Tag Archives: spirituality

Holy Week, Wednesday The Anointing at Bethany

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John 12 1-8,  tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.

I feel a special poignancy in this gospel moment amidst the isolation of our present crisis, because it celebrates the touch and intimacy which so many of us are having to go without. My poem opens with the injunction ‘come close’ and yet the mantra of our time is ‘keep apart’. All the more then, as we are social distancing, must we seek intimacy with God, the intimacy he offers us in Christ.

This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button

The Anointing at Bethany

Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,

The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.

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Week 5: prayer that pierces

image courtesy of https://lanciaesmith.com

Here is my usual Sunday posting resuming our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.

The image above is once again kindly provided by Lancia Smith

Now, in Passiontide, Christ becomes all the more visibly, our companion. We walk with him and see him face and overcome our own worst fears, we see him take on, in us and for us, the pain the frailty, the fear the failure, and the death itself that haunt and shadow our life. We stay with him through his Good Friday as he stays with us through ours, so that when Easter dawns we also share with him, and he bestows abundantly on us, the new life and light which death can never overcome and swallow for it, indeed has overcome and swallowed up death. In this section we will pay particular attention to Gethsemane and the agony in the garden, through a sequence of four linked poems, starting with Herbert’s poem ‘The Agony’, and moving then to Rowan Williams’ poem ‘Gethsemane’ which has the same setting and draws on Herbert’s poem. This is followed by two Hopkins’ poems that also seem to be in close contact with the Rowan Williams poem. All four poems turn on the press and pressure, of Gethsemane understood as an oil press, releasing God’s mercy into the world.

But we begin, on Sunday with Edwin Muir’s beautiful poem The Incarnate One

The Incarnate One   Edwin Muir

The windless northern surge, the sea-gull’s scream,

And Calvin’s kirk crowning the barren brae.

I think of Giotto the Tuscan shepherd’s dream,

Christ, man and creature in their inner day.

How could our race betray

The Image, and the Incarnate One unmake

Who chose this form and fashion for our sake?

 

The Word made flesh here is made word again

A word made word in flourish and arrogant crook.

See there King Calvin with his iron pen,

And God three angry letters in a book,

And there the logical hook

On which the Mystery is impaled and bent

Into an ideological argument.

 

There’s better gospel in man’s natural tongue,

And truer sight was theirs outside the Law

Who saw the far side of the Cross among

The archaic peoples in their ancient awe,

In ignorant wonder saw

The wooden cross-tree on the bare hillside,

Not knowing that there a God suffered and died.

 

The fleshless word, growing, will bring us down,

Pagan and Christian man alike will fall,

The auguries say, the white and black and brown,

The merry and the sad, theorist, lover, all

Invisibly will fall:

Abstract calamity, save for those who can

Build their cold empire on the abstract man.

 

A soft breeze stirs and all my thoughts are blown

Far out to sea and lost. Yet I know well

The bloodless word will battle for its own

Invisibly in brain and nerve and cell.

The generations tell

Their personal tale: the One has far to go

Past the mirages and the murdering snow.

 

MONDAY

 

Golgotha   John Heath-Stubbs


 

In the middle of the world, in the centre

Of the polluted heart of man, a midden;

A stake stemmed in the rubbish

 

From lipless jaws, Adam’s skull

Gasped up through the garbage:

‘I lie in the discarded dross of history,

Ground down again to the red dust,

The obliterated image. Create me.’

From lips cracked with thirst, the voice

That sounded once over the billows of chaos

When the royal banners advanced,

replied through the smother of dark:

‘All is accomplished, all is made new, and look-

All things, once more, are good.’

Then, with a loud cry, exhaled His spirit.

 

TUESDAY

 

The Agony   George Herbert


 

Philosophers have measur’d mountains,

Fathom’d the depths of seas, of states and kings;

Walk’d with a staff to heav’n and traced fountains:

But there are two vast, spacious thins,

The which to measure it doth more behove;

Yet few there are that sound them, ‒ Sin and Love.

