The Ballad of the White Horse: a complete reading for King Alfred’s Day

October 26th is the day the Church remembers Alfred, King and Scholar who founded places of learning, translated Boethius’ consolation of philosophy and strove to preserve the Christian faith in the midst of the pagan Danish invasions. He is also the subject of GK Chesterton’s wonderful poem The Ballad of the White Horse. I recorded a reading of the whole poem back in 2011, on its 100th anniversary, and I thought I would repost it here, with links to the readings, in honour of Alfred’s day.This great poem is as much about modern times as it is a ballad of the days of King Alfred. In 1911 Chesterton foresaw that the modern Nihilism and worship of the ‘superman’ embodied in the writings of Nietzsche together with false worship of race and a cult of violence, would likey wreak unimaginable damage in the new century, as proved to be the case. He also saw that a renewal of the vision of joy and humility that is at the heart of the Christian creed was the only way to resist the death-wish which is the shadow side of our fallen humanity. He wrote a poem at whose heart is a call to courage kindled not by probable chances of success but by what he called ‘the joy without a cause’. Many Englishmen called to combat in the two world wars, went out with this poem in their pockets and were greatly strengthened by it. The Times quoted it twice in leaders each at key points in the second world war; “nought for your comfort” was the leader headline after the disaster of Crete and Alfred’s great cry ‘The high tide’ and the turn’ was the headline after the D Day landings. And yet this poem, once so centrally part of the national consciousness, is now hardly known at all or read, but its time must suely come again.

Chesterton had a big influence on the Inklings, the writers who clustered around Tolkien and Lewis and there are a number of echoes between the Ballad of the White Horse and the Lord of the Rings. Especially the descriptions of Colan the Celt and his people, who, like the elves, are always haunted by the sound of the sea and have their hearts in an undying land. Likewise the detail of battle in which Alfred and his Celtic allies are sundered and the Celts, given up for lost, re-emerge as though they were the armies of the dead and put their foes to flight, that meeting on the field of battle against all odds is very like the events on the fields of the Pelanor. But perhaps the greatest similarity is in the ending of the two tales. In the final book of the Ballad, ‘The Scouring of the Horse’ Chesterton deals with the problem of the peace, the problem that after winning on the battle the wariors find corruption at home and have to confront evil in another form and in their own native place. Whilst Alfred leaves Wessex to confront the Danes in London the weeds are allowed to grow over the White Horse and at this point Chesterton gives Alfred a vision of the future and calls England to an eternal vigilance. I think the very namng, let alone the plot features, of Tolkien’s ‘Scouring of the Shire’ are derived from this.

Here’s a quick youtube video of me reading some verses from the first part and setting the scene, then below that are the links for you to download audio of my reading of the whole poem:

You can read and download the entire text of the poem here, though better still buy an old hardback copy. They are very cheap and still widely available.

My reading of each of the episodes can be found through the links below and you will find, on my podomatic page, that I have also given a brief introduction to each book. I have left the settings so that the episodes can be downloaded, so you can listen to them off line or even, if you wish, burn them to a cd and use them to while away the hours on long car journeys! I hope you enjoy them, let me know what you think.

The Ballad of the White Horse, read by Malcolm Guite:

The Dedication

Book I The Vision of the King

Book II The Gathering of the Chiefs

Book III The Harp of Alfred

Book IV The Woman in the Forest

Book V Ethandune: The First Stroke

Book VI Ethandune: The Slaying of the Chiefs

Book VII Ethandune: The Last Charge

Book VIII The Scouring of the Horse

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A Sonnet for St. Luke’s Day

St. Luke accompanied by his ‘creature’ the winged ox

The 18th of October, is the feast day of St. Luke the Physician and Evangelist, and so I am reposting this sonnet in his honour. This poem comes from Sounding the Seasons, my series of sonnets for the church year.  My sonnets in that series, include a mini-sequence on the four Evangelists together and the imagery in those sonnets is influenced  by the images of the four living creatures round the throne of God and the tradition that each of these creatures represents both an aspect of Christ and one of the four Evangelists.

