The feast of the Visitation usually falls on the 31st of May. It celebrates the lovely moment in Luke’s Gospel (1:41-56) when Mary goes to visit her cousin Elizabeth, who was also, against all expectations, bearing a child, the child who would be John the Baptist. Luke tells us that the Holy Spirit came upon them, and that the babe in Elizabeth’s womb ‘leaped for joy’ when he heard Mary’s voice, and it is even as the older woman blesses the younger, that Mary gives voice to the Magnificat, the most beautiful and revolutionary hymn in the world. There is much for the modern world to ponder in this tale of God’s blessing and prophecy on and from the margins, and I have tried to tease a little of it out in this sonnet. I am grateful again to Margot Krebs Neale for her inspiring image, and , as always you can hear the poem by clicking on the ‘play’ button or the title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
If you are enjoying these posts, you might like, on occasion to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish.
The 25th of April is the feast day of St. Mark the Evangelist, but the Church of England is celebrating it on the 26th this year as the 25th falls on a Sunday. So I am posting again my sonnet on St. Mark’s Gospel, one of a set of four sonnets on each of the four evangelists. As I re-read it during this lockdown, as we too make the shift ‘from grand to intimate’, I am struck afresh by the transition in Mark from Christ’s action to his passion, from doing to suffering, from being in control to experiencing with us and for us what it is to depend, patiently, on the actions of others.
For each of these sonnets I have meditated on the traditional association of each of the evangelists with one of the ‘four living creatures’ round the throne, and how that helps us to focus on the particular gifts and emphasis of that Gospel writer. For a good account of this tradition click here. Mark is the lion. There is a power, a dynamic a swiftness of pace in Mark’s Gospel, his favourite word is ‘immediately’! and that suits the lion. His Gospel starts in the wilderness and that suits it too.
But the great paradox in Mark is that the Gospel writer who shows us Christ at his most decisive, powerful, startling and leonine is also the one who shows us how our conquering lion, our true Aslan, deliberately entered into suffering and passion, the great ‘doer’ letting things be done unto him. In this sonnet, I am especially indebted to WH Vanstone’s brilliant reading of this aspect of Mark in his wonderful book The Stature of Waiting.
For all four ‘Gospel’ sonnets I have also drawn on the visual imagery of the Lindesfarne Gospels, as in the one illustrated above.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poem by clicking on the ‘play’ button or on the title.
Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. No more so than now, in the preternatural stillness emptiness and grief of this pandemic, when life is paused, but also perhaps poised on the threshold of the new.
When I wrote the two ‘stations’ sonnets I am posting today I was conscious of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
That need, expressed in these sonnets bon to honour grief and yet to bring a whisper of hope to the grieving, seems more pressing than ever.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA It is now also out on Kindle.
The Images above are by Lancia Smith, I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
So many gospel themes find their focus on Maundy Thursday, so many threads of connection flowing to and from this deep source of love and vision, in the foot washing, and in the last supper.
The meditation in this sonnet, is centred on the ancient idea of the four elements of earth, air, water and fire, for it struck me as I contemplated the events of Maundy Thursday, both the foot-washing and the first communion, that all these elements of the old creation are taken up by Jesus and transformed in the making of the new. Jesus is both the fully human companion cleansing his friends with a gentle touch, sharing his last supper with them, showing the fullness of his love, and he also the Word, God in his full creative and shaping power, the One in and through whom everyone in that room, and every element of the world is sustained in the beauty and particularity of its being. What we witness in the birth of the sacraments is both a human drama and a divine act of new creation. Although we cannot be in church to receive the familiar sacrament of this night, it may be, that if our eyes and ears are open we will sense Christ’s all-transforming presence even through the ordinary elements of the place where we are.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Today, on Shrove Tuesday, I am reposting the first of the weekly series in which you can hear me read aloud the poems I chose for my Lent Anthology The Word in the Wilderness. In the book itself you can read my commentary on each poem but I thought the recordings of my reading them might be useful, especially to groups who are using the book together.Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.
Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.
As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.
Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.
So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:
And here is my sonnet for Ash Wednesday Ash Wednesday
Receive this cross of ash upon your brow, Brought from the burning of Palm Sunday’s cross. The forests of the world are burning now And you make late repentance for the loss. But all the trees of God would clap their hands The very stones themselves would shout and sing If you could covenant to love these lands And recognise in Christ their Lord and king.
He sees the slow destruction of those trees, He weeps to see the ancient places burn, And still you make what purchases you please, And still to dust and ashes you return. But Hope could rise from ashes even now Beginning with this sign upon your brow.