 

Who would know Sin, let him repair

Unto Mount Olivet; there shall he see

A Man so wrung with pains, that all His hair,

His skin, His garments bloody be.

Sin is that press and vice, which forceth pain

To hunt his cruel food through ev’ry vein.

 

Who knows not Love, let him assay

And taste that juice which, on the cross, a pike

Did set again abroach; then let him say

If ever he did taste the like,

Love is that liquor sweet and most divine,

Which my God feels as blood, but I as wine.

 

WEDNESDAY

 

Gethsemane   Rowan Williams

Who said that trees grow easily
compared with us? What if the bright
bare load that pushes down on them
insisted that they spread and bowed
and pleated back on themselves and cracked
and hunched? Light dropping like a palm
levelling the ground, backwards and forwards?

 

Across the valley are the other witnesses
of two millennia, the broad stones
packed by the hand of God, bristling
with little messages to fill the cracks.
As the light falls and flattens what grows
on these hills, the fault lines dart and spread,
there is room to say something, quick and tight.
Into the trees’ clefts, then, do we push
our folded words, thick as thumbs?
somewhere inside the ancient bark, a voice
has been before us, pushed the densest word
of all, abba, and left it to be collected by
whoever happens to be passing, bent down
the same way by the hot unreadable palms.

 

THURSDAY

 

I wake and feel the fell of dark, not day   G. M. Hopkins

I wake and feel the fell of dark, not day,

What hours, O what black hours we have spent

This night! what sights you, heart, saw; ways you went!

And more must, in yet longer light’s delay.

With witness I speak this. But where I say

Hours I mean years, mean life. And my lament

Is cries countless, cries like dead letters sent

To dearest him that lives alas! away.

 

I am gall, I am heartburn. God’s most deep decree

Bitter would have me taste: my taste was me;

Bones built in me, flesh filled, blood brimmed the curse.

Selfyeast of spirit a dull dough sours. I see

The lost are like this, and their scourge to be

As I am mine, their sweating selves; but worse.

 

FRIDAY

 

God’s Grandeur   G. M. Hopkins

The world is charged with the grandeur of God.

It will flame out, like shining from shook foil;

It gathers to a greatness, like the ooze of oil

Crushed. Why do men then now not reck his rod?

Generations have trod, have trod, have trod;

And all is seared with trade; bleared, smeared with toil;

And wears man’s smudge and shares man’s smell: the soil

Is bare now, nor can foot feel, being shod.

 

And for all this, nature is never spent;

There lives the dearest freshness deep down things;

And though the last lights off the black West went

Oh, morning, at the brown brink eastward, springs ‒

Because the Holy Ghost over the bent

World broods with warm breast and with ah! bright wings.

 

SATURDAY

 

Love’s as warm as tears   C. S. Lewis

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A Sonnet for Ash Wednesday

Brought from the burning of Palm Sunday’s Cross

 

I am reposting this Ash Wednesday Sonnet from  Sounding the Seasons, with a new sense of urgency. It was eleven years ago that I wrote the lines:

The forests of the world are burning now
And you make late repentance for the loss.

Since then the destruction has increased, and more recently I wrote Our Burning World, set as an Anthem by Rhiannon Randle.

So here again is the sonnet and the little introduction I wrote for it a decade ago:

As I set about the traditional task of burning the remnants of last Palm Sunday’s palm crosses in order to make the ash which would bless and sign our repentance on Ash Wednesday, I was suddenly struck by the way both the fire and the ash were signs not only of our personal mortality and our need for repentance and renewal but also signs of the wider destruction our sinfulness inflicts upon God’s world and on our fellow creatures, on the whole web of life into which God has woven us and for which He also cares. So some of those themes are visited in this sonnet, which is also found in my new book The Word in the Wilderness which contains these and other poems set out so that you can reflect on a poem a day throughout Lent. If you’d like to pursue the Lenten journey further the book is available on Amazon both here and in the USA and is also available on Kindle. 

As before I am grateful to Margot Krebs Neale for the remarkable commentary on these poems which she is making through her photographs. As always you can hear the poem by clicking on the title or the Play Button

Ash Wednesday

Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.