‘...since there are four zones of the world in which we live, and four principal winds, while the Church is scattered throughout all the world, and the “pillar and ground” of the Church is the Gospel and the spirit of life it is fitting that she should have four pillars, breathing out immortality on every side, and vivifying men afresh. From which fact, it is evident that the Word, the Artificer of all, He that sitteth upon the cherubim, and contains all things, He who was manifested to men, has given us the Gospel under four aspects, but bound together by one Spirit. ‘  St. Irenaeus of Lyons  (ca. 120-202 AD)  –  Adversus Haereses 3.11.8

For a good account of this tradition click here. I am drawing my inspiration both from the opening page image of each Gospel in the Lindesfarne Gospels and also from the beautiful account of the four living creatures given by St. Ireneus, part of which I quote above. As well as being himself a Physician, and therefore the patron saint of doctors and all involved in healing ministry, Luke is also the patron of artists and painters. In this iconographic tradition Luke’s emblem is the ox, the lowly servant His gospel seems to have a particular connection with those on the margins of his society. In Luke we hear the voices of women more clearly than in any other gospel, and the claims and hope of the poor in Christ find a resonant voice.

As always you can hear the poem by clicking the ‘play’ button if it appears or clicking on the title of the poem. The photographer Margot Krebs Neale has again provided a thought-provoking photograph to interpret the poem, in this case one taken by her son Oliver of his brother Luc.  The book with these sonnets was published by Canterbury Press  and is available from all the usual Amazons etc.

 Luke

His gospel is itself a living creature

A ground and glory round the throne of God,

Where earth and heaven breathe through human nature

And One upon the throne sees it is good.

Luke is the living pillar of our healing,

A lowly ox, the servant of the four,

We turn his page to find his face revealing

The wonder, and the welcome of the poor.

He breathes good news to all who bear a burden

Good news to all who turn and try again,

The meek rejoice and prodigals find pardon,

A lost thief reaches paradise through pain,

The voiceless find their voice in every word

And, with Our Lady, magnify Our Lord.

Thanks to Margot Krebs Neale for this image

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Michaelmas: a sonnet for St. Michael the Archangel

St. Michael at Mont St. Michell -photo by Margot Krebs Neale

The end of September brings us to the feast of St. Michael and All Angels which is known as Michaelmas in England, and this first autumn term in many schools and universities is still called the Michaelmas term. The Archangel Michael is traditionally thought of as the Captain of the Heavenly Host, and, following an image from the book of Revelation, is often shown standing on a dragon, an image of Satan subdued and bound by the strength of Heaven. He is also shown with a drawn sword, or a spear and a pair of scales or balances, for he represents, truth, discernment, the light and energy of intellect, to cut through tangles and confusion, to set us free to discern and choose. He is celebrated and revered in all three Monotheistic religions. There is a good, full account of him here. And here is a bright and playful image of him by the Cambridge Artist Rebecca Merry, who has done a number of icons and other images of the Archangels. You can see more of her art here, and also in the Byard Art Gallery.

And Michael’s scale is true, his blade is bright

And here is a response to the poem from photographer Margot Krebs Neale, weaving the words at the heart of the poem into the heart-shaped image. More of Margot’s work can be seen here.

This poem comes from my sequence from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press, As always you can hear the poem by clicking on the ‘play’ button if it appears, or the title.

Michaelmas

Michaelmas gales assail the waning year,

And Michael’s scale is true, his blade is bright.

He strips dead leaves; and leaves the living clear

To flourish in the touch and reach of light.

Archangel bring your balance, help me turn

Upon this turning world with you and dance

In the Great Dance. Draw near, help me discern,

And trace the hidden grace in change and chance.

Angel of fire, Love’s fierce radiance,

Drive through the deep until the steep waves part,

Undo the dragon’s sinuous influence

And pierce the clotted darkness in my heart.

Unchain the child you find there, break the spell

And overthrow the tyrannies of Hell.

 

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The Word and the words: a sonnet for Lancelot Andrewes

Lancelot Andrewes preacher and translator

September 25th is Lancelot Andrewes’ Day, when the Church remembers one of its greatest preachers and the man whose scholarship and gift for poetic phrasing was so central to the making of the King James Version of the Bible. My own Doctoral thesis was on Andrewes and he has exercised a huge influence on me. On the 400th anniverseary of the KJV I gave a lecture for the Society for the Study of Biblical Literature on Andrewes and translation which was published in this book The King James Version at 400. But I have also published a sonnet for Andrewes in my book for Canterbury Press  The Singing Bowl, so here it is. As usual you can hear the poem by clicking on the title or the ‘play’ button .

