Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. It has its own patterns and rituals that take up a little of that empty space of waiting. Children come into church to make an Easter Garden, exhausted clergy give themselves the space to venture a walk with their families and draw breath before tomorrow’s big declamations, those who have passed through the intense experience of a Good Friday three hours watch service feel strangely dislocated from the crowds of Easter Bank holiday shoppers that surge around the Saturday markets, and all the while for all the faithful who have made this journey through Holy Week together, there is a kind of emptiness and expectant stillness within.
I have tried to reflect a little of this in these two sonnets, which follow in sequence from the ones we had on Good Friday. I was conscious as I wrote them of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle.
The Images above are by Lancia Smith, those below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday. If you are in Cambridge today do come and join us for the three hours service at St. Bene’t’s, where we will be using some of these sonnets. The service starts at 12.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA and physical copies are also available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle.
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
These sonnets have been used by a number of churches in different ways and Dr. Holly Ordway has given a series of excellent podcast talks based on these sonnets.
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
There is so much happening here, so many threads of connection flowing to and from this deep source of love and gospel vision. my sonnet for this central and sacramental day can only suggest one or two of them.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
This is the first of the weekly series I am posting throughout this Lent in which you can hear me read aloud the poems I have chosen for my Lent Anthology The Word in the Wilderness. In the book itself you can read my commentary on each poem but I thought that, as with my advent anthology, you might like to hear the poems read. Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.
Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.
If you would like to join an online reading group to follow this book through Lent then you might like to join the Literary Life Facebook Group run by Rick Wilcox
As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.
Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.
So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:
And here is my sonnet for Ash Wednesday Ash Wednesday
Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.
He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.
From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.
This is the gift you give, the day you bring blessing and rest
Here is the last in my little round of seven Roundels for the primal week in Genesis Chapter One. Today we enter the Sabbath, the blessed rest in which God contemplates his own creation with delight and love and pronounces it good, a sabbath which he also graciously invites us to share with him. Sabbath is always a sheer gift whenever and wherever we keep it, a gift more and more need in our pressurised 24/7 world. So here is my roundel celebrating that blessing and rest. as before it is preceded by the verses in Genesis ( in this case chapter 2 verses 1-3) that inspired it and, as before, you can hear it by clicking on the ‘play’ button or the Roman Numeral.
The Canadian artist Faye Hall has made a beautiful sequence of 63 paintings responding to my Seven Whole Days Sequence and we have published it as a book, which you can purchase from her web site here or, in the uk from Amazon Here. Faye has kindly allowed ne to include with each poem one or two of the paintings from the book, to give you a taste of it, and you can see these paintings for yourself at the MHC Gallery in Winnipeg from 16th March to 5th of May. I will be at the gallery on 15th April for a special book signing and launch event, full details here
These poems were originally published in ‘Parable and Paradox’ Canterbury Press in the summer of 2016
Chapter 2:
1 Thus the heavens and the earth were finished, and all the host of them.
2 And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made.
3 And God blessed the seventh day, and sanctified it: because that in it he had rested from all his work which God created and made.
We come now to the Sixth Day in the Primal week of Genesis Chapter One, the day on which we are invited to contemplate the mystery of our own creation and of our being made in the image of God. Furthermore, because the Sixth Day is a Friday, we are moved as Christians to think of God’s loving response to our fall, of how, as Newman put it, ‘ a second Adam to the fight, and to the rescue came’. I have tried to gather some of these thoughts into the little roundel which is my reflection on this day. As before I have given you the Genesis passage to which my poem is a response and also enabled you to hear me read the poem by either clicking on the ‘play’ button or on the Roman Numeral.
The Canadian artist Faye Hall has made a beautiful sequence of 63 paintings responding to my Seven Whole Days Sequence and we have published it as a book, which you can purchase from her web site here or, in the uk from Amazon Here. Faye has kindly allowed ne to include with each poem one or two of the paintings from the book, to give you a taste of it, and you can see these paintings for yourself at the MHC Gallery in Winnipeg from 16th March to 5th of May. I will be at the gallery on 15th April for a special book signing and launch event, full details here
These poems were originally published in ‘Parable and Paradox’ Canterbury Press in the summer of 2016
27 So God created man in his own image, in the image of God created he him; male and female created he them.
28 And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.
29 And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat.
30 And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so.
31 And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.
It is a lovely thing that in the Genesis story a whole day is given over to the wild things of the sea and sky, the flying and diving creations that inhabit elements other than ours, but who are also the work of God’s hand and the delight of His mind. They exist of course for God’s glory and for their own good purposes but perhaps they are also His words to us and provide us with living images of our own thoughts and prayers.
This fifth of my seven roundels for the primal week of Genesis can be heard by clicking the ‘play’ button or the roman Numeral and is preceded by the verses in Genesis Chapter One that inspired it.
The Canadian artist Faye Hall has made a beautiful sequence of 63 paintings responding to my Seven Whole Days Sequence and we have published it as a book, which you can purchase from her web site here or, in the uk from Amazon Here. Faye has kindly allowed ne to include with each poem one or two of the paintings from the book, to give you a taste of it, and you can see these paintings for yourself at the MHC Gallery in Winnipeg from 16th March to 5th of May. I will be at the gallery on 15th April for a special book signing and launch event, full details here
These poems were originally published in ‘Parable and Paradox’ Canterbury Press in the summer of 2016
20 And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven.
21 And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good.
22 And God blessed them, saying, Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth.
23 And the evening and the morning were the fifth day.
RT @AEBinney: Really proud of my Dad, who picked up a surprise award yesterday from one of his poetry heroes, @malcolmguite, for nearly 50… 14 hours ago