He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.

And here, as a bonus track is a recording the singer-songwriter Bob Bennet sent me of a sung version of this poem which he composed minutes after hearing the poem for the first time. This is a rough ‘field recording’ taken whilst the song was still forming but he’s allowed me to share it!

If you are enjoying these posts, and you are still drinking coffee in lent, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!

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Apostle! -a sonnet for St. Paul

Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, Germany Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, Germany

The 25th of January is the day the Church keeps the Feast of the Conversion of St. Paul. However often told or re-told, it is still an astonishing story. That Saul, the implacable enemy of Christianity, who came against the faith ‘breathing threats and slaughter’, should be chosen by God to be Christianity’s greatest proponant and apostle is just the first of a series of dazzling and life-changing paradoxes that flow from Paul’s writing. At the heart of these is the revelation of God’s sheer grace; finding the lost, loving the violent into light, and working everything through the very weakness of those who love him. Here’s a sonnet celebrating just a little of what I glimpse in the great Apostle.

This and my other sonets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’ You can get this book in the UK by ordering it from your local bookshop, or via Amazon.

As always you can hear the poem by clicking n the ‘play’ button if it appears, or on the title of the poem.

Apostle

An enemy whom God has made a friend,

A righteous man discounting righteousness,

Last to believe and first for God to send,

He found the fountain in the wilderness.

Thrown to the ground and raised at the same moment,

A prisoner who set his captors free,

A naked man with love his only garment,

A blinded man who helped the world to see,

A Jew who had been perfect in the law,

Blesses the flesh of every other race

And helps them see what the apostles saw;

The glory of the lord in Jesus’ face.

Strong in his weakness, joyful in his pains,

And bound by love, he freed us from our chains.

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The First Sunday of Epiphany -Jesus’ Baptism

The dove descends, the spirit soars and sings

The season of Epiphany is an invitation to reflect on the many little ‘epiphanies’, glimpses of how things really are, which are vouchsafed us in the Gospel. Today, the first Sunday of Epiphany is a time to reflect on the moment when ‘the heavens opened’ at Jesus’ Baptism and we were given a glimpse of Father Son and Holy Spirit at the heart of all things. This sonnet is a reflection on that mystery. As always you can hear it by clicking on the ‘play’ sign or on the title of the poem. I am grateful to Margot Krebs Neale for the beautiful photograph, taken at the river Jordan which says as much as, if not more than the poem. The poem itself is from my collection Sounding the Seasons, published by Canterbury Press and available on Amazon or from your local bookshop.  After the text of the poem I have included links to the wonderful song Steve Bell wrote from it.

Epiphany on the Jordan


Beginning here we glimpse the Three-in-one;
The river runs, the clouds are torn apart,
The Father speaks, the Sprit and the Son
Reveal to us the single loving heart
That beats behind the being of all things
And calls and keeps and kindles us to light.
The dove descends, the spirit soars and sings
‘You are belovèd, you are my delight!’

In that quick light and life, as water spills
And streams around the Man like quickening rain,
The voice that made the universe reveals
The God in Man who makes it new again.
He calls us too, to step into that river
To die and rise and live and love forever.

Also check out how Steve Bell reworks this sonnet into a beautiful song

You can hear the song itself on sound cloud here:

Epiphany on the Jordan

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O Sapientia an Advent Antiphon

Image by Linda richardson

Image by Linda Richardson

The poem I have chosen for December 17th in my Advent Anthology from Canterbury Press Waiting on the Word, is my own sonnet O Sapientia, the first in a sequence of seven sonnets on the seven ‘great O’ antiphons which I shall be reading to you each day between now and the 23rd of December. You can hear me read this poem by clicking on the title or the play button. the image above, was created by Linda Richardson for her book of responses to Waiting on the Word.

Linda writes:

If you have never heard Malcolm talking about the O antiphons you are missing a treat. You can hear a recording of him speaking at St Paul’s Cathedral here: https://www.youtube.com/watch?v=_w8ey2q28ZY&t=74s.

