Continuing in my series of sonnets for the Church Year I have written this one for Mothering Sunday. It’s a thanksgiving for all parents, especialy for those who bore the fruitful pain of labour, and more particularly in this poem I have singled out for praise those heroic single parents who, for whatever reason, have found themselves bearing alone the burdens, and sharing with no-one the joys of their parenthood.
I am grateful to Oliver Neale for his thought-provoking work as a photographer, and, as always, you can hear the poem by clicking on the ‘play’ button, or on the title
The feast of the annunciation falls on March 25th. The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
As always I am indebted to Margot Krebs Neale for the accompanying images, and she has kindly offered the following note for the images that accompany this sonnet:
‘As I was making suggesting a picture for another sonnet, Malcolm said he was working on the Annunciation sonnet. A little cheeky I sent a picture of a beautifully blurred lily wondering if it might help. Malcolm liked it and could see angel wings in it, I thought we needed a face. A young woman of sixteen. One of the many 16 years old I know and love or…myself. I remembered and found this picture of me taken when I was 16 or 17. Why me? Because of the “We” of the first strophe, I read it like an “I” : We see so little, only surfaces, and yet we have a choice.
« Quel fruit lumineux portons-nous dans l’ombre de la chair? » What luminous fruit do we carry in the shade of our flesh?
« un fruit éternel enfant de la chair et de l’Esprit ». An eternal fruit, child of the flesh and the Spirit »
May we be granted the joy of giving it to the light.’
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are available in Canada via Steve Bell‘s Signpost Music. It is also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. You may also like to check out Steve Bell‘s wonderful Snippet eBook The Pilgrim Year, in which this sonnet also appears, together with some of my reflections on Fra Angelico’s great fresco of the Annunciation.
As usual you can hear the poem by clicking on the ‘play’ buton or on the title.
While Patrick is of course primarily associated with Ireland where he flourished as a missionary in the second half of the fifth century, he was not Irish to begin with. He seems to have been a shepherd on the mainland of Great Britain and was in fact captured there, at the age of sixteen, by raiding pirates and taken across the sea to Ireland where he was sold as a slave. He was six years in captivity before he finally made his escape and returned to Britain. And this is where the story takes a truly extraordinary turn. While he was enslaved in Ireland, working as a shepherd for his masters, Patrick became a Christian and when, having made good his escape, he returned home he had a vision in which a man gave him a letter headed ‘The Voice of Ireland’, a letter urging him to go back to the very place from which he had escaped and bring the Gospel to his former captors! That Patrick obeyed such a vision seems to me a greater miracle than any of the others subsequently attributed to him, and it is on this return that my sonnet turns. That capacity to return, face and forgive former oppressors or enemies seems a particularly vital gift for Ireland’s patron to bestow. As well as alluding briefly to ‘St. Patrick’s Breastplate’, my sonnet also touches on the story that wherever Patrick planted his staff to pray, it blossomed.
As always you can hear the sonnets by clicking o the title or the play button
On February 27th the Church of England keeps the feast and celebrates the memory of George Herbert, the gentle poet priest whose book the Temple, published posthumously in 1633 by his friend Nicholas Ferrar has done so much to help and inspire Christians ever since. In an earlier blog post I gave a talk on George Herbert and the Insights of Prayer, today, on the eve of his feast, I offer this sonnet, part of a sequence called ‘Clouds of Witness” in my most recent poetry book The Singing Bowl. The sequence is a celebration of the saints, intended to complement my sequence Sounding the Seasons.
You can get this book in the UK by ordering it from your local bookshop, or via Amazon, and I am vey happy to say that both book s are now available in North America from Steve Bell who has a good supply in stock. His page for my books is HERE
As always you can hear me read the sonnet by clicking on the title or the ‘play’ button.
Though the 12 days of Christmas ended with Twelfth Night and Epiphany, there is another sense in which this season, in which we reflect on the great mystery of God in Christ as an infant, continues until February 2nd, the Feast of the Presentation of Christ in the Temple. This feast came to be called by the shorter and more beautiful name of Candlemas because the day it celebrates, recorded in Luke 2:22-40, is the day the old man Simeon took the baby in his arms and recognised him as ‘A Light to lighten the Gentiles and the glory of thy people Israel.’ It became the custom of the church to light a central candle and bring it to the altar to represent the Christ-light, and also on the occasion of this feast to bless all the ‘lights’ or candles in the church, praying that all who saw that outward and visible light would remember also and be blessed by the inner light of Christ ‘who lightens everyong who comes into the world.’