Lancelot Andrewes

Your mind is fixed upon the sacred page,
A candle lights your study through the night,
The choicest wit, the scholar of the age,
Seeking the light in which we see the light.
Grace concentrates in you, your hand is firm,
Tracing the line of truth in all its ways,
Through you the great translation finds its form,
‘And still there are not tongues enough to praise.’
Your day began with uttering his name
And when you close your eyes you rest in him,
His constant star still draws you to your home,
Our chosen stella praedicantium.
You set us with the Magi on the Way
And shine in Christ unto the rising day.

I also gave a talk about Lancelot Andrewes and the translation of the King James Bible to the Chelmsford Cathedral Theological Society which various people have asked to hear. They have sent me a recording which I am posting here. The talk itself doesn’t start until about three minutes into the recording and last for about 50 minutes with a question and answer session afterwards.

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Hildegard of Bingen: A Sonnet

Tending the tree of Life by Hildegard of Bingen

The 17th of September is the feast day of Abbess Hildegard of Bingen, a remarkable and prophetic woman, who described herself as ‘a feather on the breath of God’, and whose many works in theology, music, visual art, poetry and drama are still inspiring people today. Indeed she is coming more and more into her own, as one of her key ideas ‘Viriditas’, or the greening and life-renewing work of the Holy Spirit, seems especially apposite for our time. See this page on her by a contemporary Benedictine.

The photo below is by Margot Krebs Neale

I wrote this sonnet at Launde Abbey in Leicestershire. It is published in my second volume of poetry The Singing Bowl, Canterbury Press,  available on Amazon in both the US and the UK

As always you can hear the sonnet by clicking on the play button or the title.

Hildegard of Bingen

A feather on the breath of God at play,

You saw the play of God in all creation.

You drew eternal light into each day,

And every living breath was inspiration.

You made a play with every virtue playing,

Made music for each sister-soul to sing,

Listened for what each herb and stone was saying,

And heard the Word of God in everything.

 

Mother from mother earth and Magistra, 

Your song revealed God’s hidden gift to us;

The verdant fire, his holy harbinger

The greening glory of viriditas.

‘Cherish this earth that keeps us all alive’

Either we hear you, or we don’t survive.

 

Photo by Margot Krebs Neale

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St. Clare: a Sonnet

This mosaic in Assisi, Italy, photographed May 28, depicts St. Clare of Assisi holding a palm frond, a symbol of her entering religious life. (CNS photo/Octavio Duran)

August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare.  She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision of St. Francis and her extraordinary gifts a soul-guide, friend, and leader made her a shining light and a clear mirror of Christ for thousands in her lifetime and still a light and inspiration to Christians from many denominations today.

Clare wrote:

Place your mind before the mirror of eternity!
Place your soul in the brilliance of glory!
Place your heart in the figure of the divine substance!
And transform your entire being into the image
of the Godhead Itself through contemplation.
So that you too may feel what His friends feel
as they taste the hidden sweetness
that God Himself has reserved from the beginning
for those who love Him”

So here is my sonnet in her honour reflecting on how the meaning of her name, ‘light and clarity’, was also the meaning of her life. This sonnet is taken from  The Singing Bowl , which is published by Canterbury Press and available through Amazon etc.

As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title.

Clare

Santa Chiara, lovely claritas

Whose soul in stillness holds love’s pure reflection,

Shining through you as Holy Caritas,

Lucid and lucent, bringing to perfection

The girl whom Love has called to call us all

Back into truth, simplicity and grace.

Your love for Francis, radiant through the veil,

Reveals in both of you your saviour’s face.

Christ holds the mirror of your given life

Up to the world he gives himself to save,

A sacrament to keep your city safe,

A window into his eternal love.

Unveiled in heaven, dancing in the light,

Pray for this pilgrim soul in his dark night.