My response to the sonnet, ‘O Sapientia’, is a great ‘O’ of my own. The back ground of the painting is a photo transfer of a sheet of plainsong that the monks will sing every year at this time in Advent. I gave that a wash of gesso, and using a Chinese brush made a very energetic sweep in black ink and added some red too. Around the outside and inside I wrote out the words in Latin and in English, which are quite beautiful.

O Wisdom coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things. Come and teach us the way of Prudence (Wisdom). The words of this antiphon have a powerfully uplifting effect on me.

You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

In the first centuries the Church had a beautiful custom of praying seven great prayers calling afresh on Christ to come, calling him by the mysterious titles he has in Isaiah, calling to him; O Wisdom. O Root! O Key  O Light! come to us! This is the first of them

Also check out the wonderful resources on the Advent Antiphons and aother mediaeval Wisdom on Julia Holloway’s beautiful website  The Great O Antiphons

O Sapientia

O Sapientia, quae ex ore Altissimi prodiisti, attingens a fine usque ad finem, fortiter suaviterque disponens omnia:
veni ad docendum nos viam prudentiae.

O Wisdom, coming forth from the mouth of the
Most High,
reaching from one end to the other mightily,
and sweetly ordering all things:
Come and teach us the way of prudence.


O Sapientia

I cannot think unless I have been thought,

Nor can I speak unless I have been spoken.

I cannot teach except as I am taught,

Or break the bread except as I am broken.

O Mind behind the mind through which I seek,

O Light within the light by which I see,

O Word beneath the words with which I speak,

O founding, unfound Wisdom, finding me,

O sounding Song whose depth is sounding me,

O Memory of time, reminding me,

My Ground of Being, always grounding me,

My Maker’s Bounding Line, defining me,

Come, hidden Wisdom, come with all you bring,

Come to me now, disguised as everything.

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Launde Abbey on Saint Lucy’s Day

Image by Linda Richardson

Image by Linda Richardson

December 13th is St. Lucy’s day and the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is ‘Launde Abbey on St. Lucy’s Day’. I wrote this poem whilst leading an Advent retreat at Launde Abbey, a beautiful place hidden away in the soft folds of Leicestershire. This particular morning, on Saint Lucy’s day, whose brief brightness is dedicated to the martyr saint who found the true dayspring and whose name means light, I walked in the abbey grounds. As I watched the bright low winter sun rise dazzling through the bare bleak leafless trees and light at last the Abbey’s sunken rose garden this sonnet came to me.You can hear me read this poem by clicking on the title or the play button. the image above, which anticipates the ‘great ‘O’ Advent antiphons, was created by Linda Richardson in her book of artwork responses to Waiting on the Word.

Linda Writes:

I made this great ‘O’ on St Lucy’s, as a foretaste of the ‘O Antiphons’ that will begin on the 17th. Here in the dark days of winter Malcolm describes a frozen pond, winter skies and ‘frosty light that yet recalls the glory of the summer…’ The ground of the painting is a chilling white and blue, the ‘O’ is frosted with streaks of white but there is too, beneath the layers of paint and gleaming through, a recollection of summer light, even though ‘winter night will soon surround us here…’.

Nothing much is happening in this painting just as it seems that nothing much happens in the dead of winter or in the dark night of the soul. It is at such times that we might discover with a great ‘Oh’,that it is Jesus who is praying within us, Jesus who understands, and that the song of His love for the Father can always be heard within us, even in the dark depths of winter.

 

You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle

As always you can hear the poem by clicking on the title or the play button

Launde Abbey on St. Lucy’s day

St. Lucy’s day is brief and bright with frost,

In round cupped dew ponds shallow waters freeze,

Delicate fronds and rushes are held fast,

The low sun brings a contrast to the trees

Whose naked branches, dark against the skies

And fringed with glory by the light behind,

In patterns too severe for tired eyes,

Burn their bright beauty on the weary mind.

Saint Lucy’s sun still bathes these abbey walls

And in her garden rose stalks stark and bare

Shine in a frosty light that yet recalls

The glory of the summer roses there.

