in tears: tears of frustration, tears of lament, and for so many who have been cruelly bereaves, tears of grief. It’s hard to see through tears, but sometimes its the only way to see. Tears may be the turning point, the springs of renewal, and to know you have been wept for is to know that you are loved. ‘Jesus Wept’ is the shortest, sharpest, and most moving sentence in Scripture.
I have a God who weeps for me, weeps with me, understands to the depths and from the inside the rerum lachrymae, the tears of things.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
Thanks to Lancia Smith for the image. as always you can hear the poem by clicking on the title or on the ‘play’ button if it appears.
Whilst her worst nightmares stalk the light of day.
But we might waken yet, and face those fears,
If we could see ourselves through Jesus’ tears.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet about the Transfiguration, when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but is also sometimes remembered on this Sunday before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
For that one moment, ‘in and out of time’, On that one mountain where all moments meet, The daily veil that covers the sublime In darkling glass fell dazzled at his feet. There were no angels full of eyes and wings Just living glory full of truth and grace. The Love that dances at the heart of things Shone out upon us from a human face And to that light the light in us leaped up, We felt it quicken somewhere deep within, A sudden blaze of long-extinguished hope Trembled and tingled through the tender skin. Nor can this blackened sky, this darkened scar Eclipse that glimpse of how things really are.
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, Germany
The 25th of January is the day the Church keeps the Feast of the Conversion of St. Paul. However often told or re-told, it is still an astonishing story. That Saul, the implacable enemy of Christianity, who came against the faith ‘breathing threats and slaughter’, should be chosen by God to be Christianity’s greatest proponant and apostle is just the first of a series of dazzling and life-changing paradoxes that flow from Paul’s writing. At the heart of these is the revelation of God’s sheer grace; finding the lost, loving the violent into light, and working everything through the very weakness of those who love him. Here’s a sonnet celebrating just a little of what I glimpse in the great Apostle.
Thrown to the ground and raised at the same moment,
A prisoner who set his captors free,
A naked man with love his only garment,
A blinded man who helped the world to see,
A Jew who had been perfect in the law,
Blesses the flesh of every other race
And helps them see what the apostles saw;
The glory of the lord in Jesus’ face.
Strong in his weakness, joyful in his pains,
And bound by love, he freed us from our chains.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!