 

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A Sonnet for the Feast of the Transfiguration

Transfiguration by Rebecca Merry

Pausing for a moment in our progress through the Psalms I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet for today’s feast of the Transfiguration. This is the day when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but sometimes on the Sunday nearest.

The transfiguration is also sometimes remembered just before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.

I am honoured to have had my work interpreted by two other Cambridge artists. The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:

I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.

The photograph which appears after the poem is by the Photographer Margot Krebs Neale. Margot has responded to the idea in the poem that the light of transfiguration is also kindled in us a response to Christ’s light. She writes:

As a person and as a photographer I so wish I could catch “the Love that dances at the heart of things”, and to have seen it not its reflection but the very Love in a human face…Imagine.

Well it was immediately clear I could not count on my work. But then, the light in us that leaps to that light, that trembles and tingles through the tender skin, I believe I witness that.

I am not sure what brought this smile on my friend’s face but I believe it had to do with her being seen, valued, loved. A camera is a light-box, and if I concentrate on them some people feel that it is their light and the light which I try to crystallise and they let them shine together.

I am very grateful to both of them. As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.

Transfiguration

For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.

Photograph by Margot Krebs Neale

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Mary Magdalene: A Sonnet

The 22nd of July is Mary Magdalene’s day, and, returning to my sequence of sonnets written in response to the church year, I post this for her. As usual you can hear the poem by clicking on its title or on the ‘play’ button.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title.

Mary Magdalene

Men called you light so as to load you down,
And burden you with their own weight of sin,
A woman forced to  cover and contain
Those seven devils sent by Everyman.
But one man set you free and took your part
One man knew and loved you to the core
The broken alabaster of your heart
Revealed to Him alone a hidden door,
Into a garden where the fountain sealed,
Could flow at last for him in healing tears,
Till, in another garden, he revealed
The perfect Love that cast out all your fears,
And quickened you  with love’s own sway and swing,
As light and lovely as the news you bring.

 

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A Sonnet for Trinity Sunday

Returning for a moment to my cycle of sonnets for the Church Year, here is one for Trinity Sunday which I am posting the day before, in case people would like to make use of it tomorrow.

By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.

The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making.

As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.

Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..

Trinity Sunday

In the Beginning, not in time or space,

But in the quick before both space and time,

In Life, in Love, in co-inherent Grace,

In three in one and one in three, in rhyme,

In music, in the whole creation story,

In His own image, His imagination,

The Triune Poet makes us for His glory,

And makes us each the other’s inspiration.

He calls us out of darkness, chaos, chance,

To improvise a music of our own,

To sing the chord that calls us to the dance,

Three notes resounding from a single tone,

To sing the End in whom we all begin;

Our God beyond, beside us and within.

 

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A Sonnet for Ascension Day

 Here is a sonnet for Ascension Day, the glorious finale of the Easter Season. I’m posting it a day in advance, in case anyone would like to use it in a service, either on the day itself or else this Sunday.

In the mystery of the Ascension we reflect on the way in which, one sense Christ ‘leaves’ us and is taken away into Heaven, but in another sense he is given to us and to the world in a new and more universal way. He is no longer located only in one physical space to the exclusion of all others. He is in the Heaven which is at the heart of all things now and is universally accessible to all who call upon Him. And since His humanity is taken into Heaven, our humanity belongs there too, and is in a sense already there with him.”For you have died”, says St. Paul, “and your life is hidden with Christ in God”. In the Ascension Christ’s glory is at once revealed and concealed, and so is ours.  The sonnet form seemed to me one way to begin to tease these things out.

This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle.

Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As always you can hear the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem.

I’m grateful to Oliver Neale for the image above, the image below was taken as we launched rockets to celebrate Ascension day at Girton College:

We have lift off!

Ascension

We saw his light break through the cloud of glory
Whilst we were rooted still in time and place
As earth became a part of Heaven’s story
And heaven opened to his human face.
We saw him go and yet we were not parted
He took us with him to the heart of things
The heart that broke for all the broken-hearted
Is whole and Heaven-centred now, and sings,
Sings in the strength that rises out of weakness,
Sings through the clouds that veil him from our sight,
Whilst we our selves become his clouds of witness
And sing the waning darkness into light,
His light in us, and ours in him concealed,
Which all creation waits to see revealed .

 

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