Though winter night will soon surround us here,

Another Advent comes, Dayspring is near.

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All Hallow’s Eve; a sonnet of reclamation

The dark is bright with quiet lives and steady lights undimmed

As we come towards Hallowe’en, its worth remembering that the word Hallowe’en itself simply means ‘the eve of all Hallows’, and All Hallows is the Christian feast of All Saints, or All Saints Day’, a day when we think particularly of those souls in bliss who, even in this life, kindled a light for us, or to speak more exactly, reflected for us and to us, the already-kindled light of Christ!,  It is followed immediately on November 2nd by All Souls Day. the day we remember all the souls who have gone before us into the light of Heaven.  It is good that we should have a season of the year for remembrance and a time when we feel that the veil between time and eternity is thin and we can sense that greater and wider communion of saints to which we belong. It is also good and right that the Church settled this feast on a time in the turning of the year when the pre-Christian Celtic religions were accustomed to think of and make offerings for the dead. But it was right that, though they kept the day, they changed the custom. The greatest and only offering, to redeem both the living and the dead, has been made by Christ and if we want to celebrate our loving connections we need only now make gifts to the living, as we do in offering sweets to the ‘trick or treaters’ in this season, and far more profoundly in exchanging gifts at Christmas.

Anyway, given that both these seasons of hospitality and exchange have been so wrenched from their first purpose in order to sell tinsel and sweeties, I thought I might redress the balance a little and reclaim this season with a sonnet for All Souls/All Saints that remembers the light that shines in darkness, who first kindled it, and how we can all reflect it.

If your church is marking all saints or all souls day do feel free to print the words or use the recording.

The image which follows this poem, and takes up one of its key lines, is by Margot Krebs Neale. As always you can hear the poem by clicking on the ‘play’ button if it appears, or on the title.

This sonnet are  from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press,

As always you can hear me read the sonnet if you click on the player button or the title of the poem

 

All Saints

Though Satan breaks our dark glass into shards

Each shard still shines with Christ’s reflected light,

It glances from the eyes, kindles the words

Of all his unknown saints. The dark is bright

With quiet lives and steady lights undimmed,

The witness of the ones we shunned and shamed.

Plain in our sight and far beyond our seeing

He weaves them with us in the web of being

They stand beside us even as we grieve,

The lone and left behind whom no one claimed,

Unnumbered multitudes, he lifts above

The shadow of the gibbet and the grave,

To triumph where all saints are known and named;

The gathered glories of His wounded love.

‘Each shard still shines’ image by Margot Krebs Neale

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On Reading the Commedia 9:The Rose

a white rose opens a white rose opens

I come now to the final part my sequence of nine poems reflecting on the exprerience of reading, and re-reading Dante’s Commedia. By the end of the Paradiso Dante has taken us to the very limits of human thought and expression, to the brink of a reality which is beyond language, and yet which is the true source of all reality. That source is Love, ‘the Love that moves the sun and the other stars’, and the whole purpose of the poem is that we learn and choose also to be moved by, and find our peace, in that Love.

To describe his journey, Dante used the astronomy of his day, but the truth of his message does not depend on one scientific model, or another, but on what lies behind the reality they model. In this poem I have tried to hint at the exprerience of reading Dante with our own, equally marvelous and mysterious cosmology in mind.

GuiteCommedia3If you have enjoyed reading these poems you may be interested to know that a Special Edition of them has been printed and bound in Florence by Aureo Anello Books. Printed in William Morris Troy Font, in a numbered limited edition of 250, these little chapbooks, with parchment covers, are being offered for a suggested donation of €15,00, to help the work of Anchoress and Dante Scholar Sister Julia Bolton Holloway who helps look after the famous ‘English Cemetry’ in Florence, where Elizabeth Barett Browning and other poets are buried. For Julia’s wonderful suite of web resources for Dante, Mother Julian, and mediaeval theology, start exploring here.  The special page telling you how to obtain Aureo Anello’s limited editions including my Dante poem is here.