From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.
‘Temples and Spires are good for looking down from;
You stand above the world on holy heights,
Here on the pinnacle, above the maelstrom,
Among the few, the true, unearthly lights.
Here you can breathe the thin air of perfection
And feel your kinship with the lonely star,
Above the shadow and the pale reflection,
Here you can know for certain who you are.
The world is stalled below, but you could move it
If they could know you as you are up here,
Of course they’ll doubt, but here’s your chance to prove it
Angels will bear you up, so have no fear….’
‘I was not sent to look down from above
It’s fear that sets these tests and proofs, not Love.’
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Pausing for a moment in our progress through the Psalms I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet about the Transfiguration, when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but is also sometimes remembered on this Sunday before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:
As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.
Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.
I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.
I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
For that one moment, ‘in and out of time’, On that one mountain where all moments meet, The daily veil that covers the sublime In darkling glass fell dazzled at his feet. There were no angels full of eyes and wings Just living glory full of truth and grace. The Love that dances at the heart of things Shone out upon us from a human face And to that light the light in us leaped up, We felt it quicken somewhere deep within, A sudden blaze of long-extinguished hope Trembled and tingled through the tender skin. Nor can this blackened sky, this darkened scar Eclipse that glimpse of how things really are.
Photograph by Margot Krebs Neale
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Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, Germany
The 25th of January is the day the Church keeps the Feast of the Conversion of St. Paul. However often told or re-told, it is still an astonishing story. That Saul, the implacable enemy of Christianity, who came against the faith ‘breathing threats and slaughter’, should be chosen by God to be Christianity’s greatest proponant and apostle is just the first of a series of dazzling and life-changing paradoxes that flow from Paul’s writing. At the heart of these is the revelation of God’s sheer grace; finding the lost, loving the violent into light, and working everything through the very weakness of those who love him. Here’s a sonnet celebrating just a little of what I glimpse in the great Apostle.
Thrown to the ground and raised at the same moment,
A prisoner who set his captors free,
A naked man with love his only garment,
A blinded man who helped the world to see,
A Jew who had been perfect in the law,
Blesses the flesh of every other race
And helps them see what the apostles saw;
The glory of the lord in Jesus’ face.
Strong in his weakness, joyful in his pains,
And bound by love, he freed us from our chains.
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Two days after Christmas, on the 27th of December, the church keeps the feast of St. John the Evangelist. It is fitting that the Gospel writer whose prologue delves so deeply into the mystery of Incarnation, and whose words ‘The Word was made flesh’ are read at every Christmas Eucharist, should have his feast-day within the twelve days of Christmas.
In my sonnet sequence Sounding the Seasons I have gathered my sonnets for the four Evangelists into one sequence at the beginning. But here, in its proper place in the liturgical year, is my sonnet for St. John, the evangelist whose emblem is the Eagle. (for an account of the four emblems see here. I love John’s Gospel and you can hear the five talks I gave on Logos, Light, Life, Love and Glory in John’s Gospel via links on this page.)
Sounding the Seasons and my new book The Singing Bowl are both available from Amazon or on order from your local bookstore
As always you can hear the poem by clicking on the title or the ‘play’ button.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
In my Advent Anthology from Canterbury PressWaiting on the Word,The poem I have chosen for Christmas Eve, is Christmas Eve by Christina Rossetti. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson for her book of responses to waiting on the word. Linda writes:
Some years ago I had the wonderful privilege of seeing ‘Dance’ by Henri Matisse. It was the one kept at The Hermitage, St Petersburg, and it was brought to London for an exhibition. It is nearly four meters wide and unlike like one in New York, the figures are not pink but a glowing orange, like reflected fire light. I was utterly overwhelmed when I saw it, and I was moved to tears.
The words, ‘For Christmas bringeth Jesus”, echo through today’s poem and are for me, the centre of all this season’s activity and the reason for our joy and celebration. In the image I painted there is no speech except that of the wildly dancing figures. They are intent on celebrating the Word made flesh, through their own flesh, and all around them the trees join in the dance. Above them the birds wheel about with the clouds and stars and the whole of creation redounds in joy and praise.
You will go out in joy and be led forth in peace; the mountains and hills will burst into song before you, and all the trees of the field will clap their hands. Isaiah 55
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
I should add that unfortunately the little word ‘a’ was committed from the first line in the printing of the anthology, which slightly spoils the rhythm. You can hear me read the proper text on this recording and I also post that corrected text below:
f you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
