The season of Epiphany is an invitation to reflect on the many little ‘epiphanies’, glimpses of how things really are, which are vouchsafed us in the Gospel. This coming Sunday, the first Sunday of Epiphany is a time to reflect on the moment when ‘the heavens opened’ at Jesus’ Baptism and we were given a glimpse of Father Son and Holy Spirit at the heart of all things. This sonnet is a reflection on that mystery. As always you can hear it by clicking on the ‘play’ sign or on the title of the poem. I am grateful to Margot Krebs Neale for the beautiful photograph, taken at the river Jordan which says as much as, if not more than the poem. The poem itself is from my collection Sounding the Seasons, published by Canterbury Press and available on Amazon or from your local bookshop. After the text of the poem I have included links to the wonderful song Steve Bell wrote from it. He has written a fascinating blog post about writing that song here: Steve Bell on his song.
Beginning here we glimpse the Three-in-one;
The river runs, the clouds are torn apart,
The Father speaks, the Sprit and the Son
Reveal to us the single loving heart
That beats behind the being of all things
And calls and keeps and kindles us to light.
The dove descends, the spirit soars and sings
‘You are belovèd, you are my delight!’
In that quick light and life, as water spills
And streams around the Man like quickening rain,
The voice that made the universe reveals
The God in Man who makes it new again.
He calls us too, to step into that river
To die and rise and live and love forever.
Also check out Steve Bell’s amazing album Keening for the Dawn in which he reworks this sonnet into a beautiful song Keening for the Dawn
You can hear the song itself on sound loud here:
The poem from my Anthology Waiting on the Word reflects on the fact that today, the fourth day of Christmas, is the feast day of the Holy Innocents. It is the day the Church remembers the story, told in Matthew’s Gospel of the appalling cruelty and wickedness of Herod in ordering the massacre of innocent children, in a bid to protect his own power-base. Appalling, but only too familiar. What Herod did then, is still being done by so many present day Herods. This scarred and wounded world is the world into which Jesus was born, the world he came to save, and amongst those brought by his blood through the grave and gate of death and into the bliss of Heaven are those children of Bethlehem who died for his name without ever knowing him. But he knows them, as he knows and loves every child in Syria, and he says of them, to every Herod, ‘Whatsoever ye do unto the least of these, ye do it unto me.’
You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. she writes:
Last year we thought nothing could be worse than seeing the bodies of refugees wash up on the beaches of Europe. This year the awful news of the destruction of Aleppo and its people breaks in upon our TV screens and hearts. Sometimes we feel that our own personal safety and comfort should be denied, after all, with so many millions of people suffering, do we have a right to personal happiness? It must be a question that so many of us ask ourselves. Of course we do not have the right to personal safety and happiness but these events give us the opportunity for generosity and gratitude.
The image is self explanatory, a nameless and homeless family, and Malcolm reminds us in his sonnet that Jesus was born into just such a situation. There is nothing new in murderous power and bloodshed and we must allow the pain of it to sing in our blood as we pray the psalms on behalf of our refugee brothers and sister, “O Lord my God, in You I have taken refuge; Save me from all those who pursue me…deliver me.”
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
Milton wrote an Ode on the Morning of Christ’s Nativity, which no one can hope to emulate,and which I have also posted in a blog post this morning with a beautiful illustration by Linda Richardson, however I thought I would also offer you something of my own. In this poem I have followed Milton’s lead in drawing a contrast between the various gods of the Classical world and the full and astonishing revelation of God’s love in the manger at Bethlehem. This was originally a short three verse poem, but at the behest of Steve Bell I have re-written it so that it is now also a song, with a tune of his composing on his award-winning Album Keening for the Dawn. I have written about our collaboration here.
The poem is published in my book The Singing Bowl. I have also recorded the song myself, on Steve Bell’s amazing new retrospective four cd set ‘Pilgrimage’As always you can hear me reading of this poem which you can hear by clicking on the ‘play’ button below or the title
The poem I have chosen for December 17th in my Advent Anthology from Canterbury PressWaiting on the Word, is my own sonnet O Sapientia, the first in a sequence of seven sonnets on the seven ‘great O’ antiphons which I shall be reading to you each day between now and the 23rd of December. You can hear me read this poem by clicking on the title or the play button. the image above, was created by Linda Richardson for her book of responses to Waiting on the Word.
My response to the sonnet, ‘O Sapientia’, is a great ‘O’ of my own. The back ground of the painting is a photo transfer of a sheet of plainsong that the monks will sing every year at this time in Advent. I gave that a wash of gesso, and using a Chinese brush made a very energetic sweep in black ink and added some red too. Around the outside and inside I wrote out the words in Latin and in English, which are quite beautiful.
O Wisdom coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things. Come and teach us the way of Prudence (Wisdom). The words of this antiphon have a powerfully uplifting effect on me.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
In the first centuries the Church had a beautiful custom of praying seven great prayers calling afresh on Christ to come, calling him by the mysterious titles he has in Isaiah, calling to him; O Wisdom. O Root! O Key O Light! come to us! This is the first of them
Also check out the wonderful resources on the Advent Antiphons and aother mediaeval Wisdom on Julia Holloway’s beautiful website The Great O Antiphons
O Sapientia, quae ex ore Altissimi prodiisti, attingens a fine usque ad finem, fortiter suaviterque disponens omnia:
veni ad docendum nos viam prudentiae.
O Wisdom, coming forth from the mouth of the
reaching from one end to the other mightily,
and sweetly ordering all things:
Come and teach us the way of prudence.
St. John of the Cross also has his day in dark December, just the day after St. Lucy in fact. So I am posting this ‘extra’ reflection and poem which I composed after Waiting on the Word was published, so it wasn’t included in my Advent Sequence.
John of the Cross is the saint who, more than any other, understood and dealt with the darkness that sometimes comes upon us, the saint who gave us the phrase ‘The Dark Night of the Soul’. He encountered darkness not only spiritually and psychologically, but actually: both physical darkness and the darkness of human evil when he was imprisoned in a dark dungeon by fellow Christians and indeed, members of his own order! But he did not give in to darkness, rather he perceived that it might become fruitful, the darkness not of evil but of God, that the way down might become the way up, that hidden even in the deepest darkness was the promise of that light which the darkness can never overcome. So he wrote that beautiful poem ‘Although it is the Night’, which Seamus Heaney translated so movingly, opening with the line:
How well I know that fountain, filling., running,
Although it is the night.
The other deep element in his writing is the way he understands Christ as our true lover and is able to draw on the deepest language of human loving to give voice to his intimate relationship with Christ.
I have drawn on ‘Although it is the Night’, poem and on some of the elements in his story and his spiritual writings in making the following sonnet in his honour. My sonnet also reflects on the fact that his day falls in Advent when we are all waiting in Darkness for the coming of God’s marvellous light.
This sonnet has now been collected and published by Canterbury Press in my new book Parable and Paradox. As always you can hear the sonnet by clicking on the title or the ‘play button’. There is a very fine meditation on St. John of the Cross and a song to go with it on Steve Bell‘s lovely Advent book in his Pilgrim year series which you can find Here
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday. If you are in Cambridge today do come and join us for the three hours service at St. Bene’t’s, where we will be using some of these sonnets. The service starts at 12.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
These sonnets have been used by a number of churches in different ways and Dr. Holly Ordway has given a series of excellent podcast talks based on these sonnets.
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
There is so much happening here, so many threads of connection flowing to and from this deep source of love and gospel vision. my sonnet for this central and sacramental day can only suggest one or two of them.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.