I am Grateful to Margot Krebs Neale for the beautiful image of the rose, as usual you can hear me read the poem by clicking on the title or the ‘play button.

9 The Rose

A white rose opens in a quiet arbour

Where I sit reading Dante, Paradise

Unfolding in me, opens hour by hour,

 

In sunlight and amidst the hum of bees

On a late afternoon. I think of how

Everything flowers, the whole universe

 

Itself is still unfolding even now

Sprung from a stem of singularity

Which petals time and space.  I think of how

 

The very elements that let my body be

Began and will continue in the stars

Whose light and distance frame our mystery,

 

And how my shadowed heart still loves, still bears

With every beat that animates  my being,

Eternal yearnings through the turning years.

 

I turn back to the lines that light my seeing

And lift me to the limits of all thought

And long that I might also find that freeing

 

And enabling Love, and so be caught

And lifted into His renewing Heaven.

Evening glimmers, and the stars come out,

 

Venus is shining clear, my prayers are woven

Into a sounding song, a symphony,

As all creation gives back what is given

 

In music made to praise the Mystery

Who is both gift and giver. Something stirs

A grace in me beyond my memory

 

I close the book and look up at the stars.

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stars1

If you missed the earlier episodes, here are the links to the other poems in this sequence:

Previous poems in this Dante Series:

Inferno:

1 In Medias Res

2 Through the Gate

3 Vexila Regis

Purgatorio

4 De Magistro

5 Love in Idleness

6 Dancing Through the Fire

Paradiso

7  Look up

8 Circle Dance

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On Reading the Commedia 6: Dancing Through the Fire

Botticelli illustrates Purgatorio 27, Dancing through the Fire Botticelli illustrates Purgatorio 27, Dancing through the Fire

‘From wrong to wrong the exasperated sprit proceeds/ unless restored by that refining fire/ where you must move in measure like a dancer’

These words from TS Eliot’s Little Gidding have always struck a chord with me. They allude, of course, to the moment near the end of the Purgatorio when the pilgrims ascend towards the Earthly Paradise, the garden of our origins and of our restored humanity, at the summit of the Holy Mountain. But Eden is surrounded by a circle of fire. The poet-pilgrims must pass through that fire, in which the last of love’s imperfections will be purified. Desire for the beloved must be redeemed from the possessive  lust which makes a person an object, and restored to that wholeness of love in which the beloved is desired and loved, body and soul, for herself as  person. It is only when Virgil reminds Dante that his beloved Beatrice is waiting for him beyond the fire that he has the courage to enter the flame.

This episode has engaged my life and writing in various ways over the years and it is the title and subject of my most recent cd Dancing Through the Fire. Now I engage with it again as part of this sequence, in the terza rima that Dante used for his great poem.

As always you can hear the poem by clicking on the title or the play button and I am grateful to Margot Krebs Neale for the image which illustrates and interprets the poem at the bottom of this page

Dancing Through The Fire

‘per te poeta fui, per te Christiano‘  ( purg 22:73)

Then stir my love in idleness to flame

To find  at last the free refining fire

That guards the hidden garden whence I came.

O do not kill, but quicken my desire

Better to spur me on than leave me cold.

Not maimed I come to you, I come entire

Lit by  the loves that warm, the lusts that scald

That you may prove the one, reprove the other,

Though both have been the strength by which I scaled

The steps so far to come where poets gather

And sing such songs as love gives them to sing.

I thank God for the ones who brought me hither

And taught me by example how to bring

The slow growth of a poem to fruition

And let it be itself, a living thing,

Taught me to trust the gifts of intuition

And still to try the tautness of each line,

Taught me to taste the grace of transformation

And trace in dust the face of the Divine,

Taught me the truth, as poet and as Christian ,

That drawing water turns it into wine.

Now I am drawn through their imagination

To dare to dance with them into the fire,

Harder than any grand renunciation,

To bring to Christ the heart of my desire

Just as it is in every imperfection

Surrendered to his sharp refiners fire

That love might have Its death and resurrection.

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DSC04828refiners fire

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