It had always been prophesied that God would one day come into the Temple that human beings had built for him, though Solomon, who built the first temple had said ‘even the Heavens are too small to hold you much less this temple I have built’. Candlemas is the day we realise that eternity can come into time and touch us in the form of a tiny child, that God appears at last in His Temple, not as a transcendent overlord, but as a vulnerable pilgrim, coming in His Love to walk the road of life along side us.
“This picture is of my first born on his first outing to walk to the station
with his grand-mother who was returning to France. he was four days old. On
the way back I stopped at the local bakers, whom I knew well and we were
both properly feasted. Was I proud and pleased! I choose it because
something of these lines was my feeling
Though they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
He was a new little Temple of the Lord. There was definitely a sense of awe
for me. We chose his name for the Olive branch brought by the dove. I did
not like that shirt very much (it had been passed on) but for the dove…”
In recent days many people have, quite understandably been remembering the passage in Matthew (25:31-46) in which Christ reveals that even as He is enthroned in Glory, the King who comes to judge at the end of the ages, he is also the hidden King, hidden beneath the rags and even in the flesh of his poor here on earth.
This passage in Matthew is especially challenging to us now in the midst of a major refugee crisis triggered by the dreadful violence in Syria and Iraq. We can and should make a compassionate response, even though that response is shadowed by our fears of terrorist infiltration. It should be possible to be alert to and vet those malicious persons who might try to infiltrate themselves amongst genuine refugees. But it is clear that the huge numbers of widows and children in desperate need are no threat to anyone, but rather themselves threatened by the terrorists whom we oppose. There is no reason for a proper caution about infiltration to inhibit a genuine and generous response to crisis.I wrote this sonnet some years before the present Crisis, but Christ’s words, on which this poem reflects, seem more vital and more needed than ever.
Here is a sonnet written in response to the gospel reading for the feast of Christ the King.
Our King is calling from the hungry furrows
Whilst we are cruising through the aisles of plenty,
Our hoardings screen us from the man of sorrows,
Our soundtracks drown his murmur: ‘I am thirsty’.
He stands in line to sign in as a stranger
And seek a welcome from the world he made,
We see him only as a threat, a danger,
He asks for clothes, we strip-search him instead.
And if he should fall sick then we take care
That he does not infect our private health,
We lock him in the prisons of our fear
Lest he unlock the prison of our wealth.
But still on Sunday we shall stand and sing
The praises of our hidden Lord and King.
The set readings for this Fourth Sunday of Epiphany tell the story of ‘the first of the signs that Jesus did and manifested forth his glory’; the transformation of water into wine at the wedding at Cana. (John 2:1-11). I love this miracle, though John doesn’t call it a miracle, he rightly calls it a sign. It is a sign that points to so many profound and liberating things about the God whom Jesus reveals to us; His delight in and concern for our own personal life and loves, attested by His presence at the wedding feast, His abundant generosity in more than meeting our needs in the midst of everyday life, His call to us to move from the mere outward purity, symbolised by the water for ritual washing, to a transformation of inward joy, symbolised by the wine. But most importantly, this sign points to the gift of His very self, His own heart’s blood, given once for all on the cross and received by us in communion. I have tried to bring out a little of the richness and depth of this first ‘sign’ in the following sonnet. This and my other sonets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’
You can get this book in the UK by ordering it from your local bookshop, or via Amazon, and I am vey happy to say that both this and my other poetry books The Singing bowl and Parable and Paradox are now available in North America from Steve Bell who has a good supply in stock. His page for my books is HERE
As always you can hear the sonnet by clicking the ‘play’ button if it appears or by clicking on the title of the sonnet itself
Here’s an epiphany to have and hold,
A truth that you can taste upon the tongue,
No distant shrines and canopies of gold
Or ladders to be clambered rung by rung,
But here and now, amidst your daily living,
Where you can taste and touch and feel and see,
The spring of love, the fount of all forgiving,
Flows when you need it, rich, abundant, free.
Better than waters of some outer weeping,
That leave you still with all your hidden sin,
Here is a vintage richer for the keeping
That works its transformation from within.
‘What price?’ you ask me, as we raise the glass,
‘It cost our Saviour everything he has.’